Carl Irwin Music

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@pagisubuh 2 сағат бұрын

very much agree with you .

@pagisubuh 2 сағат бұрын

Genius is a strange concept in life.

@pagisubuh 2 күн бұрын

Learn so much from your channel handling musescore 4. Thank you for sharing your music and your knowledge.

@pagisubuh 2 күн бұрын

what file do export from musescore...mp3 ?

@carlirwinmusic 2 күн бұрын

@@pagisubuh .wav

@thepowerhousesound 3 күн бұрын

Is this a plug in or the default sound pacakge? Mine does not sound like this lol

@carlirwinmusic 3 күн бұрын

@@thepowerhousesound these are the default Muse Sounds... but using mock-up techniques: kzbin.info/www/bejne/bKKbiYOwbbejqassi=AWBoi-hL2NWzvIMV

@thepowerhousesound 3 күн бұрын

@@carlirwinmusic thanks so much!

@theWeakForce77 12 күн бұрын

This is a master class on realism. So important. Thank you!

@seven_chords 12 күн бұрын

the one thing holding me back from switching from mac to linux for audio production is software instruments, especially in the orchestral category, as i still heavily rely on those. (if anyone knows of some that already exist and support linux (mainly using reaper as daw) please leave a reply (both free and paid ones)).

@theWeakForce77 13 күн бұрын

Super info. I am working with Muse4 and Ardour. Just getting started. Will see if I can get to where you could. Many many thanks!

@christophelalevee2868 18 күн бұрын

Since Muse Hub is Out of order since 11/11 (macos), could you explain how to retrieve the museSounds that are installed in my computer, directly from MuseScore 4 and all the paid instruments also. TY Chris

@carlirwinmusic 18 күн бұрын

@@christophelalevee2868 That's not possible. Those sounds can only be performed by the Muse Score Studio play engine. Removing even 1 sample from the library (which wouldn't be beneficial or usable) and using it in a manner other than intended would be a violation of Muse Group's licensing and their copyright.

@Sanwych 19 күн бұрын

sounds great! Muse sounds are amazing, but I find them to be a bit inconsistent at times, specially when playing with differents dynamics and punctuation marks. Still incredible that they are avaiable for free.

@samthewoo Ай бұрын

To clarify what you're explaining at 9:30-10:00...basically you add a measure in musescore that will make up for the latency in play between blender and musescore as you're writing, which then gets deleted when you submit the finished product?

@carlirwinmusic Ай бұрын

@samthewoo correct. Across my systems (4 different computers with varying specs), I use a 4/4 measure @ 123bpm in M4 against 1 4/4 measure @ 120bpm in DAW and/or 48 frames when picture is at 24fps in Blender video editor. I strike the first measure from M4 and import the audio to start at 0 with picture OR measure 2 in the DAW with the session start marker placed at the same spot.

@samthewoo Ай бұрын

@Cycling.Doughnut Ай бұрын

I read a lot of comments that drum pads on a midi controller do not work with LMMS? And it seems there is no solution to that. I cannot find any information if they work on other software (apart from the one shipped with the controller). I use Linux, and thinking of buying a midi controller, but I do not know if all buttons and knobs will work.

@carlirwinmusic Ай бұрын

@Cycling.Doughnut I believe that there is a discover feature for midi controllers that works quite well.

@DeLueMusic Ай бұрын

This is really great stuff, man. I had chills from the first piece and the pizzicato at the end made my hair stand up…

@DeLueMusic Ай бұрын

One of the few videos I’ve watched twice, back-to-back. Thank you for taking the time to make this. The track sounds great, too!

@proypro807 Ай бұрын

❤❤❤

@NicolasGilfillan Ай бұрын

Nice!

@esahm373 Ай бұрын

Is this a real violin recording? Sounds very good!

@carlirwinmusic Ай бұрын

This is MuseScore 4 Muse Sounds. If you bought that it's real... then that's how good Muse Sounds and the MuseScore 4 playback engine is.

@esahm373 Ай бұрын

@@carlirwinmusic Wow! Yes, sounds very convincing

@javiermedina5313 Ай бұрын

Thanks for these videos! Have you tried the new paid libraries? It would be awesome if you make a video on that stuff.

@jamus1217 Ай бұрын

The problem i have is that i already have a vast collection of virtual instruments for Windows, so moving to Linux would be a major hassle.

@carlirwinmusic Ай бұрын

@@jamus1217 then don't. If you have a working setup, what motivation would you have to change?

@jamus1217 Ай бұрын

@@carlirwinmusic It's all the bloat after updates, things reinstalling themselves, unnecessary backround processes that refuse to go away and constant issues with things like OneDrive being ever present. I just want an OS that only does what i need and contains what i want it to :(

@MikhailRimskyKorsakov Ай бұрын

Privet friends! Interesting video. The 2nd part sounds better to me, close to real live performance. Also, this comment is for those curious of NotePerformer 4.5. Follow the link here and discover the magic of NotePerformer. I cannot recall any VST sounding like a recording like this. The music in the linked video was produced by Dorico 5.1 Pro driving NotePerformer 4.5.0. The music performance can still be tweaked using Dorico's MIDI lanes, but the listener will definitely hear how NotePerformer is not this 'in-between', medium quality VST as some claims. NotePerformer has a lot of power, if one knows how to use its magic! kzbin.info/www/bejne/h5ergmiQgpl1l6c

@Cat-rw8fc Ай бұрын

I am very happy that I found this, because being able to synch audio or film to Musescore would be increadibly useful to me. I hope this will be part of Musescore in the future, as I am definitely not tech-savy enough to set this up myself. I have been looking for solutions to this for a long while and not found any, so thank you so much for working on this!

@AlexWeidmannComposer Ай бұрын

Hi Carl. It appears you've placed some of your target dynamics under rests after the preceding hairpin. Far as I know, these don't have any effect in Muse Score 4. Target dynamics only take effect when they're placed under notes. Also you have some hairpins with no target dynamic indicated. I'm not sure these have any effect either. N.B. I think this may have changed since Muse Score 3, as I seem to remember dynamics being handled differently in that version.

@carlirwinmusic Ай бұрын

Hairpin dynamics do have an effect without an arriving dynamic marking. However, they merely advance one dynamic level. I believe this has been the case since 4.0. The use of a dynamic target on a rest following a hairpin means that the hairpin will advance at an appropriate rate to the the point of the dynamic marking. With the marking on a rest, it means that the playback does not arrive at that marking but will play back at a greater rate than without the marking... or it will advance at a lower rate, provided that the target is only one level higher/lower. This technique allows for the playback of a dynamic crossfade that lies prior to an actual sample level. This is useful for creating swells that do not 'overblow' (i.e. when p to f is too loud and p to mf is too soft, placing the f on the following rest will create a crossfade release that is between mf and f). Additionally, M4 allows for the placement of a dynamic after a hairpin by selecting the hairpin and then choosing a dynamic target. The target will be placed on the nearest increment following the hairpin and generate the same crossfade release effect that I described. Hopefully that helps.

@AlexWeidmannComposer Ай бұрын

Thanks for the tips! In that case I've been given the wrong advice on the Muse Score Forum, where I was told dynamics under rests have no effect at all.

@carlirwinmusic Ай бұрын

@@AlexWeidmannComposer Additionally, dynamics under rests will set the dynamic level for music thereafter (obviously). But this is important because the play engine will sometimes glitch on playback where an attack at a dynamic change will initiate in the previous marking and then suddenly adjust to the new written marking. This can be overcome by merely placing the dynamic change ahead (usually on a rest).

@JaiHebel Ай бұрын

🎯 Key points for quick navigation: 00:00:00 *🎶 Introduction to Linux Digital Audio Workstations (DAWs)* - Introduction to DAWs available for Linux, - Mention of alternatives like proprietary software, - Focus on native Linux applications discussed. 00:03:56 *📝 MuseScore Capabilities* - Strong orchestral and notation capabilities in MuseScore, - Limitations of MIDI layer and play engine in MuseScore, - Import and utilization of sound fonts and libraries. 00:06:11 *📼 Role of Audacity* - Use of Audacity for audio editing and sequencing, - Mention of Audacity's limitations with MIDI functionality, - Final polish sequencing and mastering by using Audacity. 00:07:49 *🎹 Features of LMMS* - Strength in MIDI handling and plugin integration in LMMS, - Limitations with audio recording and interface, - Functionality for electronic and hybrid music creation. 00:11:37 *🔄 Qtractor Attributes* - Strong MIDI sequencing capabilities, - Issues with tempo and meter mapping during MIDI import, - Exclusively utilizes JACK and requires pipewire for low latency setup. 00:16:18 *🚀 Ardour's Robustness* - Ardour's proficiency in MIDI import and customization, - Comprehensive audio and video editing features, - Recommendation for serious and comprehensive usage. 00:20:05 *🔗 Carla and Patch Bay* - Use of Carla for routing and connecting multiple DAWs, - Benefits of using PipeWire for seamless audio integration, - Encouragement to update to the latest PipeWire for enhanced capabilities. Made with HARPA AI

@samuelbanya Ай бұрын

That's super cool that you can create your own reverbs as you said aka 3d rooms. Do you have a tutorial video on how to do this? Curious since I would love to do field recordings to generate reverbs.

@Gusrikh1 Ай бұрын

Very, very educational.

@jayzeeques Ай бұрын

Honestly, I was a bit shocked to see this, you actually did it! This is enormously helpful. There were a good few things in here that I hadn't picked up from your other videos (or from my own experimentation), and for the things I had heard before, it's great to have them all in one place. Additionally, seeing how you go about use these tricks-both in hearing what you're looking out for and in the actual implementation-makes for a great reference. Thanks for taking the time to make and record this, it's a great resource I'll be passing on to many people I imagine. P.S. You don't have to make a whole nother video on this (I've asked plenty of you as it is), but do you have any tips for more soloistic playback, e.g. in chamber/small ensembles?

@carlirwinmusic Ай бұрын

@jayzeeques For soloist playing... go crazy with precise articulation, dynamic placement, and rhythmic variation. Detail the samples that you want called up in the engine.

@FocusMrbjarke Ай бұрын

Seems like i will watch this later. Thanks for the hard work! :)

@carlirwinmusic Ай бұрын

It's a long one.

@sebastiantobiascastro9350 Ай бұрын

Hello Carl. Thank you very much for sharing your workflow with audio and video in Linux. It is contributions like yours that do justice to the possibilities that the platform offers to work in terms of quality, ease and flexibility of use (some things more than others, of course ;) -as in any ecosystem-) and, above all, as a tool for professional musicians (composers, arrangers, teachers, etc.) that has nothing to envy of other OS/Software. I have been following the development of MScore4 jack branch for months through your videos and I use it daily. I hope it will be an official part of MSCore soon. Greetings from Argentina and apologies for my "google translator" English. Thanks again!

@carlirwinmusic Ай бұрын

@@sebastiantobiascastro9350 Thank you for the kind words.

@yggdrasil7033 2 ай бұрын

does this work on mac?

@carlirwinmusic 2 ай бұрын

@@yggdrasil7033 I don't think so. Not yet.

@yggdrasil7033 2 ай бұрын

@@carlirwinmusic are there plans for it to function on mac?

@carlirwinmusic 2 ай бұрын

@@yggdrasil7033 I think much of that is up to Jack working on Mac rather than Musescore. Are you currently using Jack for anything on Mac?

@carlirwinmusic 2 ай бұрын

@@yggdrasil7033 For what it's worth... the developer of this branch was looking at Mac functionality just this morning; trying to seek out the elements that made M3 accessible to Jack on Mac. So, there's hope there.

@ironknobair 2 ай бұрын

If you spend big bucks on windows programs like izotope for audio mixing and mastering, it is hard to change.

@nyashanin4860 2 ай бұрын

It feels like I'm watching a very old Disney cartoon😮

@carlirwinmusic 2 ай бұрын

@@nyashanin4860 given who composed the music for those and the quality in it... I'll take that as a compliment.

@TheFatPriest 2 ай бұрын

Thank you - really excellent advice here. What is the word used at 16:08? "Crire"?

@carlirwinmusic 2 ай бұрын

@@TheFatPriest Cuivre - French word for copper metal. In music, it indicates a "brassy" edge in tone.

@blueslsd 2 ай бұрын

Such a good video been on linux using Mixbus Pro10 which is built on Ardour. Never missed any plugins for my music.

@edrickblade 2 ай бұрын

Great to see you working on Pipewire, I went back to Jack setup because Tracktion Waveform give some problems with PW

@mohammadjavadsafari6039 2 ай бұрын

So, the Jack setup is possible for Linux users. What should we do in Macos?

@carlirwinmusic 2 ай бұрын

@mohammadjavadsafari6039 As for the PR, I believe that the issue may more be with Jack itself. I would reach out to the Jack project and inquire about updates for current operating systems. Likewise, I would put some pressure on the MuseScore developers to prioritize cross platform audio and midi synchronization capabilities. The snarky side of me, though, thinks about the situation with VST in M4 on Linux. We have been left without such capabilities, and the M4 development team isn't working to implement it. So, there seems to be platform specific deficiencies to go around.

@sarahaprincesa 2 ай бұрын

amazing👏🏻

@mohammadjavadsafari6039 2 ай бұрын

Very useful. Thank you so mauch. It could be better if it comes with musescore accompanying file.

@bruceboome 2 ай бұрын

Thanks for that. Beneficial insights.

@thomaschipgood7813 2 ай бұрын

So cool to see simultaneous and sequential musical notation as it is being played.

@NicolasGilfillan 2 ай бұрын

Thanks for these tips! I can hear the jump in quality for my pieces. Will use in the future!

@NicolasGilfillan 2 ай бұрын

Steps (for me): 1. Normalize it to 0 2. Legacy Limiter (-1) Apply Makeup Gain 3. Repeat Limiter As Necessary 4. Filter Curve EQ (Lows a bit up/Mids some down/Highs gradually up from 1k to 10k then drop off) 5. Normalize to 0 6. Legacy Compressor (Default) 7. Loudness normalization to -14 8. Legacy Limiter (-0.5) DO NOT Apply Makeup Gain 9. Fade In Beginning Attack 10. Cut off excess silence 11. Fade out last hit

@hittjett 2 ай бұрын

There were some really helpful techniques employed in this.Thank you for taking the time to do this. One thing, however, that left me scratching my head was panning the instruments. Almost all of the libraries that I use are recorded in situ. I can't say this for certain about Muse Sounds, but in general this is the case. Would you still choose to do this in that scenario?

@carlirwinmusic 2 ай бұрын

@@hittjett I would only push the pan in cases where the instruments are centered in space by default. The Muse Sounds within the M4 mixer allow for customized panning.

@raffaelebossard4708 2 ай бұрын

Thank you! Excellent insights!

@sarahaprincesa 2 ай бұрын

thank you 👏🏻

@istvanjbalazs 2 ай бұрын

Excellent video, Carl! Thank you for taking the time to make this extremely useful in-depth demonstration! It is indeed of a tremendous worth for improving our notated mockups! :-)

@pristian 2 ай бұрын

Very good video and mockup. Thank you!

@snowsomnus2534 2 ай бұрын

Hello! Which drum corps did you march with?

@carlirwinmusic 2 ай бұрын

@@snowsomnus2534 Bluecoats

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