Anthony Newman - Barricades
3:53
5 жыл бұрын
Georges Bizet  - Symphonie «Roma»
31:34
Brahaspati - Raga de la minuit
23:15
6 жыл бұрын
Albert Roussel - Évocations op.15
46:09
Antonín Dvořák - Bagatelles op.47
17:17
Leoš Janáček - Capriccio
19:50
6 жыл бұрын
Gerald Finzi - Dies Natalis
23:47
6 жыл бұрын
Frederick Delius - Violin Sonata no.1
23:06
Gabriel Fauré - Fantaisie  op.111
13:23
Ernest Bloch - Concerto Grosso no.1
20:19
John Bull - Walsingham Variations
12:03
Albert de Rippe - Fantasie IX
5:18
6 жыл бұрын
Jeanne Demessieux - Poème op.9
12:51
Пікірлер
@mikrokosmiko1
@mikrokosmiko1 Ай бұрын
Incredible writing for strings
@rodneywollam739
@rodneywollam739 4 ай бұрын
Terrific. This is the from the last concert from the 1965 European Tour. The program was Die Meistersinger Overture, Barber, Schubert. Pianist was John Browning.
@danielevirgilio4087
@danielevirgilio4087 7 ай бұрын
È possibile conoscere la fonte di questa registrazione?
@ChoiroftheEarth
@ChoiroftheEarth 7 ай бұрын
We are learning this for our Summer School this year. Can't wait!
@lawrence18uk
@lawrence18uk 9 ай бұрын
Oh! I must hear this music in that wonderful acoustic 😍 it being a secular piece "to be sung outside" it actually sounds great in a cathedral acoustic
@davidpollak8801
@davidpollak8801 9 ай бұрын
I agree with the other comments. The best baritone for Finzi is the late John Carol Carol, who was coached in the songs by the composer. John was my singing teacher, and it was wonderful when he said things like "Gerald said it should go like this"....
@maggievoigt6055
@maggievoigt6055 11 ай бұрын
From the first moment that I heard this amazing and magic piece by Finzi, it touched my heart to the core, and made it soar up into the realm of the mysteries of which the text speaks. I have listened to most versions but Wilfred Brown for me is the only singer who weaves the words and music together so that they resonate perfectly. And so listening to this recording becomes a joyful and intense spiritual experience. But every time I grieve the early loss of this wonderful voice. Only wish I had seen him sing live.
@jeancharlton9079
@jeancharlton9079 9 ай бұрын
Yes - a lovely, gentle man and this was evident in the way he sang. I was fortunate to see and hear him during the Three Choirs Festivals at Worcester as a chorus member.
@MarcoInchingolo83
@MarcoInchingolo83 Жыл бұрын
So fascinating!
@grandsethiptah7656
@grandsethiptah7656 Жыл бұрын
Sublime Brahaspati
@knowone3529
@knowone3529 Жыл бұрын
BigDaddy approves of this message
@wilsonbrownofficial2828
@wilsonbrownofficial2828 Жыл бұрын
Finzi’s music is gorgeous.
@jimmymack4079
@jimmymack4079 Жыл бұрын
This is the best recording of the best piece of modernist music ever made
@kmrerk
@kmrerk Жыл бұрын
Amazing. This performance nails it. No compromises here.
@rachelbarlow9382
@rachelbarlow9382 Жыл бұрын
The best voice for English Song of this period: peerless
@seawanderer8371
@seawanderer8371 Жыл бұрын
Nice music good flow elevating feeling and colourful. Painting is lovely too. The Appian Way? By Andrea Mazzocchetti.
@seawanderer8371
@seawanderer8371 Жыл бұрын
" The Appian Way was a Roman road that connected Rome to Brundisium (Brindisi), one of the most important ports of ancient Italy, a port from which the trade routes for Greece and the Orient began. The Appia, considered by the Romans the queen viarum (queen of roads), is universally considered, in consideration of the era in which it was built (late IV - III century BC), one of the greatest engineering works of the ancient world for the enormous economic, military and cultural impact it had on Roman society. Large stretches of the road, particularly in the suburbs of the city of Rome, are still preserved and passable as well as a destination for archaeological tourism. "
@Twentythousandlps
@Twentythousandlps 2 жыл бұрын
One of a handful of piano concertos from the last eighty years with a presence in the repertoire.
@kevinjones560
@kevinjones560 2 жыл бұрын
Excellent with gravy 😋
@rachelbarlow9382
@rachelbarlow9382 2 жыл бұрын
A unique voice - words clearly sung and beautifully shaped - he was the most distinguished tenor of his generation, and a wonderful person!
@deltadawn
@deltadawn 2 жыл бұрын
Very beautiful
@mariorossi9655
@mariorossi9655 2 жыл бұрын
10:38
@theflyingrobby
@theflyingrobby 2 жыл бұрын
Influenced by Morris dancing, too. Many of Delius’ pieces are dances. Where did he go dancing as a youth?
@ianstafford2218
@ianstafford2218 2 жыл бұрын
Simply, my favourite organ piece. And always has been.
@francopanzacchi9692
@francopanzacchi9692 2 жыл бұрын
trovo questa musica molto piacevole, specialmente il terzo movimento.
@pauldavies8535
@pauldavies8535 2 жыл бұрын
Oh .. the wonderful Wilfred Brown. Matchless beauty and sentiment of a byegone era. He was such a wonderful master of language and delivery and incredibly humble with it.
@christophernunn943
@christophernunn943 2 жыл бұрын
agreed and a much better bygone era where honesty/integrity and standards played an important part in peoples lives..all but gone in our sad age.
@marinapegrisch1305
@marinapegrisch1305 2 жыл бұрын
How well put😇!
@Marjorie-yt7pb
@Marjorie-yt7pb 6 ай бұрын
​@@christophernunn943yes! Beautifully said 🎉😢
@estevaoribeiro1172
@estevaoribeiro1172 3 жыл бұрын
Bravíssimo!!! Deus mora nesta música!
@Saltan1908
@Saltan1908 3 жыл бұрын
not the best of Bizet
@bloben
@bloben 3 жыл бұрын
Wow. Just as great as the studio recording or maybe even better. Interesting hearing the Cleveland outside of Severance Hall. Concertgebouw has a great acoustic which adds more space and warmth. Browning was a great pianist. His tone ( from his studies with Rosina Lhevinne) is always round and singing and never punched.
@DavidA-ps1qr
@DavidA-ps1qr 3 жыл бұрын
A beautiful violin sonata from the first note to the last.
@ChrisBreemer
@ChrisBreemer 3 жыл бұрын
Wonderful music, with an affectionate nod to Bach at the end. I find the tenor voice a bit thin and monochrome though.
@johnpeacock1469
@johnpeacock1469 3 жыл бұрын
Well, each to his own. I've heard many recordings of this wonderful work, and none comes close to this version. Apart from the exquisite diction, the purity and restraint of the voice matches the sentiment of the piece perfectly. Less is definitely more in this case.
@treesny
@treesny 2 жыл бұрын
@@johnpeacock1469 Agreed! I am always hesitant to label any recording of any work "definitive," since different interpretations can help us hear new facets of a good or great piece, but I would make an exception for this wonderful performance. Very, very special.
@mostafabinali7109
@mostafabinali7109 3 жыл бұрын
i like it when it's be colourful
@renzo6490
@renzo6490 4 жыл бұрын
I generally need to hear a complex musical composition many times before I feel its effects. That was certainly the case with the second movement of Finzi's Concerto for Clarinet and String Orchestra. Now, I love it !! On the strength of that experience with Finzi, I will listen to this piece again and again.
@originaltommy
@originaltommy 3 жыл бұрын
Try the second movement of the Cello Concerto. It'll melt you. It's devastatingly beautiful.
@kuang-licheng402
@kuang-licheng402 4 жыл бұрын
nice
@winrx
@winrx 4 жыл бұрын
The lyrical third movement is so tightly controlled by Szell......to such marvelous effect!
@c.g.marseille4510
@c.g.marseille4510 4 жыл бұрын
ik zou er bij willen zijn en mee doen. . . on that place
@ademardechabannes
@ademardechabannes 4 жыл бұрын
Fabulous performance!
@johns-mylifesmagic4774
@johns-mylifesmagic4774 4 жыл бұрын
Thank you. This recording has a particular clarity of diction, tone and expression which is quite personal and direct. I haven't heard it before and enjoyed it.
@rogersmith3250
@rogersmith3250 4 жыл бұрын
I completely agree with all you've written John. I just wish that I had listened more to the third program 50 yrs ago when Wilfred Brown pieces were broadcast regularly. Unfortunately I was appreciating Walter Midgley who was in very short supply back then. Brown and Finzi go so well together as did Pears and Britten and Lewis and Elgar. Such joy listening to such beautiful music.
@vankir301
@vankir301 5 жыл бұрын
I so much prefer this to his studio recording. His studio recordings were just too 'poker faced' in his later years when he was recording for Columbia.
@vernonchikchadwick8187
@vernonchikchadwick8187 5 жыл бұрын
One of my first and most favorite of Delius' compositions. I bought the LP before I had ever heard a note of Delius' music -- mostly because of the enticing cover photo of Wanda Wilkomirska -- and my life has never been the same since. This recording led me on a pilgrimage to Delius' house in Grez sur Loing (just outside of Fontainebleau) where I was greeted by then-owner Madame Merle D'Aubigné, who graciously invited me in for tea. That was the beginning of a rare and lovely friendship with Bibka, as she was called, and of course with the spirit of Delius still inhabiting the house and garden.
@barbaraskoczowska7449
@barbaraskoczowska7449 4 жыл бұрын
Beautiful story.
@vernonchikchadwick8187
@vernonchikchadwick8187 4 жыл бұрын
@@barbaraskoczowska7449 Yes! The phrase for it is genius loci, the genius of the place that everywhere breathed Delius' music, love, and inspiration.
@theflyingrobby
@theflyingrobby 2 жыл бұрын
Does anyone else hear the sound of Scottish song in these sonatas?
@vernonchikchadwick8187
@vernonchikchadwick8187 2 жыл бұрын
​@@theflyingrobby I don't doubt it. Delius incorporated folk song in many of his compositions, most notable Negro spirituals in the early work "Florida Suite." And of course there are his Norwegian songs inspired by the Scandinavian north where he loved to wander on extended hiking tours.
@theflyingrobby
@theflyingrobby 2 жыл бұрын
He was born and raised close to the Scottish border. He must have heard lots of Scottish songs. There are also the Kerry songs from that area.
@rourou265
@rourou265 5 жыл бұрын
Esto está escrito durante la primera Guerra mundial y se pudo estrenar hasta 1920(Clemency Burton-Hill /un año para maravillarse/
@gabi.grandy
@gabi.grandy 4 жыл бұрын
Wowwww yo lo estoy leyendo este año, qué loco
@patrickcrosby3824
@patrickcrosby3824 5 жыл бұрын
Is Browning the pianist here? Anybody know?
@patrickcrosby3824
@patrickcrosby3824 5 жыл бұрын
I see now, yes. Who else?
@rodneywollam739
@rodneywollam739 4 ай бұрын
John Browning
@didierperrusset6386
@didierperrusset6386 5 жыл бұрын
sounds a little bit too fast tempo, just a little bit.
@maxblatter
@maxblatter 4 жыл бұрын
I agree ... a little bit! But have you listened to the version of ELP themselves on the album "Works" (kzbin.info/www/bejne/pmPCc6iQg7meY9k) ? That is in my opinion really far to fast!
@johnalbino1957
@johnalbino1957 2 жыл бұрын
Go to settings and reduce the speed...that's what I did
@mihirthakore5228
@mihirthakore5228 5 жыл бұрын
Just brilliant
@aritina8379
@aritina8379 5 жыл бұрын
I wonder which Walsingham Var is more difficult to perform: Byrd’s or Bull’s!
@julianfreeman6418
@julianfreeman6418 5 жыл бұрын
From a technical standpoint, John Bull's version is significantly more difficult to perform, primarily because it uses a complex "clockwork" overlay of 3, or sometimes 4 voices that interact to form the melody with 3/x and 4/x rhythms sometimes running concurrently. In most of the variations, no one voice provides the entire melodic line, or entire harmonic line entirely or consistently. The "ease" with which Dr Newman brings out the melodic lines and voice separations is very deceptive. On the flip side, Byrd's version is more difficult to perform as a "striking" or "wow factor" performance, due to its relative simplicity. From the standpoint of instruction or teaching, the experience of putting the elements of Bull's version together would be both a challenge to any student, and a significant learning experience. From a historic standpoint, the odd twist is that at the time this piece was written, Lord Walsingham was Elizabeth's spymaster and chief inquisitor, whose main task was to root out and eliminate the subversive and enemy Catholic elements, which included Dr Bull.
@franceschurch1216
@franceschurch1216 5 жыл бұрын
Well presented balanced and a beautifully controlled performance in the first but Tear is shamefully drowned out in the second
@偏執者
@偏執者 5 жыл бұрын
C'était une époque merveilleuse Impressionnant chef d'orchestre Szell Dvorak
@偏執者
@偏執者 5 жыл бұрын
Génial! Je me souviens de jours lointains et nostalgiques
@WCaron23001
@WCaron23001 5 жыл бұрын
A monumental work, monumentally performed.
@allenau6760
@allenau6760 6 жыл бұрын
Thanks a lot for posting! This is by far the best interpretation of Edvard Grieg’s Holberg Suite Op. 40 ! Otmar Suitner had perfect command of the various sections of the orchestra and the sound and texture of this recording cannot be rivaled by all the others on KZbin. Edvard Grieg would have been proud! This piece is a suite of 5 movements based on 18th century dance forms written by Edvard Grieg in 1884. Composed to mark the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg, the work opens with a sprightly, energetic Praeludium, followed by a more introspective Sarabande, a rather polite Gavotte, a sublime Air and, finally, a boisterous Rigaudon. 1. Praeludium (Allegro vivace) [0:00] 2. Sarabande (Andante) [2:42] 3. Gavotte (Allegretto) [5:50] 4. Air (Andante religioso) [9:47] 5. Rigaudon (Allegro con brio) [16:07] Enjoy!
@sepiae
@sepiae 6 жыл бұрын
Still my favourite recording of this - thanks for rewarding my search :)
@Paul49Giloi
@Paul49Giloi 6 жыл бұрын
Brilliant