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Пікірлер
@chelo111 2 ай бұрын
@parkercreative_au 2 ай бұрын
is there more of a lighting breakdown anywhere?
@filmmakersblog Ай бұрын
I do have a more in-depth BTS documentary I put together which gives a better look at the lighting and overall production. Here is the link to it! kzbin.info/www/bejne/jp7CiqubbN6ejdE
@conradw.2 3 ай бұрын
I signed up but do not see the template, is it no longer free?
@filmmakersblog 3 ай бұрын
It is still free! The process has changed in the download. Click the link in the description which will take you the website (filmmakers vault). Enter your email and the link to download will be sent to you via email.
@jd0t_adams 3 ай бұрын
Big fan of the balance between suspense and comedy. The conversation after the "did you get stabbed?!" sent me over. Especially the cheering from the dispatch call. Well done.
@filmmakersblog 3 ай бұрын
So glad you liked it! Thank you!
@jd0t_adams 3 ай бұрын
That set looks amazing and the final product even more so. I wish i would have seen this video before my last short film. I walked around my yard with a light for an embarrassing amount of time...
@filmmakersblog 3 ай бұрын
If you want to see more BTS I made a mini doc on the channel! And we all start somewhere. I remember doing an outdoor night scene using one LED panel and a bed sheet. You use what you have. Lucky I was able to gather a pretty awesome lighting package for this project.
@jd0t_adams 3 ай бұрын
@@filmmakersblog you’re not wrong! My last one only used 2 lights. Thanks for all the info you put out on your channel 🤙🏼
@ovi-diy 4 ай бұрын
Nice video!! How about a similar test at ISO 3200?
@filmmakersblog 3 ай бұрын
I hope you never have to shoot that high!
@ovi-diy 3 ай бұрын
@@filmmakersblog there are situations where I do shoot in 3200.. My lighting is not that great and I need plenty depth of field (at least F5.6).. I'll also try and invest in some lights, at least some DIY lights. But for now, it works OK-ish.. grain not that bad
@aqp93 4 ай бұрын
Thanks dude. Really helpful.
@filmmakersblog 4 ай бұрын
Glad to hear it!
@gattisjohnson4483 4 ай бұрын
Thank you for your knowledge and template.
@filmmakersblog 4 ай бұрын
You’re welcome!
@HONEYSUN_WORLD 5 ай бұрын
what is the name of the song at the end ?
@filmmakersblog 4 ай бұрын
I do not remember unfortunately. I got it off of epidemic sound way back.
@mylifepart2 5 ай бұрын
this is a good channel to learn these things...awesome....mighty thxx
@filmmakersblog 5 ай бұрын
My pleasure!
@juliajosephine21 5 ай бұрын
fantastic work!!
@juliajosephine21 5 ай бұрын
this is great!!!
@edgarshoe 6 ай бұрын
Loved it! Awesome BTS!
@filmmakersblog 6 ай бұрын
Sweet! Thanks Edgar!
@catherineforte8881 6 ай бұрын
Really cool to see the behind the scenes and “meet” the cast and crew! Great job Kevin!
@filmmakersblog 6 ай бұрын
Thank you Catherine! Glad you enjoyed it:)
@mitchhernandez 6 ай бұрын
Some great behind the scenes here! Awesome to watch after viewing the short!
@filmmakersblog 6 ай бұрын
Thanks Mitch! 🎥
@edgarshoe 6 ай бұрын
Great job! 🔥🔥🔥
@filmmakersblog 6 ай бұрын
Thank you Edgar! Make sure you check out the BTS! kzbin.info/www/bejne/jp7CiqubbN6ejdE
@MR.FrownOfficial 6 ай бұрын
The fact she turned around and says “oh sh*t” literally almost broke me 😆 fantastic work on this film!🔥
@filmmakersblog 6 ай бұрын
thank you so much! Glad you enjoyed the blend of humor:)
@dudebandit83 6 ай бұрын
Great work!!
@filmmakersblog 6 ай бұрын
Thank you!! Glad you enjoyed it
@filmmakersblog 6 ай бұрын
WATCH FULL FILM: kzbin.info/www/bejne/Z4DVn2xoebxgsKc
@mitchhernandez 6 ай бұрын
So excited this is finally out!! Well done Kevin! It was a pleasure to be a part of!
@filmmakersblog 6 ай бұрын
Thanks Mitch! Couldn’t have done it without ya!
@loristonscott5978 7 ай бұрын
Very well done.
@Bogo3593 9 ай бұрын
nice
@kgill113 9 ай бұрын
What color is your shirt?
@filmmakersblog 9 ай бұрын
It’s like a dark purple for the talking head shot haha. Blue and silver for the rest.
@shueibdahir 9 ай бұрын
There's a reason why cinematographers today hardly ever use this approach. If you know the Log curve of this camera you'll know that as you approach the highlights, the camera compresses the highlight data to reduce the amount of data needed capture the scene. Think about RED raw or Sony x-OCN, they capture images linearly thus using much more data had they not been compressed formats. Pure 4K RAW captured linearly is a monster, that's why sigma fp eats harddrives for lunch. But this is also so you don't have to worry about highlights compressing in the raw data. But since bmpcc 6k captures light logarithmically, you'll know that as you overexpose and force the majority of the light data into the upper echelons of the waveform, what you're doing is you're reducing the tonal range of your image, this applies to both prores and blackmagic raw since both are encoding the scene logarithmically. A better strategy is to figure out the scene and your camera's dynamic range. I usually pick the midgray from the scene since i'm used to differentiating 3 gray tones from any scene I shoot. Midgray, upper gray and lower gray. Now match the midgray of the camera to the scene midgray. This is the reason why the control image has much better tonal range, skintone and overall better contrast. You distributed the scene light data more evenly over the camera's dynamic range. Edit: Noise is completely normal and necessary in RAW and prores if the camera doesn't do heavy noise suppression. You shouldn't always sacrifice tonal range for much cleaner images. Most pro industry work has noise in the raw data and they clean it in post. If you want to figure out how to keep noise out without overexposing, expose more as you did in in the control in various light conditions and learn how much light your sensor needs at a minimum before noise overtakes the signal. Once you intuitively know your sensors performance, the need to ETTR goes completely away. Sorry for getting nerdy here but this information seriously helped me out in the past so i'm here to share it to fellow creators
@filmmakersblog 9 ай бұрын
Thank you for this insight Shueibdahir, 🙏
@superemesean5907 9 ай бұрын
No reason your channel hasn’t blown up, this video sucked!
@gary7851 9 ай бұрын
I'm a huge fan of tungsten lights, I have two original Arri 650w tungsten fresnel, and I recently purchased the Aputure 120t.
@filmmakersblog 9 ай бұрын
tungsten is a great option but LED is getting better, more practical and affordable.
@gary7851 8 ай бұрын
@@filmmakersblog I agree 👍
@DLundgren22 11 ай бұрын
Hello-- I see I'm a few years late to the party on this video but I found it very helpful, thank you. Two quick questions on the silhouette shot if you happen to read this: 1. Am I correct in seeing that you're using hard light with barn doors and no diffusion? 2. It's a long time ago now but wondering if you have any memory of what intensity level you went with on the LS-1 for this shot.
@filmmakersblog 11 ай бұрын
So glad you enjoyed it! 1. I am not using any diffusion as I needed the output and didn't want my light to spill throughout the frame. I wanted a strong highlight on the subject and that's it. 2. I don't fully remember but that's a trail and error thing as different camera settings and the environment can change what your light intensity should be.
@DLundgren22 11 ай бұрын
@@filmmakersblog thank you!
@stealahb 11 ай бұрын
thanks my guy. appreciate this.
@eofprojects Жыл бұрын
1:46 how do I write 3 shoots (wide and two over the shoulder) that are happening in one scene on the shoot list ?
@filmmakersblog 11 ай бұрын
A little late to this one, however the scene boxes will remain the same. the shot will change and your description will change. For OTS I usually type that into the description. Ex. EXT. HOUSE - DAY SCENE 1 WIDE SHOT EXT. HOUSE - DAY SCENE 1 SHOT A OTS: Character 1 EXT. HOUSE - DAY SCENE 1 SHOT B OTS: Character 2
@eofprojects 11 ай бұрын
@@filmmakersblog thank you so much
@ph_Francesco_Dellisola Жыл бұрын
Hi very interesting test what would you recommend for shooting a documentary in Black Magic Raw such as compression ? Thank you.
@filmmakersblog Жыл бұрын
I think the biggest bottle neck with that decision is actually the amount of footage you plan on shooting and the amount of storage you have available for the project. Length of project? How many interviews and how long? How much storage do you have available? Not every project needs to be shot in raw. Especially if you are not going heavy in effects or color grading. 8/1 or 12/1 are sufficient and have a lot of detail still. Do you have the bmpcc? Need to be raw in order to shoot 6K?
@postsbyleon Жыл бұрын
What me confuses is the difference between a master shot and a wide shot. Like a wideshot could be a mastershot and vise versa as far as i understood it.
@filmmakersblog Жыл бұрын
Yes a wide shot can be and usually is a master shot. The difference is not the framing but rather how much action is filmed in the shot. Wide shot: needs a wide frame Master shot: needs to film most or all the action in a scene
@postsbyleon Жыл бұрын
@@filmmakersblog someone on Reddit gave me this answer to the same question "The master shot establishes the axis for future coverage. A wide shot describes the angle of view" I think this describes it well. At least I understand very good
@DucklantisOfficial Жыл бұрын
How am I the first comment after this video up for 6 years
@filmmakersblog Жыл бұрын
The curse has been lifted!
@rocknrace9685 Жыл бұрын
Brazil operates Pal - M at 60hz, an hybrid system where the color is PAL, but the frequency are 60hz derived from the M System in the United States at the time of black and white TV, with those 525 lines. As the frequency is the Same as the USA/Mexico/Japan , its easy transcode NTSC to Pal-M : changing only the color carrier signal and maintaining the 60hz frequency
@filmmakersblog Жыл бұрын
Thanks for commenting and adding to the discussion!
@tomovision6418 Жыл бұрын
Thanks mate! The Bonus tip was great :) I'll be using that to help plan my showreel.
@filmmakersblog Жыл бұрын
Glad this helps! Go get em!
@himalayakilaru Жыл бұрын
Very interesting !
@NIND-r6u Жыл бұрын
thanks
@bradykelso8682 Жыл бұрын
So proud of you, Kevin! You’re crushing it!
@filmmakersblog Жыл бұрын
Thank you!! I appreciate the support:)
@TheDude-vx6wn Жыл бұрын
Great test video! What does 1.5 stops overexposed look like in false color or waveform? Not sure how to measure this when behind the camera. I have the atomos ninja v.
@filmmakersblog Жыл бұрын
Good question. I know that false color has a color key. So you can turn your exposed middle grey to the next color representing the next stop. For waveform I’m not sure but now Im curious to test it out. I also wonder if the dynamic range in the camera effects the waveform representation. The more dynamic range the smaller the adjustment on waveform, possibly.
@IgnacioRoman-nf4ms Жыл бұрын
Hi, do you know any example of this in movies or tvshows??
@filmmakersblog Жыл бұрын
Unfortunately, I don’t know of any off the top of my head that is similar to this. Maybe someone else can chime in. The most common effect I see in film is having other characters move as a fast speed while the main character stays in real time.
@IgnacioRoman-nf4ms Жыл бұрын
@@filmmakersblog Thanks, the one in the lion king, when Simba is growing up during hakuna matata is a reference im using, but im trying to find a more dynamic one
@edgarshoe Жыл бұрын
Looks amazing! Glad you guys are still out there making movies! ✌️
@filmmakersblog Жыл бұрын
Yes we are! Thanks for the support! Will be documenting more of the process.
@adrianjuric5892 Жыл бұрын
Thank you for such a fun, informative video. I'd love that shot list template too! :)
@isaacregalado1417 Жыл бұрын
Can't find the template download...
@filmmakersblog Жыл бұрын
Hey! It’s the link in the description. The template is now included in the Filmmakers Vault. www.thefilmmakersblog.com/get-access
@quiztasiarocks Жыл бұрын
how do you work with the practicals in the bg? On False Colour for me, they are always red, whatever the brightness is set, any advice for the practical lights and exposing for them?
@filmmakersblog Жыл бұрын
Great question. Depending on your situation practicals can be difficult to work with especially if you can’t control it. The first thing you have to decide is if it is okay for the practical to “blow out” and be overexposed. If that’s okay then you’re good to go. If that’s not an option then this is what I do. First: expose you’re shot for the practical first until the practical is at the exposure you want it. Second, light your subject and the rest of the scene to proper exposure. A common problem that occurs is the practical is SO BRIGHT that to properly expose it makes the rest of the shot TOO DARK. And you don’t have enough external lights to bring everything back to normal. In that case you need to lower the intensity of the practical. By either dimming the light or using diffusion around the lamp shade. Or by switching the practical altogether. That way there is a closer middle ground that you can find.
@cynthiacarr2093 2 жыл бұрын
Hi great informative video Newby here! I would love to receive the shot list template please if it's still available! It's 2022 and I ran across your video. Thank you in advance and happy holidays 😁💯
@modernmusicstudio303 2 жыл бұрын
These are such great tips and ideas!
@wellpixvideoproduction 2 жыл бұрын
Thank you for sharing your shot list template with fellow filmmakers. Cheers!
@coroianfilm6602 2 жыл бұрын
hello, can you please tell me exactly the method you used to correct the exposure? namely which ones you used from the color page. thank you
@filmmakersblog Жыл бұрын
Late reply! But here we go. All I did was “re-grade” the new shot to look normal. When I changed exposure and made the shot brighter I am now starting with a brighter image. Then I used the same grade which would be brighter overall. To “correct the exposure” I brought down the lift, gamma and gain to appropriate levels until the new image matched the same exposure to the one before even though it started brighter in the raw footage.
@rileyford9316 2 жыл бұрын
just isnt in the description tho
@filmmakersblog Жыл бұрын
It’s the filmmakers vault link in the description. www.thefilmmakersblog.com/get-access