This interpretation is a drug. I'm hooked. Rachmaninov's trademark -- leading the listener to a sweet major, but instead doubling back to minor. Coercive control of mood.

Thank you

Very interesting how he plays the Eb-F trill already at 1:00 and not one bar further. I will do the same then, it sounds harmonically better without that D.

Mr. Yemtsov. Thank you for your effort! Is the popular transcription that is available on google too inaccurate? I am just about to start the piece and noticed a few discrepancies in the “original Volodos transcription”, so I wonder.

Große Sendung, danke

Thank you so much for putting in the time to assemble all the different pieces of the score and analyze with timestamps where Lugansky alternates between versions! It's rare to see such detailed analysis of Rachmaninoff on KZbin.

Mvt 1 00:41 Lugansky borrows the low Bb of the first version for the beginning of m.12 and continues with the revised version onwards 02:24 At m.41, L. seems to play F-A instead of F-Ab from the revised version, although it's quite hard to hear and thus possibly incorrect 03:17 m.51 is cut in half to transition to the first version 04:00 L. substitutes the end of the measure to make a quick detour to the second version 04:05 Note the added octave on m.59 to recall the pattern of the first version 04:19 L. modifies the last double-notes of m.63 to match the middle of m.78 of the first version 05:04 The high register passage of the revised version is chosen here 05:49 L. plays these few measures cut from the first version before the recapitulation 05:58 The revised version's recapitulation is played 06:35 Transition to the cadenza-like passage of the first version before the Meno mosso 07:00 L. plays the revised version from now on 07:49 L. switches to the first version to play another great climax of the first movement 08:59 L. cuts m.167 and m.168 in half and blends them together to avoid repetition in the lower octave 09:08 The more straightforward coda of the second version is chosen here Mvt 2 12:31 From m.28, L. chooses the first version for the upcoming climax and b theme 14:22 L. takes these two measures from the revised version for their added sixteenth notes in the right hand 14:30 The more gradual approach to the high register of the first version is chosen here 14:42 L. transitions from m.69 to m.60 of the second version 15:04 L. plays the first version for the more complete modulation to E major 15:47 L. chooses the revised melody for the end of the movement, also containing a small reference to the first movement in the last two measures Mvt 3 18:26 L. chooses the first version for its denser second theme from this movement. To this end, he also modifies the first bit of m.180 for a better transition 19:34 L. puts an additional Eb in the left hand at m.214 before switching back to the revised version 20:17 The cut-out Meno mosso part from the first version is played from here onwards 20:43 L. simplifies m.268, 270, 272 & 274 so that the right-hand jumps aren't impossible to play a tempo 21:27 L. lowers the left hand by an octave to obtain a more percussive fortissimo 21:40 The double-thirds transition of the revised version is chosen from here 22:02 L. goes back on the first version for the last time, although m.322 is taken from the revised version 22:13 An octave of F is implemented in m.329. It's also possible that L. adds a Bb in the right hand but it's uncertain *Note that mvt 2 and 3 have continuous measure numbers because of the "attaca subito" at the end of the second movement

The first piece is obviously inspired by the 5th Beethoven symphony

Flawless

0:46 crying tears of joy

well done Alexey

Schöne Sendung, danke

beautifully arranged, played, and notated

beautiful, somehow gershwinesque

At 1:46 there are four measures that are way crazier than what's in my score. Never saw this before and I've played this piece for twenty years.

That's beautiful! 💝

Thank you so much for your score, I am very appreciate it!

Un suono cosi' bello,espressivo,coinvolgente sara' impossibile sentirlo da altri pianisti,appartiene a Volodos

ARTISTISSIMO!!!!!!

Puro fascino!!!!!

12:14 interesting 🤔

sehr schöne Sendung, danke!

It's fascinating to listen to these early, immature works to then listen to his latter output. His growth as a composer is incredible.

Thank you for sharing the score! It is so nice to see people actually looking for high quality transcriptions!

You have done an excellent work! Thank you very much for the sheet version of this masterpiece.

What an amazing arrangement. Thank you alot for providing us the sheet version ❤

Rachmaninov the poet. This is gorgeous, and a beautiful arrangement.

Many thanks to Mr Yemtsov for his hard work on the score! That looks remarkably difficult to transcribe.

Adorably! 💖👏👏👏👏👏☘💐💐💐

Thank you for high quality sheet music for this. The interpretation and sound is perfect, too.

Exquisite ❤ perfect touch, bringing ing out the melody with the sparkle of the sumptuous arpeggio harmonies. 🙏✨💖

I am waiting this for so long! Thank you so much for uploading!!

这个曲子有点像德彪西的作品

This is a bad piece

젊은 날의 추억, 아름다운 맹세.

Lovely composition & Artistry

This sounds a little like Rachmaninov and a little like Debussy.

Breathtaking! It should be noted this is an electronic recreation of Rachmaninoff's playing, by somehow replaying an old recording through a modern piano in a modern recording studio.

Such beautiful voicing and rubato

실용학원나오면 다해

Debussy must've been a Rach boi.

very charming!

Gorgeous.

Not only one of the best composer of XX century, but definitely one of the best pianist

Beautiful

That sounds quite impressionistic.

Rachmaninov the poet. Wonderful

Very nice! There’s something about Rachmaninoff’s music that always seems to be very emotional in a sad or mysterious way. It’s hard to describe in words.

This reminds me of the effective nature miniatures or Selim Palmgren.

Incredible voicing, similar to Scriabin actually