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@AlfredBernasek-vm2jt 3 күн бұрын
TRAUMHAFT ❤
@user-xg7mi7vm9l 3 күн бұрын
Che coppia impareggiabile! Divini
@LeleVeneziano 6 күн бұрын
Io c'ero, me la ricordo bene. Oggi un livello simile è impensabile.
@AlfredBernasek-vm2jt 6 күн бұрын
UNGLAUBLICH FANTASTISCH ❤
@Dan_G.R.S. 7 күн бұрын
Jesus, this is practically a worship just for Merman! How loud can that audience be for you to barely hear Merman! *Ethel Merman* of all people!
@nataliyayatsenko8986 8 күн бұрын
Тенор изумительный,остальные тоже хороши.Опера на любителя,мне не очень но ради пения стоит послушать..
@radames5855 8 күн бұрын
Meraviglioso!!!!!
@jimreilly9508 8 күн бұрын
Thank you for posting this, especially enjoyed hearing Bovy, so different than on the recording of the first act aria in French, which is also on KZbin. A wonderful singer.
@steveegallo3384 9 күн бұрын
Chapeau-bas......BRAVI PARIS......from Acapulco!
@nataliyayatsenko8986 9 күн бұрын
Хорошие певцы,но опера сплошной крик.
@annacsillatakacs5048 10 күн бұрын
1:03:40
@NightmareDorothy 13 күн бұрын
WUNDERBAR!!😄
@michaelg.golden7327 14 күн бұрын
Thanks Just great!!
@Danzig987 14 күн бұрын
Rémus Tzincoca has an interesting musical biography. Originally from Romania, he was incarcerated for a time during World War II. Arriving in France after the war (where he had once studied at the Paris Conservatoire), he became active in the Parisian musical scene, conducting orchestras and befriending various composers -- chief among them Florent Schmitt. He served as an assistant to Georges Enescu for some years. Later he emigrated to North America, working in New York City where he formed and led the Orchestra da Camara and also conducted the New York Philharmonic Orchestra in Florent Schmitt's "La Tragedie de Salome." His career ultimately took him to Canada, where he lived the final decades of his life in Montreal, teaching at the Conservatoire de Montreal and performing. He died in 2012 at the age of 97. This 1962 broadcast recording of Schmitt's technically challenging second suite from "Antoine et Cléopâtre" finds Maestro Tzincoca true to form, delivering equal parts orchestral color and drama.
@vanmusician 15 күн бұрын
Wonderful to hear Basiola. My singing teacher studied vocal pedagogy with him. Richard Miller called him the finest vocal technician he ever knew.
@steveegallo3384 16 күн бұрын
Stirring excitement perfection.....BRAVA from Acapulco!
@hetchera14564 17 күн бұрын
thanks
@jefolson6989 18 күн бұрын
I love how Milton Cross describes the costumes " her golden curls tumbling down her back. "
@jefolson6989 20 күн бұрын
1:04:10 !
@tiziana2776 23 күн бұрын
Cast stratosferico❤❤❤❤❤❤❤❤
@Danzig987 25 күн бұрын
Very likely, the 86-year-old composer was present in the RTF studios when this broadcast recording was made ...
@petergraham8681 26 күн бұрын
Caniglia & Pasero in a superb convent scene. One of the best, IMO.
@josecarrerastema8654 29 күн бұрын
Grandissimi Artisti,non ce ne sono più. Peccato
@stephenlord9 29 күн бұрын
Many have tried, but THIS is the standard
@robcardinal8430 Ай бұрын
PucciniMD.......one of the best renditions of " Pace, Pace Mio Dio", I have ever heard....Caniglia is an alltime favourite....especially when paired with Stignani and Pasero.
@fukutomemasayuki7164 Ай бұрын
4幕のコソットはとにかく凄い コソットの演技力素晴らしい こんなオペラが簡単に観れる事に感謝
@tedotten4377 Ай бұрын
Brava, Diva!
@user-dz5lb5ve7e Ай бұрын
Grandissimo Msini.. Grazie..
@franciscobeltran4370 Ай бұрын
👏👏👏👏
@witsukyai1685 Ай бұрын
Absolutely legendary, aucuns mots nécessaires pour décrire le caractère authentique et bien français de cet enregistrement.
@salvatore_3968 Ай бұрын
Questa registrazione è legata alla mia infanzia quando io bambino davanti il giradischi lascoltavo comprata da mio padre
@salvatore_3968 Ай бұрын
Indimenticabile storica e superba registrazione della mia forza con cantanti grandissimi tutti ed un direttore palermitano grandissimo
@erikschimmel6223 Ай бұрын
Mijn vader had deze uitvoering op 2 lp’s. Altijd een hoogtepunt in de muziek gevonden. Ik heb de platen zeker al 30 jr. Mijn vader is vorig jr op 98 jarige leeftijd gestorven. Muziek en zijn Heiland hielden hem lang overeind. Prachtige ijle zang. Veel mooier dan andere uitvoeringen merk ik nu. Waarom mijn vader deze koos weet ik niet maar ik ben er heel blij mee
@user-pw9us5yo4m Ай бұрын
My uncle loved Delius and described him as an outdoor composer
@richardmcmahon7466 Ай бұрын
Am still waiting a tenor to fill Bergonzi`s boots.
@erasmopagano6585 Ай бұрын
Una grande Rondine una Moffo eccezionalmente insuperabile.
@erasmopagano6585 Ай бұрын
Una grande Adriana
@erasmopagano6585 Ай бұрын
Mi interessa questa registrazione così posso ampliare la discografia della Moffo. Grazie.
@erasmopagano6585 Ай бұрын
Immensa Anna
@annamariacesarini1806 Ай бұрын
Mario tutta la vita nessuno come lui
@annamariacesarini1806 Ай бұрын
Mario cantava con il ❤️
@annamariacesarini1806 Ай бұрын
Oltre la voce c'è tutto il suo cuore ❤️ ❤️ ❤️ ❤️
@annamariacesarini1806 Ай бұрын
Irrangiungibili ne dopo nemai
@olivermundy4220 Ай бұрын
Most enjoyable, despite some wear in a few of the 78 r.p.m. sides (notably about 34-35 minutes in and again about 9 minutes from the end). There is such a warmth and commitment in both playing and singing that it is hard to believe that the performers had to stop dead at the end of each side, about every four minutes! For me the high points are Rufo's 'swallow song' (17:26); the exuberant prelude to act II (57:35) which Vives composed in one night and which ought to be in every orchestra's repertoire; and the letter scene at 1:12:05.
@petergraham8681 Ай бұрын
John Charles comes through splendidly despite the antique sound. Tibbett was his superior in respect to stage characterization & had a wonderful timbre at this time, however IMO Thomas had an even more sonorous & sumptuous instrument that was unmatched until Warren & Merrill arrived on the scene. By that time John Charles had tired of opera & continued for many years singing on the radio & giving sold out recitals. One comment he made then, regarding the latter two venues was that: That they paid more than the MET & he didn‘t have to put on make-up for his hens! He raised them for years. Not the most enlightening comment, perhaps, but totally JC, like him or not. I still love hearing his voice on CDs & 1939 was an especially memorable year for recording. JC was pushing 50 by then but his voice was as beautiful as ever.
@rowley555 Ай бұрын
Bravi tutti
@certified_modernschoolhater 2 ай бұрын
Great performance of Alfano’s best opera.
@giannagloriamanetti8795 2 ай бұрын
Il cuore si alza alle cime dell'arte, quanta fatica e impegno quelli di questi giganti perché potessimo udire tanta meraviglia L'hanno fatto per tutti noi , grazie mai abbastanza Inarrivabili
@lidianeghme4274 2 ай бұрын
Qué voces estupendas la de Corelli y Birgit Nilson.También Mirella Freni rstaba bien pero como Liu prefiero Anna Moffo y Galina Vichsnevskai.
@nairaavdalyan4623 2 ай бұрын
❤❤❤❤❤❤❤