Mind blowing technique sir....plz make more advance tutorial like that.Thank u
@he.smile_22 сағат бұрын
I know I’m saying this to one of the GOATs but for the eyebags adjustment you could also switch the composite mode of your node to Luminosity to only affect the luminance (and not have to rebalance after)! 👍🏾
@nifemediaКүн бұрын
amazing video... congrats
@VFXRefugeeКүн бұрын
We used this in the 80's with our tube cameras, lol. Still works.
I already like the way she is saying how you need to have trust with your film family if I may call it that way N??
@timbaker89282 күн бұрын
How do you get a part in a movie in a respectful manner
@NellerProductions5 күн бұрын
Love the enthusiasm, the shot looks awful tho. It looks like something from some cheep TV episode from 2008.
@onocoffee6 күн бұрын
Does anyone even have Depron in big sheets anymore?
@SimplestUsername6 күн бұрын
I'm not a big fan of this, it's so overpowered that fine adjustments can't be made.
@al2011036 күн бұрын
I absolutely LOVE the result in terms of light quality on her face. But how in the hell am I going to reproduce three panels like that on a hobbyist level? One could argue that it's not a video for hobbyists, and that's fair enough. Still, I am somewhat rankled!
@SimplestUsername5 күн бұрын
@@al201103 An Amaran F22 with the lantern attachment or create a DIY attachment like his would create a similar look. I think his contraption is still bigger.
@Cameraonthemove6696 күн бұрын
Everyone is out of stock of Depron because of your cinematography tip of the day?? lol
@stefanocson62376 күн бұрын
great
@David-mg1yj6 күн бұрын
The light quality is nice enough, but the framing is a television shot. A soap opera or sit com, at best. None of the masters shoot close up's like that. Maybe Sergio Leone. But very few others. Can you imagine Billy Wilder, William Wyler or Akira Kurosawa framing that close?
@ROBERTPOKONSKI7 күн бұрын
Plesse get your shit together
@the180degreerule37 күн бұрын
here for the bulbs...I love bulbs 😂 😂
@nativestrong72537 күн бұрын
No light makes the skin glimmer like an old fashion Kino-Flo fluorescent.
@ScottSalvi7 күн бұрын
Thanks for the tips Derek & Shane! Very helpful!
@bearland75417 күн бұрын
what if I use a translucent umbrella instead, is it going to be provide the same softness?
@PiDsPagePrototypes6 күн бұрын
No. The umbrella will have a much sharper specularity, because there will be much much less scatter withing then material.
@safetyfreedom65177 күн бұрын
❤
@psynuxx7 күн бұрын
I just love the passion Shane has with lighting. Love this!
@storybabble7 күн бұрын
Where does one get 3mm Depron? I searched without success.
@PiDsPagePrototypes6 күн бұрын
Look for the places that supply foam to RC Model Plane hobbyists.
@PiDsPagePrototypes6 күн бұрын
Or just type depronfoam all one word, and you know what COMes after that.
@12yfilms8 күн бұрын
THIS WAS ONE H*LL OF A TUTORIAL! WOW! I've been following for years. Thank you for sharing!
@isaacalgutria8 күн бұрын
If you needed to get a wide shot. To match would you back up the light and raise the percentage output
@MixTar737 күн бұрын
well it depends on what kind of coverage you're going for, if the shot is too wide for the Light to be present up close (ig it would show up in the frame) you might not be able to do so, you'd have to back up the light too far which would make it harsh and would not result in the same characteristics as the close up. In that case you'd probably resort to adding a big Diffusion Frame (at least 12 x 12) and pump up the Output to better match the softness of the Close up
@EverythingFilmmaking8 күн бұрын
2400k looked better
@anzhonnycastillo17318 күн бұрын
Who doesn't like a nice candle-like warmth, right?
@PigmenMan7 күн бұрын
He probably didn’t like it because it matched her backlight, he made it slightly cooler to create color contrast
@SimplestUsername6 күн бұрын
I agree, I think splitting the difference would have been ideal but hey, he's just trying to show off the contraption.
@MatthewHinmanTexas8 күн бұрын
This is great, Shane. Keep it coming!
@BlacksheepPictures8 күн бұрын
which lenses were used for this?
@charlesteton8 күн бұрын
Great interview but can't put up with the adverts, sorry.
@CineAmaniacs10 күн бұрын
The EL ZONES are life changing if you ever get a chance to use it
@gabrielmike327318 күн бұрын
Thanks sir
@ramanandh126118 күн бұрын
Oh man! This guy is the one i am looking for after spending time on many youtube pros! Very excited for the new series! Thanks youtube for suggesting this channel!❤
@stefanocson623718 күн бұрын
great
@VK_DOP19 күн бұрын
And a true cinematographers from the past had just the simplest time Color three lights to set the Color on their film negatives 😅
@Yvesphotoandfilm19 күн бұрын
I love going to Fotokem! great video
@Old-School-Liberal20 күн бұрын
I really enjoyed this movie
@shadowgold120 күн бұрын
Davinci version 17??🤔
@danilocaporallini15 күн бұрын
Probably this video took time to be edited and delivered 😅
@kimkrohnberle20 күн бұрын
What is meant by "dynamics/color change over time" @6:24
@erwanlecornec539320 күн бұрын
I think he means using keyframes to have the grade cha'ge during the shot, for exemple if someone is coming in our out of a building you might need to adjust your exposure to compensate during the shot
@MPAflix20 күн бұрын
It's nice and it would be even better to see your group nodes structure too. Thanks
@deepmusic245620 күн бұрын
Awesome 👍👍👍
@ricardobirnbaum20 күн бұрын
What a bunch of great tips! Thanks a "bunch"
@ricardobirnbaum20 күн бұрын
Great tutorial
@FlyingLapMedia20 күн бұрын
Those hard drives stacked on your shelf make me feel validated. I know the struggle.
@klatchabobby20 күн бұрын
Fascinating hearing someone discuss this stuff, something that I could do for a living, and just hearing that even more advanced wealth of knowledge just making me feel out of my element relative to him
@fabihaazim766320 күн бұрын
love!!!
@toxotis7020 күн бұрын
why do you prefer Parallels nodes from Serial ?
@ricardobirnbaum20 күн бұрын
Parallel nodes take the base from the previous node only and apply the changes. For example a Vignette and a mask in parallel, would always use the same node before them. If you do serial nodes, they apply one after the other. Serial nodes make it harder to control specific parts of the image because each serial node uses the one before it to start creating a new mask. So what you saw initially, by the time you get to your 3rd mask correction, may be completely different and harder to control. Best way to learn this is trying it. This node structure is golden. Wish I knew this a few years back.
@ozzmanzz20 күн бұрын
@@ricardobirnbaum A great explanation, if I wasn't already subscribed I would now!