Things are still a little all over the place for us. Some clients turn over in linear, some in log, and some of our indie folks need guidance on how to turn material over. Sort of depends if we're working with a post house or a DIY filmmaker who is their own editor and colorist. Would be lovely to have a standard but it's a little difficult to push everyone into the same workflow.

Great tip, John!

Sure, but in my experience I'm seeing people either use both the chrome and gray balls together, or none at all. I generally still use both, plus the 360, which gives me redundancy and a way to doublecheck everything on the back end. My CG team can use the 360 HDR to light the CG and if there's ever a doubt about matching they can drop in a gray sphere to confirm it matches the one we captured on set. I could definitely see a scenario where I'm no longer capturing the chrome sphere but right now if I have lugged it to set with me I may as well get it in front of the camera.

Great tip!

Thanks!

Thanks so much! Glad you are finding this material useful.

Thanks so much!!

Awesome, love this feedback! Thanks so much!

Thanks so much!

Thanks!

Reach out any time with questions!

Great points. I think we'll discuss ACES and OCIO in a future video.

I think we've all been there! Thanks for sharing your insights.

Thanks!

Wow, thanks so much! Glad you are finding this material helpful!

Thanks!

Great suggestion

Great suggestion Brady!

Thanks! I also have some longer form podcast videos I put up last year, with more coming soon. And more of these 10 minute ish pieces coming once a week for a bit.

Definitely helpful to know what you're asking for, and to understand the budget ramifications of each ask.

Thank you!

Thank you Drea!

Your stroke lifetime is set to 1 frame. Needs to be set to all frames.

i did it,but after dont follow,i fooled all you did but doont work similar,my nuke is v 12.i am trying by this why remove a woman in video and the woman is stoped and only move the head and the fontage only move the camera.frist i do the rotopaint and after the camera track or this dont mind?

@artista3d205 really hard to say without seeing your Nuke script

ok,thank you for attention

if you dont mind i can send the fontage by email if you offer to me the email and you see the fontage and check

My guess is you have not linked the RGB channels on your grade node. Likely your grade still has a unified gain knob instead of separate channels. If you separate the channels you'll get the color you're looking for.

It's on Amazon www.amazon.com/gp/video/detail/amzn1.dv.gti.a8bab881-6698-954b-0d73-5f4d9c7b5bbe?autoplay=0&ref_=atv_cf_strg_wb And here on KZbin for a couple of bucks. Thanks for watching!

Thanks for tuning in!

I don't understand

I appreciate the love on the short film! In regards to the stadium, I figured if it got to the point where they reach out, that means the video is doing it's thing and we could address it at that time. Also, we're not putting it in a bad light so I felt that wouldn't make it a hot subject.

You need to see Fluorescent Beast, it's Paul's best movie yet.

But the question is... which Paul? LOL. Thanks for watching!

I just said which Paul. 😏

Thanks! I know some people have had decent luck with Fiverr, and there a groups on social media like Facebook and LinkedIn with names like "I need VFX" etc. and those can be pretty good. Most of our clients come from word of mouth and in-person networking at film festivals and other events.