Sounds great with headphones on

Certain segments benefit considerably-the elision at 4:08 for example, for its contrasting dynamics-but on the whole, it’s pretty apparent why they essentially eliminated the bass guitar-especially for the most common sound systems used at the time. The lead and rhythm guitars are doubled up on sharp, crunching power chords, which has a menace and its own bottom to it, but when you put the syncopated bass guitar line on a par in volume, a single base note (often high and farty) equals two “power” chords, which sounds like a guy playing over the music with a simplified -note-for-note transcription. It’s distracting as hell, and too far up the neck to provide any sense of “bottom end“ anyway. They definitely should have varied his volume in segments that made musical sense, and hurt Jason’s feeling a little bit, rather than taking his parts down across the board and giving him therapy bills for life

This sounds full and complete

and justice for bass!

You can sort of swallow that the bass is out of the other songs it is listenable. But how could they take bass out of this song is just pure evil. Even on the album I think they kept more of it in this track than the other ones. IT MAKES IT SO MUCH BETTER.

And justice for the bass

Great 🔥🔥🔥

Napster likes this.

All thrash bands need the Bass loud🧐🧐🧐🧐🧐🧐

If I showed the first part to my grandpa we would get flashbacks

666 likes Nice

I want this on vinyl 🍺😎🤘

For me, this is how this song should sound. Classic made better.

The bass completed an awesome album. Incredible! 🤘🤘

Lars' kick drum sounds better with Jason's bass in this mix

according to Lars, less (no bass) is more....

Yeah thanx, it’s the first time I hear the great bass from Jason, Wow, how you get the tracks separately,With Moises? But one thing I have to say, the drums still sounds bullshit. thank you Lars!😂

Fantastic job, I always felt this song needed more bass and drums.

The bass in this album especially in one is the heart of the song, gives such a vibe and emotion to it, we will never know what evil backround hides between the cover of ajfa

Hi, your work is amazing! Could you provide a link for HQ Download?

Harvester of Sorrow.....!!!!!!

SICK

Any way we can download the original files and not the youtube compressed ones? Thank you friend

CLASS. Gave it even more of a punk sound. You made a mega intro sound even bigger, and they used 33 more guitar layers!😂

I don't really care about the inaudible bass

Sounds sooo much heavier and def better than the original! 👍🏼

I'm sitting here marveling out how great the bass sound is and then I see you recorded it with a Squier! Goes to show that the tone is in the fingers.

The One song started my Metallica journey. Back in 89 when the video hit on MTV it opened a whole new dimension of music for me as a young 11 year old. I had a music shop next to me that sold new and used tapes and records and I couldn't get the And Justice for All album as it was too expensive at the time for me and was sold out anyways. So I settled on their 1st album Kill em All. What a gem and played that fukin tape everyday for about a month before I went back and bought Garage Days revisted the original one with them on the cover with their guitars $5.98 EP. Then the Black album which at the time I wasn't a real fan of. I think Master of Puppets was next then Ride the Lightning then finally And Justice for All in a span of about 2 years or so I went down the Metallica rabbit hole which was crazy as I first heard Megadeth Peace Sells and Slayers albums up to South of Heaven before buying any Metallica album🤷‍♂️ was just band loyal I guess for a little bit there, being a Slayer fan first and foremost 🤟🏼☠️🔥 Metallica opened the door for me to listen to more heavy similar melodic music rather then just Slayer and Megadeth at that time which were the only 2 bands I had tapes of and there was no social media or real similar music minded friends to get any info from. There was Hair Metal and bands like Motley Crue, Bon Jovi and GNR is what ruled the den and most people I knew were into that, classic rock or rap music. So appreciative as again Metallica made me more aware and onto to bands like Anthrax, Pantera, Ozzy, Black Sabbath, Judas Priest, Testament, Prong, Overkill, Death Angel, Motorhead, Dio, Iron Maiden and of coarse Tool. And Justice for All is probably a definite 3rd favorite behind Ride the Lightning and Master of Puppets 🤟🏼♥️

Love it!

Jason ❤

The chorus is flawed. Towards the end of it, tge last two notes are played higher than they should. Otherwise besides hearing the handling of the strings, the tone is great and so is the volume. I like it.

Masterpiece of a record with a horrible production. I was 10 years old, I knew jack shit about sound and still was wondering why it sounded like a demo instead of what Puppets sounded like. The added bass doesn't do it justice, it simply enhances it to a level we can sit through it. Because I haven't heard the original record since Guitar Hero came out and the internet got its hands on Jason's bass. The record should've been properly mixed in '88. James and Rasmussen should've slapped the SHIT out of 5'6 stupid edge-lord Lars and fix the drum sound and come up with a rich and vibrant production with bass.

You claim 24 bit / 48khz but KZbin maximum bitrate is 240kbps, there's a download link for tracks with maximum quality? KZbin compresses and crushed every audio for data saving.

this is amazing

This song really does fill your soul with James, Lars, and Kirk's grief perfectly.

I love the subtle warp, it's character

…and justice for mustaine

HOLY FUCKKK DUDE. WOWWWW

Wait there is an unusual roaring sound on DT770 headphones and then i read the description :D well done....

HOLY FUCK. Excuse my language, but this literally left me with an open mouth, it sounds INCREDIBLE

Metal’s international anthem 💪

This is one of the greatest metal albums of all time and the bass being added makes it even better

Thanks for that! You corrected a great injustice

421’s are magical

Is this the best one with the bass? It’s my fave mix so far that I’ve heard.

Too bad you can’t scrub the drum track and add a good one!

Még mindig szuper! :)

Man you gotta admit, Jason absolutely nailed the bass parts on this album. I don’t know how Lars and James heard this shit and said “yeah let’s make it inaudible”. Hearing these songs with the bass restored makes them sound so much better.

Jesus…Lars is a tool for not having the bass heard! And this and so many mixes like it that bring up the bass to normal levels, proves it! This is far superior!

Frequently playing in the car. Finally this album has well mixed bass. Thank you. 🙏