Same

Thanks! We are glad it's helpful!

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Thanks for sharing Thomas!

Thanks again, We really appreciate it!

Thanks so much, we are really happy you enjoy the course so much!

Thanks for the nice comment, we apprciate it!

Sure! This is how some violin2 patches are created anyway. I'd still recommend using 2 different libraries tho

Yes sure, most libraries i have go to niente already. And if i wanna do volume, instead of cc11, i use.... well: Volume fader! Way more precise, and automation is more easy to do there than 127 steps of cc11 to me.

@@RicoDerks Interesting!Thank yo for the explanation!:)

@@landorepicmusic Absolutely agree, this is true for most blending or layering in general.

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YES, THE BEST OF ALL.

Bit late: I'm editing in Davinci Resolve Studio ;)

always stereo. Most modern libraries are recorded in SITU (where they would sit in an actual full orchestral recording) So you want to have the full stereo capture.

@@RicoDerks I always want to thank you for the kindness and availability you show to all of us who follow you with interest and passion, in fact I had also intuited the same thing, and you gave me confirmation, thank you for everything.

@PierCamp Most welcome! Good luck!

@@RicoDerks thanks for everything!

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That's great to hear! 🙂

Glad it is useful!

This is even a trending topic. Perhaps it has to do with your feed? Or you are not in some forums

It is a "Keyswitch" which lets you choose and change articulations, for example Spiccato or Staccato.

Hi Matias! We offer online courses for aspiring composers and professionals on our homepage. At the moment we are having our biggest sale ever, so it would be a good time to start :-) With the courses you also receive access to our Discord community where you can get feedback and interact with teachers and other students. Let us know if you have any questions. :-)

Glad you find it useful!

Glad you found it useful! :-)

Yeah a few fx can really help 😊

Thank you, Yeah, it`s really useful

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Thanks a lot! The track is from our course "20th Century Orchestral Writing" in case you want to check it out :-)

Thanks so much!

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Personally I think the overabundance of educational content focusing on harmony is not because it’s harder to write, but because it’s easier to teach. Chord progressions have patterns that are easier to identify/label and collapse into a set of guidelines, if that makes sense. What makes a strong melody is harder to pin down. Or maybe it’s just a cycle that feeds itself; people don’t know how to talk about melody because they’ve never heard people talk about melody. Or maybe I have no idea what I’m talking about, that’s possible too.

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​@@masterthescore Hey, I was wondering: - is there a break down on the differences between both JRPG composing courses? - How they compare in content? - Is the first necessary to take the second course? Etc. Unfortunately, one course is a lot of money for my currently. But, it looks incredible and Joe Hisaishi is my musical hero. I have very strong theoretical knowledge. So, I want to make sure I choose the right one.

If you think your theory is strong you can probably dive into part two. There are a few times we say “as we covered in part one” but I don’t think anything that would really trip you up

Thanks so much!

Oh that sucks, just checked and it works here tough. Maybe give it another try?