第三樂章是會限嗎😆

演奏もいいけど、フルートの２人、メチャかわいい！

When this concerto first appeared, most professional violinists thought it was impossibly hard to play, now many music students chose it in their graguation performance. Such progression in techniques is amazing.

獨奏者因年邁技術難免下降，但音樂還是讓我感動的掉了眼淚 bravo

好了啦

我要吃雞排

雞排是在這邊領嗎

三毛，齊豫，李泰祥 雖然我不是很喜歡那個年代的國片，但是李大師的音樂，卻讓我愛了幾十年都不厭倦。

台大優秀生、真棒

沒有匠氣的淳樸樂音情韻，加上 在地優秀青年學子的認真表現，真的很美，無可取代的一份台灣之美❤.

如果有單人或合唱，豈不更美？

古典音樂與民歌本質無懈可擊的交響配合! Thanks for sharing!

好聽!!!

Subarashi!!!

🫅

Bravo~~~~~~~~~~~~~~~~~~~~~~~~^^

Respected performance! As a clarinet amateur before, Rossini is definitely one of the tough pieces among the clarinet's repertoire. It's absolutely lucky to play with the real orchestra. And I really appreciate NTU to keep creating chance and stage for more young students who truly love music in Taiwan.

Very good

😍😍😍

非音樂科系的學生樂團(社團活動)，應該以該校團員的表現為主，不應該演奏大型協奏曲(以獨奏家一人的表現為主)。

這種非音樂科系的學生樂團(社團活動)，應該以該校團員的表現為主，不應該演奏大型協奏曲(以獨奏家一人的表現為主)。而且也要注意選曲難易的適中。

音樂真的很奇妙 , YT請搜 bso kinga 也是剛發 , 同樣曲子 , 提琴家與樂團都顯然比較老練 , 但就是不耐聽 , 顯得很老套 , 沒什麼感動 ; 反而台大學生樂團還比較耐聽 , 比較能引人入勝 , 真的很奇妙 ~~~ 有人能解釋為什麼會這樣嗎？

氣勢磅礡、精彩絕倫

真是太驚豔了

精彩👏👏👏👏👏👏👏👏👍

洪大美女真的太厲害了🥹

可惜沒剪到第三樂章一結束指揮對獨奏家笑的那一幕

第三樂章 跟樂團都比較沒練好 , 其他還不錯 , 比我想像中還好一些~許多 , 再加油 ~~ 👍👍

🎉

這也太好聽了吧!

很好啊！活力四射！

where did you get the leadsheets?

好悅耳的樂音。

好悅耳，世界級演奏。

熟悉的旋律！

작고 나이든 여인인데 정말 힘찬 음을 연주하시네요

I love Beauty and the Beast!! I know Alan Menken composed the music and songs for this but who was this arranged by?

6:30也太帥了吧！

我的天啊，普羅要爬出來瞪人了

很可愛

great!!

This is so beautiful...

Very touching 👍❤️

Nice brass section! Awesome performance for student associated orchestra.

Very good performance, considering this is a university orchestra. Only one thing, please don't add more wind instruments than the composer wrote. Beethoven wrote 2-2-2-2 ww and 2-2-0 brass; you perform with 4-3-4-3 ww and 5-3-0 brass. These extra wind players results in timbre and melodic imbalance, and the interplay between wind and strings so characteristic of this period (also Haydn) is lost at points. Some older recordings double the winds, but then they had very large string sections. This was common some decades ago, but today the smaller sound is preferred. This is a management issue. There are ways to give every performer a chance to appear on stage without adding these extras. I work on opera and orchestra season planning and management in Europe today, but worked in Japan some years ago. If there's a job opening in Taiwan i'll make sure to apply. Keep up the good work :)

Boa tarde 🌻,faz um vídeo de cacheados (cortes) para essa idades 😍😘

感動

這在拉什麼？鬼哭狼嚎似的。

讚

Condo Capriccioso, Op.28 I used as BGM in my work's video.