@@acid_gray ❤️

@@CO5MA thanks! 🙇

oh i would love to. arent they still online somewhere? also do you know maybe if they will work on mk1 models?

@@OrignialDublix mostly Kick and Snare triggers, yes. I think around 4 are used for sound variations, the remaining 12 are for generative gates/fills.

@@OrignialDublix oh and thanks!

@@buromaschinen lovely! will try to imitate this for practise :)

And, as always, I can't be more humbled by your kind words. You know what? The possibility of a sort of "best of" double LP/CD physical release is actually in the air. I'm talking about it with my Distant Future comrades trying to understand what's the cheapest way to do it and what tracks should be in there. I was thinking of a super ultra limited edition, of course. After Model Decay is out I will concentrate in re-editing / re-mixing / re-mastering some tracks that I think are still kinda good from my past releases but sounded like crap because I completely skipped the mixing phase: back then I was like MNM and MD stereo outs straight into the soundcard and that's it. I completely overlooked it. Now I have a nice console1 setup so mixing/mastering is a waaay nicer process with great returns from a sound quality standpoint. I can't assure anything, but something may be available soon :)

@@buromaschinen let me know, please! I want one signed 😬☺️😉🙏🏻

@@CO5MA Will do!

Thanks!

Thank you!

🙇

Thanks!

@@shirishsarkar yes of course. The +drive is just for storing snapshots of the entire machine, but on a plain mkII you always have 8 banks * 16 patterns * 64 steps each.

@@c.ost_u The sequencing was actually pretty quick, probably half an hour, not more.

Hey, thanks!

@@buromaschinenno problem! I mainly use SoundCloud to listen to my music and I would love to hear this on repeat with my phone. Can you upload this there?

@@dicedip7431 it will be available very soon on Bandcamp (time to make a couple more tracks). Bandcamp is my homebase: I release all of my music there together with the other Distant Future members. Unfortunately my love for Soundcloud ended a long time ago :)

❤

Hey, Thanks! I do love 4-to-the-floor tracks, actually most of my tracks start with simple drum patterns, but I never can't keep my hands off the MD and end up making my usual messy stuff. :) In my old productions there are plenty 4/4 tracks, but I won't link them here because they are plain horrible XD

@@buromaschinen I love your drum workouts on the MD - quite unique🥰 How many tracks do you effectively use on MnM and A4 on this track (all 6+4)?

@@acid_gray It's 5 tracks on the monomachine (on 2 stereo outs) and 2 A4 (one is a monophonic track and a 3 notes poly one). The very first sound you hear is a Monomachine DigiENS. When it feels like it's used in poly mode (because the sound tail doesn't get cut by the next note) it's just because that melody spends 2 of the 5 tracks used. Tracks 1 and 2 are identical, they just have half the notes so that they don't conflict on a gate level. Same goes with the mellow pulse wave mid song (they are on track 4 and 5, Swave ENS). Differently, track 3 (another DigiENS) uses the gate conflict on purpose, so you can hear the attack changing from shallow to harsh just because of the monophonic limitations of the sound. If you use the adsr along with a specific pattern metric you can achieve those nice change in sound dynamic without even having to use plocks.

@@buromaschinen Thank you so much! Sounds absolutely straightforward! I am currently working a lot on MD and MnM and struggled a bit how to embed the A4 without overspilling everything with too many tracks!

@@acid_gray yeah, I totally relate to that feeling. I love the mono because it forces you work on limitations, when I added the A4 in my workflow it somehow "dampened" my awareness on composition and synthesis detail.

Thanks!

🙇‍♂

@@sweepstakes thanks!

@@martinmarie5169 soon on Bandcamp! :)

Done deal ! Thanks 😉

@@martinmarie5169 Deal! :) (Thanks!)

@@acid_gray Hey @acid_gray, thanks! Pads are Digipro Ens, poly mode.

@@buromaschinen Fantastic - thanks!

Gotta be more of the latter 😂

Both, that's what sets them apart. They have the vision and also the ability to go off script when something unexpected happens to reign in the magical details that vision will leave behind

@@curvcaten888 yeah, based on interviews it seems more like experimentation until it sounds good. like, maybe there's a general idea beforehand, but a lot is left up to the process

They’re not formally trained but then again neither was Buddy Rich

SID machine

Maybe 2 hours? Can't remember, but it was a quick deal, like most of my tracks. The machinedrum hard to learn? I think it's kind of a myth. Probably it's because the monomachine is waaaay more a difficult machine to master. Machinedrum is very accessible, in my opinion. It is also deep as hell: truly mastering all its possibilities is just plain impossible. That makes it a machine that it's definitely worth the money, I guess. I'm using it since 2006 and it's still my favourite piece of hardware along with the Mono.

yes, but still have to really go deep into the true possibilities. Missing so much a chromatic mode also for the sample section. :) Glad you liked it!