Does Film Pack 7 form part of PhotoLab 8 Elite package? Please make more of these useful Photolab videos - very useful and learnt a lot thank you.

Is it possible to do face swapping with the AI module. I see that it's possible in some other apps with this approach to layers. Is that possible with portrait AI and photo raw 2025?.

Chris: This was a masterclass. To start with, no, the photo all combined wasn't purty. ;-) I know layers are very powerful and I guess it is why I have a hard time wrapping my brain around them. I may come back to watch this a few times. Thanks for all you do even when it makes me dizzy. Take care.

Thanks for this one, added to my reading list to watch again when needed. A lot of info to take in.

I really enjoy your videos and this might be your best. I learned a lot about blend modes which I haven't played with much. So powerful!

thank you a very useful tutorial.

Great video, Chris; I've been using ON1 masks for ages, but still learned lots of new tricks, THANKS!

Good stuff

Thanks Chris for this video. I needed a pep talk and you came through. There hasn't been a lot of info about the Edit Color feature and I so glad that you brought discuss this app out in this video. I hope to use it in the near future.

This is a great tutorial as it outlines the use of Layers within ON1, something I overlooked. Sadly though, as an astro landscape photographer, I will often blend a tracked/stacked milkyway background to a foreground image taken at night or during the blue hour. Both the Sky replacement and layer masking options though are not always suitable for this application in ON1. Great deal of frindging around the edges of trees that take a great deal of effort to correct in masking, often failing. In doing the same image in Photoshop, the Ai tool cleany seperated out the sky, where ON1 failed terribly. I can gladly share the images with you if you would like to give it a go as I'd really like to take advantage of ON1, but I'm finding many shortfalls.

A good tutorial I like to do B&W The ordering of adjustmets was very interesting, possibly the subject of a future video ? I had a look at the ON1 document on how ON1 applies adjustments and i cant really relate that information to a tutorial like this

Chris: You know I like all your videos and hit that thumbs up. I don't make but the rare B&W photo. But this was helpful in just moving the layer underneath made a huge difference. I hope your weekend is good take care.

You are so awesome, I love your style of teaching. Keep it up.

Brilliant. Thanks. I have always been confused about the effect of stacking filters. If I understand it correctly from this presentation, the image is affected first by the filter at the bottom of the stack, then the next one up, and so on. I'm not clear on how to use that to advantage in various filter combinations. It would be great if you would do a comprehensive video on that subject. You're doing great work!

Smart technique! Thx!

Great Class. You were easy to understand. I'm feel much more confident with my masking. Thanks again.

Hi, I would like to know if this editing is or isn’t non-destructive. If I change my mind after saving this photo, will I be able to redo all the editing?

Will, como puedo obtener los perfiles de la cámara Canon EOS R6, que aparecen dentro de tu aplicación On1 PhotoRaw

i was looking for basics of how to combine two images using layers. any links for that?

You're the best! Your on1 videos explain things much more succinctly than anyone out there... Thank you much! This particular one has been a real revelation as, until now I did not have a clear understanding of the file saving method that I was looking for.

TY Chris for re-introducing the somehow overlooked Edit Color filter. I believe I'm going to use it more often.

to save a crap photo like that would be to low the exposure up the contrast, kill the highlights and thrown in some sharpness in lumo. Sometimes what you can't see in the original may only need a fine tweak...it's in the eye of the beholder!

It definitely was worthwhile to show this. I have used Edit Color in a little while, but when I do, it is so good. I use Dynamic contrast, Glow, HDR, Tone Contrast, Sunshine to some degree on almost all my photo's. You have given me permission to explore, test, say boy, that was a failure, delete it and try something else. With all the masking tools and opacity sliders, we do make things better than they were. Because of you and your videos, I do stay inspired and you force me to try to pull out goodness from what I shoot. I thank you so much for doing that. May you stay inspired as it reflects on us, your viewers.

Everything it's ok until on1 unexpected crush.

I like how the brightness of the snow and lamp came out. The sky might be a little too vivid for me, but to each their own. Thanks for letting us look inside your mind.

Thanks for your video. What I'd like to see, is an AI auto-fix or something for scratched and water-damaged photos.

I use Glow on almost all my photos. I use Feather maybe 20% of the time. So you can see I'm learning and using the tools. Here your talk thru's still helps immensely. Great job.

Danke, für Deine Beschreibung, ich konnte etwas lernen ✅

Lots of great tips Chris, Thanks!

If you need help with ON1 sign up for a 1 on 1 coaching call with me here: www.freewillphotos.com/1-on-1-coaching

Hi Chris. Maybe I am little lost but, Is there any video about frequency separation in On1? Thanks!

really good video. Your flow and explanations are very helpful. Thanks

A nice edit, I keep forgetting about that eye brush.

Chris: Like you, I TRY to use appropriate white balance when shooting. When I don't, I use the temp slider in Develop to adjust it warmer or cooler and go from there. I do appreciate the finer points you showed. I would never think of adjusting the white balance in local. You made very good points. Hope the week goes well for you.

I knew the difference existed but didn’t yet know the why, so thank you for explaining the technical background of the white balance correction between the develop and the local mode.

nice tutorial and easy to follow. Pity that you did not remove the leaf from his tail.

Good one Chris, i like the way that ON1 allows us to use different steps or methods for a particular edit action, and still end up with the same or similar result, makes the editing process much more interesting..FYI i love the Eye Brush and use it lots with most creatures, but i find i need to reduce the opacity more often than not..cheers n thanks,

Good stuff Chris, but I cannot find the animal Eye brush. Looks like the name including the prefix FWP might be a style you developed. Should be noted if that is the reason it does not appear in my menu

Nice edit, Chris! Cool ideas... I'm really liking the new ON1 and a lot of the new features. I'm finding that I'm editing near all images that are stored in LrC in ON1 now. It's kind of a pain in the butt with all the jumping back and forth, especially since I can't get all of ON1 with any one of the plugin pieces, BUT, since they refuse to fix sync, it seems to be my best workflow. If they'd fix that one thing, I'd switch over completely, even though I'm on an annual account with Adobe. Thanks again your you and your channel... great stuff here all the time!

Great video, very enlightening and instructive! I learned a lot, thanks! 👏

I appreciate the fact that you continue to do tutorials about the organizational parts of On1. It seems like the On1 people have done fewer upgrades and provided less information about these organizational features since I started using it in 2021. To be honest, it is really the ONLY reason I use On1. I don't do much photo manipulation (and there are lots of good options out there) but I DO need a healthy organization and search tool.

Great content, does this program edit a group of photos at once like Lightroom does?

Chris: This is another one of those tools that I don't personally have a use for but it is good to see how it works. I like the Edit Color and use that tool quite a bit. I'm glad you showed this one just so those of us who follow along with you can see things that we don't actually know about to consider it. Thanks as always. Take care.

If this filter is taking the color values of a reference image, and applying them to a targeted image being edited - i.e. creating a LUT from the reference image; why would we be concerned about the copyright in the reference image? Are an images color range and values, i.e. it's LUT, copyright material? If so, how would anyone know or tell?

This was helpful. I'm not sure I'll end up using this, but it's worth a try. You mentioned stacking filters. I have always been unclear about the effects of repositioning filters higher or lower in the stack. I have never seen any information on this, and it's a mystery to me. Perhaps you could do a video explaining that. I'd find it very enlightening. Thanks for all you do.

sound like you're describing a lut it's very similar

Great video. I have been confused between versions and snapshot. You clarified this for me. Thank you.

Yes, I want to learn more about stacks. I shoot bracketed photos and getting them into a stack would clean up my galleries. Also, since I do a lot of travel, I take multiple shots of the same scene hoping to get one good one. Getting these into a stack would help as well. Thank you for the tip on the keyboard shortcut. Culling my photos after a trip is a major chore since I normally come back with thousands of photos taken from up to four cameras.

thank you, it was very informative, I was inquiring if you have time to do a video on cross pressing, I also don't use it, and don't know how and when to use it, I have noticed on a lot of presets that it is incorporated. thanks.