Dziekuje bardzo , przepiekne wykonanie.

세상에.. 이 피아니스트를 발견하게 되어서 기쁩니다!!

26:49

He makes me think in Nikita Magaloff.

This sound comes from yesterday.

He is a great pianist of international category.

Thank you so much! 🙏

excelentes interpretaciones una joya

THIS IS REALLY FIRST RATE PLAYING, BEEN WONDERING FOR MANY YEARS NOW WHY THIS GUY ISN'T A LOT MORE FAMOUS, WITH BIGGER CROWDS, AND SOOOOOOOO GENEROUS TO SHARE HIS LIFE'S WORK WITH THE ENTIRE WORLD, ASKING NOTHING IN RETURN, - MR. ROSE YOU ARE SUCH A GREAT AND GENEROUS MAN AND I FOR ONE HAVE GREATLY ENJOYED ALL YOUR HARD WORK OVER THE YEARS, AND YOU HAVE MADE MY LIFE SOOOOOOOO MUCH BETTER, AND MORE ENDURABLE, THANK YOU SOOOOOOOOOO MUCH MR. ROSE THIS WORLD IS SOOOOOOOOOOO MUCH BETTER WITH YOU IN IT - THANKS AGAIN !!!!!!!!!!!!!!!!!

Steven: Thanks for the memory. Jerry Rose

Wow, this is wonderful! I recall when you played in Atlanta around 1981-82 and I first met you and participated in your master class when I was still in high school. You were a brilliant pianist then and you've still got it! Bravo!

❤❤ Thank you vey much - Merci beaucoup👋👋

57:21 dernier mouvement de la 2eme sonate

It is too fast to my taste.I prefer Barenboim studio rendition on YT EUROARTSCHANNEL.

What an artist! Bravissimo!

I had the good fortune to study with Jerome Rose in the 1980s (!) and was able to see (and hear) up close a superb pianist demonstrate passage after passage. His command of the repertoire was and is amazing. Because I am now studying this work I came here to listen to a composition which I do not recall him performing back then. Well, it is like a trip down memory lane. The same command of music and technique with a beautiful sound and sense of musical balance. He does not distort the phrases, nor does he add gratuitous facial gestures to provide ‘emotion’. His understanding is in the very sound he creates, the phrases he shapes and the Music he conjures. I am so glad to be listening to this. Superb. Just superb.

Gorgeous phrasing and attention to inner voices. Admirable pedal work, as well. An absence of the glaring over use of dynamics, just great sonic structure. Masterful and so enjoyable as the music shines above technique (which Maestro Rose has in abundance) or any imposition by the artist. How many performances of Beethoven Sonatas have we all heard that it is so pleasing to hear something as fresh sounding as these performances. Bravo!

In a league of his own. Rose's Schumann and Liszt are incomparable.

No words. IkiF 2000 . ❤

8888

I wonder why the master and his brilliant works got so few attention on KZbin. Thank you Sir!

No negocio con mi colección. 😅😅

Con la computadora. ❤

It is a beautiful performance. Congratulations

This is an excellent recording. Thanks for posting.

Lol

Jerônimo Harmonias Poéticas e Religiosas 00:00:00 - Invocação 00:07:42 - Ave Maria 00:15:22 - Bênédição de Deus na solidão 00:31:10 - Pensamento sobre a morte 00:44:50 - Padre Noster 00:48:33 - Hino da criança será revelado 00:55:47 - Funerárias 01:07:30 - Miserere, d'après Palestrina 01:11:34 - Andante lagrimoso 01:18:19 - Canção de amor Consolações 01:24:24 - Consolação I 01:25:49 - Consolação II 01:28:21 - Consolação III 01:31:53 - Consolação IV 01:35:02 - Consolação V 01:37:23 - Consolação VI árvore de Natal 01:40:10 - Sallite; Antiga canção de Natal 01:42:23 - Ó noite santa!; Canção de Natal baseada em uma música antiga 01:47:29 - In dulci jubilo: Os pastores na manjedoura 01:50:16 - Adeste Fideles: Como se fosse a Marcha dos Três Reis 01:53:39 - Antiga canção de Natal provençal 01:55:10 - Sinos da noite 02:00:07 - Scherzoso 02:02:18 - Sinos 02:03:59 - Canção de ninar 02:06:49 - Anteriormente 02:09:31 - Húngaro 02:11:03 - Polonês Duas lendas 02:15:27 - São Francisco d'Assise: La predicação aux oiseaux 02:23:25 - São Francisco de Paule marchant sur les flots

C excellent rendition, but I'm very pissed that it was cut off near the end. I really want to hear what he does with th "quasi rit" in the last few bars. Very few pianists resist slowi g down when Brahms has carefully notated the rit so that when the final chord arrives "in time" his strategy is clear! Solomon remains my favorite version!

It should be said that I have postponed listening to this for years because, despite believing Jerome's traversal of the complete Years of Pilgrimage to be monumental, kzbin.info/www/bejne/oXmZk3mrbNGUa8ksi=JmIYtwA20wrAxWJM, I was afraid that having strong and long-held views on the piece, I wouldn't like his B Minor, because I don't like any! By this performance the others are now become superficial and self-indulgent, conjured by the minds of pianists convicted to things.. pianistic: an evocation which Liszt's piano music should, ironically, never be constrained by. This performance is something very special. I wasn't sure what I was hearing or what to think during the first 30 seconds, but I found myself obliged to start conducting, which almost never happens because pianists, born and incubated in the isolation of the practice room, and too much left to their musical will, make an idiosyncratic mess of tempi to service their ego, and insinuate themselves into someone else's music. This performance unfolds as it were an orchestra of talented musicians heeled to a task by requisite modest collective liberty. This performance is orchestral! I can here the various sections chasing each other around, handing over lines as each reaches the limit of its range to continue the escalation of the music through orchestration. Never before has the struggle, the...partnership of the left and right hand been so markedly 'right', independent of each other but contiguous. There are faster performances for those who are pianists, but their is not another rendition that 'gets at' what makes this piece great and proves Liszt greater musical significance and the rightful heir to Beethoven. I fear this performance is too good...to correct...to 'other than' Chopin to interest or excite 'simple' pianists who attempt to make Chopin of...EVERYTHING!. Liszt is spoken hear. Thank you Jerome. You did not disappoint. You are the consummate Lisztian. I've listened to this several times to confirm my views, and I am resolved of them now. Bravo!

One of my all time favorites on YT! Thank you!

as good as I've ever heard

❤

This instrument is not up to the task, and Mr. Rose is struggling to draw out the music from an instrument that is...tonally insufficient to invite the greater lapses and spaces necessary to the task set before it. When that happens, its hard, as a performer, to 'find your way to the music', which stands outside of your reach, and you must settle yourself, with all due despair and respect, with grasping at the notes such as they are available. Its terribly frustrating to see such a great Lisztian struggling against the instruments limitations. To better learn or know his worth consider his...kzbin.info/www/bejne/oXmZk3mrbNGUa8k , 3 hours of pianistic and musical splendor!

A rare talent that actually has something to say given gift of the technical facility and erudition to do so. His complete cycle of, Annees de Pelerinage, is both monumental and transcendent. kzbin.info/www/bejne/oXmZk3mrbNGUa8k

[0:31] Ballade No. 1 in G minor, Op. 23 [9:30] Ballade No. 2 in F major, Op. 38 [16:50] Ballade No. 3 in A flat major, Op. 47 [24:11] Ballade No. 4 in F minor, Op. 52 [35:27] Sonata No. 2 in B flat minor, Op. 35 [59:20] Sonata No. 3 in B minor, Op. 58

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Liebesträume - 3 Nocturnes, S541 [0:00] No. 1 in A flat major - ‘Hohe Liebe’ [6:06] No. 2 in E flat major - ‘Seliger Tod’ [9:55] No. 3 in A flat major - ‘O lieb so lang du lieben kanst’ [14:24] Mephisto Waltz No. 1, S514 (also for orchestra S110/2) [24:02] Mephisto Waltz No. 2, S515 (also for orchestra S111) [33:10] Mephisto Waltz No. 3, S216 [40:37] Mephisto Waltz No. 4, S696 6 Grandes Etudes de Paganini, S141 [43:28] No. 1 in G minor (Tremolo) [47:56] No. 2 in E flat major (Octave) [53:16] No. 3 in G sharp minor (La Campanella) [57:34] No. 4 in E major (Arpeggio) [59:50] No. 5 in E major (La chasse) [1:02:43] No. 6 in A minor (Thema con variazioni) [1:08:29] Ballade No. 1, S170 [1:15:30] Ballade No. 2, S171 [1:29:11] Polonaise No. 1, S223/1 [1:39:55] Polonaise No. 2, S223/2 3 Concert Etudes, S144 [1:47:51] Il lamento [1:56:41] La leggierezza [2:01:25] Un sospiro 2 Concert Etudes, S145 [2:06:54] Waldesrauschen [2:10:30] Gnomenreigen [2:13:23] Berceuse, SS174 [2:21:33] Ab Irato, S143

[0:00] Sonata in B minor, S178 [29:35] Réminiscences de Don Juan, S418 [47:36] Mephisto Waltz No. 1, S514

Hi Jerome! This atypical, regular rhythmic...'asymmetry' in Feux Follets is clearly musically 'intended by you and not a technical artifact or obligation! Can you explain your reasoning? I don't have an urtext edition at hand but the title of the piece alone is sufficient enough to distance me from the conventional pleasantry of the popular performance paradigm commonly associated with this piece's technical defeat and musical realization. Water sprites are...mischievous and malevolent, not fairies. Is that what you are getting at? The more I listen to your performance of it, the more I gravitate to what you are attempting, but its a lot to ask of an unschooled audience focused and fixated by the pieces technical demands, having become a test of sorts. Please share.

Années de pèlerinage Première année: La suisse, S160 [0:00] La chapelle de Guillaume Tell [7:04] Au lac de Wallenstadt [9:48] Pastorale [12:04] Au bord d’une source [15:58] Orage [19:49] Vallée d’Obermann [33:50] Eglogue (Hirtengesang) [39:12] Le Mal du pays [44:37] Les Cloches de Genève Deuxième année: L'Italie, S161 [51:10] Sposalizio [59:43] Il Penseroso [1:04:01] Canzonetta del Salvator Rossa [1:07:31] Sonetto 47 del Petrarca [1:14:35] Sonetto 104 del Petrarca [1:20:40] Sonetto 123 del Petrarca [1:28:33] Après une lecture du Dante (Fantasia quasi sonata) Supplément: Venezia e Napoli, S162 [1:43:12] Gondoliera [1:48:57] Canzone [1:52:03] Tarantella Troisième année, S163 [1:59:29] Angelus! (Prière aux anges gardiens) [2:10:09] Aux Cyprès de la Villa d’Este, No. 1 Thrénodie [2:15:42] Aux Cyprès de la Villa d’Este, No. 2 Thrénodie [2:26:33] Les jeux d’eaux á la Villa d’Este [2:33:20] Sunt lacrymae rerum [2:40:44] Marche funèbre (En mémoire de Maximilien I) [2:48:50] Sursum corda (Erlebet eure Herzen)

[2:24:31] Mephisto Waltz No. 2 [2:33:41] Mephisto Waltz No. 3 [2:41:07] Mephisto Waltz No. 4 [3:07:37] Legende No. 2

Op22 so well played and enjoyable to listen to.

Perfectly!

Marvelous!