Bonjour, il s'agit du papier aquarelle fontaine satiné 300g

Merci beaucoup pour votre commentaire. Nous vous recommandons l'encre de Chine de la marque Jacques Herbin. Elle est très riche en gomme laque. Elle est pigmentée. Elle s'utilise à la plume ou au pinceau et devient brillante en séchant.

Bonjour ! Merci ! Très bonne année à vous également ! 💙

@@ClairefontaineTV derrien c'est gentil

J suis anniversaire aujourd'hui j ai 28 ans

Joyeux Saint Valentine

Bonne fête des pâques

Bonjour Julien, il faut bien laisser la réalisation au soleil (ou sous une lampe UV en ce moment…) sous une plaque vitrée pendant une dizaine de minutes. C’est la lumière du soleil qui révèle les couleurs.

Pas facile le perroquet quand même 😅

🙌

I just bought an ingres block two days ago... I've tried and dissapointed yesterday... Today I found this post. Nonetheless being into art is beautiful... I'm not gonna punch myself in the face.

Go to settings and put it on half or quarter speed - it helps a lot! :)

Hello Janine, Pastelmat paper is trusted medium for the soft pastel market, and its velvety surface has an excellent ability to hold pigments without saturation effect. It accepts wet techniques and makes the colours shine. We can recommend Blockx soft pastels: • The BLOCKX classic pastel range consists of 204 vivid colours and 82 shades for the giant pastel range. • Soft and velvety, assembled in sticks and made by hand, the soft, non-friable dry pastels have great covering power. Individually wrapped in a protective foam, they are very clean to handle. • BLOCKX pastels are ready to use, can be diluted with water and are perfectly lightfast. blockx.be/ instagram.com/blockxcolours/ Have a nice day.

Bonjour, Le kit contient 10 feuilles au format A5, si vous voulez faire des cartes 10x15 ou des marque-pages, il faut recouper ces feuilles. Nous n’avons pas de kit spécifiques au format cartes postales ou marque-pages. Bonne journée :)

@@ClairefontaineTV avec un massicot ?

Thank you. And can you explain why please?

@@ClairefontaineTV certainly, I'll share my thoughts but keep in mind that I'm only saying what I think because you asked me to. To be clear, I'm not talking about your bamboo paper as I haven't tried it but as far as other companies go, the working properties of their bamboo papers aren't as nice as cotton. Compared to other fibre types, I found the bamboo to snag pens fairly easily when drawing on it. Whether or not it was a crow quill with India ink or a fineliner, I found the bamboo to be very grabby. That's not a deal breaker but for me, it's not desirable. I don't know if this next thing is property of bamboo fibre or a property of the sizing of the paper but I found the bamboo paper to be really, really thirsty. Given that your advertising copy there specifically mentions washes and glazes, I wonder if it's a problem your paper makers have solved. I'm sure for some applications a really thirsty paper is desirable but I was surprised by how much water the paper sucked up. Of course, all that water caused any paper that wasn't taped down to buckle. It wasn't just a normal level of buckling, it was much more than I expected or hoped it would. Again, that's not a deal breaker but it certainly makes it a paper I'd have to plan to use. I don't feel confident just being spontaneous with bamboo paper from that other company. The last thing that stood out was the price. It was just too expensive compared to cellulose based paper. I felt like it was in this no man's land of paper. It wasn't cheap enough to compete with cellulose paper and the working properties weren't nice enough to compete with rag papers like cotton or linen. Let me reiterate that this wasn't your paper. I haven't tried your bamboo paper. This was a different brand. The only thing I can say about your paper is that the packaging isn't for me. Generally speaking, I really like the paper that comes out of your mills so perhaps this paper is lovely but the packaging is unappealing to me. I hope that is of some assistance to you. Kind regards.

Bonjour Laurence, c’est un mélange de citrate d'ammonium ferrique & de ferricyanure de Potassium. Disponible dans notre Kit Cyanotype, bientôt disponible en magasin.

Thank you so much for your feedback!

Dear Emily, The Pastelmat give the possibility to make an underground with watercolor or gouache, but it should be a light wash, because it is not a real watercolor paper… So if you have lints , you can try to work with less water or maybe sand lightly the surface with lints before drawing with pastels in order to remove the lints… Pastelmat allows the wet media, in the sense that it keeps the properties of the surface for soft pastels ( supersposition of layers, pigment adhesion…) I know that some artists use denatured alcool for creating undergrounds too ; others patellists do pastel and wet the powder for creating a special background and when it is dry, they draw with soft pastels… I hope you will find the better way for avoiding to dirty your work ! Best regards,

Bonjour, la différence majeure réside dans le papier. Le Koverbook dispose du fameux papier Clairefontaine vélin velouté 90g. Si cela peut vous aider ;)

@@ClairefontaineTV a merci Je pense que je vais prendre le koverbook

story of impossible peter von poehl. Enjoy !

Story of impossible Peter Von Poehl