is this all made inside davinci wide gamut or you using somthing else?

Does not work. Colors get inverted?

Someone get this man a shockmount, or a lapel mic. The constant thumping and banging from the desk vibrations being picked up from the mic are rough if you have sensory issues. I had to move to a machine where I could easily do a high pass filter on the sound to get rid of the headache-inducing bangs. It also helped with the proximity effect from the too-close microphone. Meanwhile, lovely technique, well-explained. Really, cool, thanks.

E.H. Gombrich described this in his book ‘Art and Illusion: A Study in the Psychology of Pictorial Representation’ its light wavelength that the 3 film strips produce that actually produce colors.

such a bizarre choice to not demonstrate this on a shot that actually contains blue and green…which i see plenty of in the rest of your timeline

I used this technique a lot in the past 3 years, but I don't know why, with the last 2 versions of Davinci, it don't work to me. I checked it again and I found out about your video. It look like I was doing all right, but at the last node, the add node don't work, but if I change it with a combiner node it works again. Did you have the same issue as well? should it be a bug of a new Davinci? Thanks for this video anyway.

Crazy I just did a video on this workflow a while ago! Good job replicating it! See if you can figure out what I"m doing here by taking it to the next level with projector light grading... kzbin.info/www/bejne/e2TJl6puhLB-ptE

This is very cool and I like the look, but you could do exactly the same thing with just one RGB mixer set like this: Red: 1.0, -0.5, 0.5 Green: -0.5, 1.0, 0.5 Blue: -0.5, 0.5, 1.0 Cheers, dude! :)

Damn, that was amazing. I just happened to look up some color grading stuff you’d uploaded this three days earlier. I subscribed instantly. Great work. Request: you think you could do a grade similar to degraded B&W footage? I had a project that might use it but I might just go with your technicolor tutorial.

Ive followed all of the step but for some reason, the skintones get screwed. Face gets super red/brown

This is really cool to see in action! one question: what is your timeline color space and clip color space to make this work? In other words, if I'm using a Blackmagic RAW clip do I need to convert that to Rec709 first and then go through this process, or can it be done straight from LOG? Does the timeline color space being Davinci Wide Gamut change anything. Thanks for your help!

How do I apply these nodes created to all of my clips? Great tutorial bro!

This is insane, I am so thankful this video exists I am a huge fan of this look.

I followed the steps but i always end up with a blue image help

pure magic

sAVING THIS NODE TREE

How to make this method work in RCM?

Interesting technique, thank you. But wouldn't we get the same result if we raise the shadows and lower the highlights?

Please keep creating content like this!

well i didnt see any new improvements on this method...

Nice tutorial thanks for that. Is there a reason that there is no trace on your waveform scope there? I would have liked to see it on other clips as well. I guess I've have to reproduce it to see - Thanks again and great work.

thank you so much, great tutorial!

Epic, looks great

Nice one, this node strusture has given me some amazing results 👍👍👍

I am absolutely amazed. This is awesome!! Thanks for this video. I really do appreciate you.

Great tutorial 🎥✒️🇮🇹

can you do one on dye transfer eastman color to late 50s technicolor. I know there is not much documentation on dye transfer prints like on the hammer's color universal remakes from the 50s. or ray harryhousen films

Informative Knowlegde...Buddy thnxss👍

👏🏿👏🏿👏🏿 What color density tools would you suggest for Premiere?