Nah, sorry [Verse 1 - Tonedeff] Can you feel the speed coming? The beats humming You need something to keep your knees buckling? Keep frontin', you'll be duckin from these huntin' obese gunmen Airing out these fuckin' MCs puffin', so breath some in See each one of my words is just stunningly stern And it's funny you learn through action, not example That's exactly why I have to smack you Learn that {smack, smack} Learn it again {smack} got it now? Didn't ya know that Tonedeff can flow fast enough to mow Sonic down? Well, I'm on it; shower your senses, power defenses up If you don't wanna get offended, or else it's death and A negative attendance in the census when I render you senseless I'm the veteran that was sent with a vengeance That's leaving you with a set of bent wrists And a dented cleft chin, left with a horsejaw Prolly gonna need a veterinarian or a dentist Better get a move on; call U-Haul and troop on to Sioux Falls With blue balls; you all really think you're ill? Until we're just sharing the bill with you all and we're too raw Who's stalling? Cause I done never held it back man Step or take your last stand while we enact raps to packed jams Idiot niggas, figure they're quicker 'til the maniac Is leaving them with one shoulder missing like it's Flashdance Can't stand these motherfuckers that can't rap Tonedeff and Stan, instrumental like Sam Ash Fuck a bitch until her pussy cat naps Y'all niggas are pretty in pink And you been chillin with the Brat Pack Fact is, my stats kick your ass bitch You're too average to consider surpassing The task is tedious, really, this beat is just feeding me You thought Gonzalez was Speedy! [Verse 3 - Tonedeff] Say what you want, but don't ever claim that you want it Stay in the closet or you'll sustain so much pain That you'll vomit solid objects you never swallowed Like hollow organs, you'll cough up dried esauphagus knots and notches We're the marvelous two that are part of the crew That came to astonish, The Plague is brolic Scrape your face with abrasive cleanser, say that we're raining comet Fame's a promise you'll never fulfill, I'll just set up the kill Substantial lances in your neck, and then sets your head on a hill Really, for the world to see, everybody wanna get busy Until they really gotta twirl with me; I score with ease And floor your team I'm sure you dream of fuckin' If weren't for your ball disease, you'd prolly skeez a broad or three But all of 'em see that you ain't nothing but a poor MC So, if you're looking for your pride, and a reason to die In the blink of an Eye, then keep in mind that they all with me Now, hold your screams in, you don't wanna play in the court The kings in From Newport to Kingston I'll give you more defeats in wars than Normandy Complete with hordes of soldiers beefin' Keep your orders straight, cause sweepin me is more than fate could even orchestrate Erasin more pieces of you than your whore's abortion takes

Big Benn Klingon

I've looked and he hasn't played any official show in a few years. And the last few he played were in europe.

He doesn't.

Big Benn Klingon

+John Guzman Sí, porque en el regreso del vinil en el forward, tienes el fader cerrado, sería dejar correr el vinil abriendo con el fader, y cuando regresas el vinil es con el fader cerrado, por lo cual no suena. En cambio en el Chop, haces prácticamente lo mismo a la mitad, es decir, sueltas el vinil para dejarlo correr abriendo con el fader, detienes el vinil, lo manipulas para regresar al cue de inicio de tu loop de scratch, al mismo tiempo, que vas cerrando el fader, por lo tanto, el regreso sí suena. La principal diferencia entre ambos scratches es: el forward, el regreso no suena, por el fader cerrado, y en el chop, el regreso sí suena, porque vas cerrando el fader, por decirlo, simultáneamente a la manipulación que le das al vinil para regresar al cue de inicio de tu loop de scratch. Espero que haya sido aclarada tu duda.