David Sukonick

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@jgrab1 23 сағат бұрын

Wonderful but I really don't see the point of putting this in 4K since the original isn't in 4K and is a television transmission.

@ka-ronlehman9551 6 күн бұрын

Lovely

@ethanhuffman2418 9 күн бұрын

My favorite ballet. Thanks for posting this

@shvartze 8 күн бұрын

My pleasure. Glad you liked and appreciated this great work.

@antronius 13 күн бұрын

gracias.

@MegaBenjamin70 13 күн бұрын

I saw Dark Elegies at Sadlers Wells in the sixties - it was an experience never to be forgotten! How wonderful to see it again….Thank you

@personaking7844 14 күн бұрын

❤👑❤️

@personaking7844 14 күн бұрын

You can tell he was sickly then....rip

@francescosagramoni5330 14 күн бұрын

Palle

@francescosagramoni5330 14 күн бұрын

Palle

@rhinoskin7550 14 күн бұрын

<3 thank you for sharing this Artist's work

@arthurdante8835 16 күн бұрын

35:25

@thecoolfool007 17 күн бұрын

any more recommendations on dance theory (videos, lectures)?

@theozmiester7405 21 күн бұрын

Still think the snowman should of one the oscar

@andys109 26 күн бұрын

a ball boy started all this!

@hansdekorver7365 Ай бұрын

From the Opera " Rosine " ( 1786 ) . Arranged by Willy Burmester in 1904.

@mid122jy Ай бұрын

OMG I watched this film a long time ago but couldn’t remember the name… Finally I found it accidentally because I wanted to listen a tango music!

@jt2460 Ай бұрын

I saw this on TV in the early '90s, but remembered it as being more like a black & white sketch, and only remembered the woman undressing. I was aware there were other things going on, but could only really remember her.

@HesapçıAkıl Ай бұрын

44:36 fav

@shards0fwords Ай бұрын

This is so cool!!!

@FrederickGIRARD-k8h 2 ай бұрын

Je vous propose cette traduction de l'avant-propos de Leonard Bernstein: « Lorsque j'étais jeune, en deuxième année à l'université de Harvard, un gentleman grec du nom de Dimitris Mitropoulos est venu diriger l'orchestre symphonique de Boston en tant qu'invité. Il s'est avéré être un génie étonnant et ses deux semaines de programmes à Boston ont enflammé toute la ville. Pour moi, sans aucun doute, le point culminant de sa visite a été son interprétation avec toute la section des cordes de l'Orchestre symphonique de Boston du Quatuor en do dièse mineur op. 131 de Beethoven. Il est apparu pour beaucoup d'entre nous qu’il était un peu fou de s’attaquer à ce quatuor très difficile, avec 60 musiciens au lieu de quatre. Mais il s'est avéré que ce fut un triomphe, une nouvelle œuvre de Beethoven qui nous a été révélée. Et cette énorme pièce en sept mouvements semblait exactement adaptée cet ensemble massif de cordes. Lorsque je suis devenu chef d'orchestre quelques années plus tard, l'une des premières œuvres que j'ai interprétée a été cet opus 131, et je l'ai fait à plusieurs reprises avec différents orchestres. La réaction était toujours la même : une jubilation débordante dans le public et de sérieuses réserves parmi les critiques : « Pompeux, disaient-ils, pourquoi gonfler une pièce pour quatuor ? Si Beethoven avait voulu l'écrire, etc… etc… ».Sans me décourager, j'ai commencé à étudier tous les quatuors tardifs de Beethoven avec la même idée d’exagération à l'esprit, mais aucun d'entre eux ne semblait se prêter au traitement, à l'exception du quatuor Metropolis en do dièse mineur qui semblait réclamer toute la section des cordes, ce qui est encore le cas aujourd'hui à mes yeux. C'est un quatuor extrêmement difficile à interpréter avec succès, mais la l’ensemble des cordes de l'Orchestre philharmonique de Vienne semblait y parvenir comme par magie. Je suis très fier d'eux et de cette interprétation. Et si un seul de mes enregistrements pouvait être donné à exister après le Jugement Dernier, je choisirais celui-ci instantanément. Il y a une intimité, une puissance et une unité extraordinaires dans leur interprétation, y compris les doubles basses8 que Beethoven n'a pas écrit - elles sont utilisées pour doubler le violoncelle de la manière la plus discrète, j'espère -, en fait le deuxième mouvement, cet envol rapide et mystique, n'utilise pas les basses du tout. Par ailleurs, il n'y a eu aucune altération de l’œuvre, seulement les notes et la dynamique des parties originales du quatuor de Beethoven. Il peut sembler étrange de présenter ce travail dans le cycle des symphonies de Beethoven, mais je me contenterai de dire que nous présentons ce que vous pouvez considérer comme la Dixième Symphonie de Beethoven. D’une certaine manière, ce quatuor va bien au-delà de la massive Neuvième Symphonie, du chœur et de tout le reste. On pourrait même dire qu'elle va au-delà de tout ce que le cerveau humain a jamais créé. »

@shvartze 2 ай бұрын

Thank you!

@giafiricano30 2 ай бұрын

David, thank you!!!

@shvartze 2 ай бұрын

More good stuff with you to come!

@felipesimabukuro 2 ай бұрын

when i was young, saw the video music for "midnight mover" from accept on mtv (in the end of the 90s). i remember seen and think that was a "very well" produced video for the 80s for that kind of music. took me years (by curiosity, last week) to discover who was that director. to my surprise, was the same Zbigniew Rybczynski!

@MaCastroper145 2 ай бұрын

Unbelievable beautiful! Legendary performance!

@FraidyZone 2 ай бұрын

Go, David!!✌️

@JENTR1X 2 ай бұрын

!!!😅

@hounie2000 2 ай бұрын

This is a wonderful transcription! Going to try to find the CD now.

@shvartze 2 ай бұрын

To my knowledge there is no CD. I got the record from Marek and created this clean digital audio. There are more pieces I transferred from the disc.

@FletchGTM 2 ай бұрын

This film probably was inspiration for one of episodes of popular animated series "Bluey" - Season 2, Episode 45.

@shvartze 2 ай бұрын

Good eye. I wouldn't quite call that inspiration. It was such a blatant copy of the concept they should have noted credit to the original. ....and they didn't resolve it very well.

@FletchGTM 2 ай бұрын

@@shvartze BTW I'm from Poland.

@shvartze 2 ай бұрын

@@FletchGTM My teacher was Polish. If you have a minute check a couple of sources for video of Stefan Wenta performing ballet. Maybe some local stations. This would be broadcasts from late 50s. Good compensation if you can locate this.

@Autumn_Forest_ 2 ай бұрын

And one of the Romanian women was erroneously judged as having stepped out of bounds (video shows she didn’t), so she should have gotten the bronze medal.

@carolrumble4930 2 ай бұрын

Don't think I've ever seen so much mutual respect and warmth on a chat show - was not a big fan of either but I wish this chat had carried on for at least an hour... 😢. Think I'll have to read both their books. How maligned was Eartha in her lifetime? Then along comes an interview like this...👌🤔👌

@AfonsoCM 2 ай бұрын

What an interesting recording! The piano has a very clear sound, fits the piece very well.

@ooniesmiles1287 2 ай бұрын

❤❤❤❤❤❤

@williamringler9304 2 ай бұрын

41:27

@andrewrobb3689 3 ай бұрын

thankyou!

@MatthewMcClellan 3 ай бұрын

Eartha was one of my favorite people who will ever be. Mr. Wogan interviewed her with so much empathy, this was beautiful.

@lisamcdonald1014 Ай бұрын

She was known for her distinctive voice

@horrorpowerfilms9481 3 ай бұрын

Directed by genius Zbigniew Rybczynski, he also co-wrote, edited and photographed the cult classic serial killer film Angst (1983) and directed one of the best music videos ever Close to Edit by The Art of Noise.

@LuciThomasHardylover-qx6ts 3 ай бұрын

What a relief after a few minutes of Bob hope murdering this story I just endured. At least they are trying their best to remain faithful to the book.i think that Cancer Ward was the only one I didn't read more than once.

@djcreepellamensepids80s 3 ай бұрын

Eartha is the Queen of Everything! 👑❤❤❤❤❤❤❤

@lisamcdonald1014 Ай бұрын

January 17th, 1927-December 25th, 2008 rest easy, Kitty

@lisilisin 3 ай бұрын

♥♥

@lalaland2107 3 ай бұрын

Tag yourselves, I'm the girl retrieving the ball.

@germanreyesaponte1112 3 ай бұрын

Que belleza, emicionadisimo....desde el Perú ❤😢

@tribegoddess 3 ай бұрын

Great dancers; same old boring choreography

@harrissaltzberg6772 3 ай бұрын

Thank you, thank you, David Sukonick! I was thrilled to see Dark Elegies presented with the artistry this production achieved at City Center in about 1973, I think. This video was probably made somewhat later. Martine Van Hamel's interpretation is wonderful, inspired.. Sallie Wilson was brilliant, unique in this role at about the same time. It's a great joy to see such a worthy production of this masterpiece. For decades, I have longed to see Dark Elegies again. You've given me a great gift. Once, decades later, I saw another ABT revival. One of the men, who was a technically adept performer in other repertoire, had no ability to communicate feeling in harmony with the other dancers. This beautiful work withered. Harris S.