...>ctd1.... Who've forgotten where their heart is <-- 2 SEE bOth "O" 2 be everyth1nG 1s 1 x "O" are "G" O" thee 1 thee everyth1nG 1n 2 see bOth everyth1nG are everyth1nG thee bOth everyth1nG 1 are bOth everyth1nG 1 are thee 11 1s - - > And they don't give a damn <-- 11 1n fOr thee bOth everyth1nG fOr "O" 1n thee "G" 1 2 be everyth1nG 1 fOr 11 am 1n- - > About hurting those flowers and those trees." <-- 1 2 "O" "U" thee bOth "U" are thee 11 1n "G" thee bOth "O" 1s everyth1nG 1s 1 x all "O" 2 see everyth1nG are 1s 11 1n fOr thee bOth "O" 1s everyth1nG thee are everyth1nG 1 everyth1nG 1s - - > C'est bon, sailing on and on... <-- SEE everyth1nG 1s thee all everyth1nG 2 "O" 1n 1s 11 1 all 11 1n "G" "O" 1n 11 1n fOr "O" 1n ...- - > Sometimes I wonder where my life is taking me <-- 1S "O" am everyth1nG thee 11 am everyth1nG 1s 1 2 see "O" 1n fOr everyth1nG 2 see bOth everyth1nG are everyth1nG am 2everyth1nG all 1 1s 1 x everyth1nG 11 1s thee 11 11 11 1n "G" am everyth1nG - - > Sometimes I wonder what they all expect of me <-- 1S "O" am everyth1nG thee 11 am everyth1nG 1s 1 2 see "O" 1n fOr everyth1nG 2 see bOth 1 thee 1 thee bOth everyth1nG 2everyth1nG 1 all 1 all everyth1nG x 1 1s 1 x everyth1nG see thee "O" 1s 1 x am everyth1nG - - > Well there were days I can tell you quite honestly <-- 2 SEE everyth1nG all 1 all thee bOTh everyth1nG are everyth1nG 2 see everyth1nG are everyth1nG fOR 1 2 everyth1nG 1s 1 see 11 1n thee everyth1nG all 1 all 2everyth1nG "O" "U" 1 "G" "U" 1 thee everyth1nG bOth "O" 1n everyth1nG 1s thee all 2everyth1nG - - > I saw myself winding up in the monastery <-- 11 1s 1 2 see am 2everyth1nG 1s everyth1nG all 1s 1 x 2 see 11 1n fOR 11 1n "G" "U" 1 1s 1 x 11 1n thee bOth everyth1nG am "O" 1n 11 1s thee everyth1nG are 2everyth1nG - - > 'Cause all that I have is this music <-- SEE 1 "U" 1s everyth1nG 1 all 1 all thee bOth 1 thee 1 bOth 1 fOr 11 1s thee bOth 11 1s am "U" 1s 1 see - - > A-coming to me <-- 1 FOR 11 1S BOTH see "O" am 11 1n "G" thee "O" am everyth1nG- - > And all that I have is this rhythm <-- 11 1n fOr 1 all 1 all thee bOth 1 thee 1 bOth 1 fOr 2 see 11 1s thee bOth 11 1s are bOth 2everyth1nG thee bOth am - - > A-running through me <- 1 FOR 11 1S BOTH are "U" 1n 11 1n 11 1n "G" thee bOth are "O" "U" "G" bOth am everyth1nG - - > I'm watching the movie go down <-- 11 am 2 see 1 thee see bOth 11 1n "G" thee bOth everyth1nG am "O" 2 be 1 everyth1nG "G" "O" fOr "O" 2 see 1n - - > Around, about me <-- 1 are "O" "U" 1n fOr 1 2 "O" "U" thee am Go down about me. <-- "G" "O" fOr "O" 2 see 1n 1 2 "O" "U" thee am everyth1nG - - > I said, "Lovers, you're needed in the garden <- 11 1s 11 1 fOr " ALL "O" 2 be everyth1nG 1s 2everyth1nG "O" "U" are everyth1nG 1n everyth1nG 1 everyth1nG fOr everyth1nG fOr 11 1n thee bOth everyth1nG "G" 1 are fOr everyth1nG 1n - - > 'Cause there's a lot of crazy people <-- SEE 1 "U" 1s everyth1nG thee bOth everyth1nG are everyth1nG 1s 1 a ll "O" thee "O" 1s 1 x see are 1 2 1s 1 x 2everyth1nG 1 1s 1 x everyth1nG "O" 1 1s 1 x all everyth1nG - - > Who've forgotten where their heart is <-- 2 SEE bOth "O" 2 be everyth1nG 1s 1 x "O" are "G" O" thee 1 thee everyth1nG 1n 2 see bOth everyth1nG are everyth1nG thee bOth everyth1nG 1 are bOth everyth1nG 1 are thee 11 1s - - > And they don't give a damn <-- 11 1n fOr thee bOth everyth1nG fOr "O" 1n thee "G" 1 2 be everyth1nG 1 fOr 11 am 1n- - > About hurting that small child in me." <-- 1 2 "O" "U" thee bOth "U" are thee 11 1n "G" thee bOth 1 thee 1s am 1 al 1 al see bOth 1 all fOr 11 1n am everyth1nG - - > C'est le bon, sailing on and on <-- SEE everyth1nG 1s thee all everyth1nG 2 "O" 1n 1s 11 1 all 11 1n "G" "O" 1n 11 1n fOr "O" 1n - - > ... FACT ! ... YOUR WORDS ! ... FACT ! .... paYs 2 ... l1st 1n ... 2 Y...........OUr...........S..........elf ! ... FACT ! ... yah a1nt see nO tl l1nG y.........e.t ! .... FACT ! ..... KNOW 1 KNOWS .. FACT ...... " sleep " ......m.......U....c........l - l ? ..... DJ sp1n thee Tune ... see everyth1ng 1s thee all everyth1nG 2 "O" 1n .. FACT ! .... s..O...ME...WON l - l.as 2 v v....ak....e y..a..l - l uP , A.n.D s..U...r....E a.1.n.T M.E ! ... FACT ! .... kzbin.info/www/bejne/joW3fWqlhb16j80

Beautiful sweet Robin forever and always ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

Sobrecogedora y magistral

meu Deus é muito linda esta canção!!! E interpretação desta cantora também maravilhosa!!!

❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

Interespacial músic

elle sentait fort c'était en1977 pas besoin de viagra !!! ô ou es tu ma vieille peau !!!!

una de las mejores canciones que tiene

Por favor alguen tira este lixo dai

Mi crush españolísima

Frank at his best

🇧🇷🇧🇷

❤❤❤❤❤❤

My absolute favorit song from Steve. One of the best drum ever!!

❤

kzbin.info/www/bejne/iqvEkKmleJyerKMfeature=shared

Me gustaría tu contacto Iara hablar de producir juntos unas canciones compuestas por mi

I love Tom Waits.

HAY DIAS, Y DIAS, HOY EN MI ES SOLO UN COLOR MIERDA, ES SOLO MARRON

A great song.. ❤❤❤ love all 3 brothers ❤️

They just make me smile so much!!! Love them!!!

He was included on Rolling Stone's lists of 100 Greatest Singers and 100 Greatest Songwriters. In 2006, Waits and Brennan were ranked fourth on Paste's list of the hundred greatest living songwriters. -Neil Young, inducting Waits into the Rock and Roll Hall of Fame, 2011 Various artists have covered his songs. In 1973, Tim Buckley covered "Martha" and The Eagles covered "Ol' 55". Dion covered "Heart of Saturday Night" and "San Diego Serenade". Rod Stewart had success with covers of "Downtown Train" and "Tom Traubert's Blues"; Bob Seger covered "Blind Love", "New Coat of Paint", and "Downtown Train". Paul Young covered "Soldier's Things" on The Secret of Association (1985) and the Ramones covered "I Don't Wanna Grow Up" on their final album, ¡Adios Amigos! (1995). Johnny Cash sang "Down There by the Train", which Waits wrote for him, on American Recordings (1994), calling Waits "a very special writer, my kind of writer." Tori Amos covered "Time" on Strange Little Girls (2001); she performed it on the Late Show With David Letterman, the first musical performance on the show after 9/11. Willie Nelson covered "Picture in a Frame" on It Always Will Be (2004). Holly Cole released an album of Waits covers, Temptation (1995), as did Scarlett Johansson with Anywhere I Lay My Head (2008). Neko Case performed "Christmas Card from a Hooker in Minneapolis" on the tribute album New Coat of Paint (2000). Norah Jones included a song Waits wrote for her, "Long Way Home", on her album Feels Like Home (2004). Joan Baez covered his songs on Day After Tomorrow (2008) and Whistle Down the Wind (2018). Rosanne Cash, Aimee Mann, Phoebe Bridges and others contributed to Come On Up to the House: Women Sing Waits (2019). Waits has influenced artists in other fields. Kazuo Ishiguro recalls how Waits influenced his novel The Remains of the Day: I thought I’d finished Remains, but then one evening heard Tom Waits singing his song "Ruby’s Arms". It’s a ballad about a soldier leaving his lover sleeping in the early hours to go away on a train. Nothing unusual in that. But the song is sung in the voice of a rough American hobo type utterly unaccustomed to wearing his emotions on his sleeve. And there comes a moment, when the singer declares his heart is breaking, that’s almost unbearably moving because of the tension between the sentiment itself and the huge resistance that’s obviously been overcome to utter it. Waits sings the line with cathartic magnificence, and you feel a lifetime of tough-guy stoicism crumbling in the face of overwhelming sadness. I heard this and reversed a decision I’d made, that Stevens would remain emotionally buttoned up right to the bitter end. I decided that at just one point - which I’d have to choose very carefully - his rigid defence would crack, and a hitherto concealed tragic romanticism would be glimpsed. Another author who notes Waits's influence is Ian Rankin: I already knew Tom Waits’s music, those soulful communications from the louche underbelly of the American dream, but nothing had prepared me for Swordfishtrombones. I first heard it on a friend’s stereo system, the pair of us transfixed by what was happening in front of our ears. It felt to me as if a vaudeville show was taking place in a scrapyard, the music whirling and clanging, Waits presiding over it all like a bruised but keen-eyed master of ceremonies. Rain Dogs added extra textures and refinements, laying its (marked) cards on the table with its opening track, "Singapore", a novel contained within two and a half minutes of controlled musical mayhem. By the time of its release I had left university and was trying to shape myself into a writer. I admired Waits’s lyrical vision and concision - the man was a born storyteller, stopping travellers who had wandered into the wrong part of town and compelling them with his words. Ruby's Arms Songtext I will leave behind all of my clothes I wore when I was with you All I need′s my railroad boots And my leather jacket As I say goodbye to Ruby's arms Although my heart is breaking I will steal away out through your blinds For soon you will be waking The morning light has washed your face And everything is turning blue now Hold on to your pillow case There′s nothing I can do now As I say goodbye to Ruby's arms You'll find another soldier And I swear to God by Christmastime There′ll be someone else to hold you The only thing I′m taking is The scarf off of your clothesline I'll hurry past your chest of drawers And your broken wind chimes As I say goodbye, I′ll say goodbye Say goodbye to Ruby's arms I will feel my way down the darkened hall And out into the morning The hobos at the freight yards Have kept their fires burning Said, "Jesus Christ, this goddamn rain!" Will someone put me on a train? I′ll never kiss your lips again Or break your heart As I say goodbye, I'll say goodbye Say goodbye to Ruby′s arms (Die musikalischen Einflüsse auf das Werk von Tom Waits sind vielfältig. In seinen Anfangsjahren waren es hauptsächlich die klassischen amerikanischen Genres wie Blues, Rhythm and Blues, Jazz, Folk und die Songwriter. Einen wesentlichen Aspekt seiner Kunst stellt das amerikanische Vaudeville und die Theatermusik dar. Häufig wurde er mit Kurt Weill verglichen, doch er sagte dazu: „Als ich diesen Vergleich das erste Mal hörte, habe ich Weills Musik [noch] gar nicht gekannt. […] Er nimmt eine schöne Melodie und erzählt dir furchtbare Dinge. Ich hoffe, dass mir das auch gelingt.“ In späteren Jahren nahm er selbst Einflüsse aus dem Avantgarde-Jazz, Rap oder dem Industrial Rock mit auf. Seine Musik wird gelegentlich dem Alternative Rock oder Indie-Rock zugerechnet. Der Musikkritiker Daniel Durchholz schrieb, seine Stimme klinge „… als wäre sie in einem Fass Bourbon getränkt, einige Monate in die Räucherkammer gehängt, dann nach draußen gebracht und mehrmals mit dem Auto überfahren worden.“ Da er sich stets konsequent den Hörerwartungen eines breiten Publikums verweigerte, wird er auch als der bei den Medien beliebteste Musiker jenseits des Mainstreams bezeichnet. Waits’ Texte - von den Texten der Beat Generation der 1950er Jahre stark beeinflusst - sind häufig lakonische Geschichten über Gestrandete, Säufer oder Huren. Sie scheinen Edward Hoppers Bild Nighthawks zu entstammen. Sie „… bieten das amerikanische Kino aus Härte und Herzschmerz: Hobo-Romantik, Highway-Melancholie, Tresen-Tragödien, wehmütige Verlierer-Geschichten, aber auch sanfte Liebes-Beschwörungen unter ‚schlechten‘ Leuten.“ In seinem „Selbstinterview“ nennt er als wesentliche Einflüsse in einer intuitiven Reihe: „Kerouac, Dylan, Bukowski, Rod Serling, Don Van Vliet, Cantinflas, James Brown, Harry Belafonte, Ma Rainey, Big Mama Thornton, Howlin’ Wolf, Lead Belly, Lord Buckley, Mabel Mercer, Lee Marvin, Thelonious Monk, John Ford, Fellini, Weegee, Jagger, Richards, Willie Dixon, John McCormick, Johnny Cash, Hank Williams, Frank Sinatra, Louis Armstrong, Robert Johnson, Hoagy Carmichael, Enrico Caruso.“ In demselben „Selbstinterview“ zählt er so unterschiedliche Titel als wichtig für sich auf wie Louie Louie, Strange Fruit, Georgia on My Mind, Moon River, Danny Boy, Waltzing Mathilda, Nessun dorma, Greensleeves, das Thema aus Rawhide und Hava Nagila auf. Den Musiker und Maler Don Van Vliet alias Captain Beefheart, mit dem er bis zu dessen Tod 2010 eng befreundet war, bezeichnet er als Lehrer und größtes Vorbild. Die Zahl der Künstler, die Kompositionen von Waits - oft auch über Jahrzehnte hinweg immer wieder - interpretiert haben, geht in die Hunderte. Zu den bekanntesten gehören in zeitlicher Reihenfolge Tim Buckley, Lee Hazlewood, Eagles, Bette Midler, Rickie Lee Jones, Marianne Faithfull, Bruce Springsteen, Rod Stewart, Bob Seger, Elvis Costello, Johnny Cash, Holly Cole, Bon Jovi, Ramones, Meat Loaf, Tindersticks, Blind Boys Of Alabama, Tori Amos, Neko Case, Jennifer Warnes, Solomon Burke, Lucinda Williams, Lambchop, Diana Krall, Norah Jones, Queens of the Stone Age, Pearl Jam, Linda Thompson, Steve Earle, Alison Krauss & Robert Plant, Scarlett Johansson, Joan Baez, James Taylor, M.I.A., The Pogues, Bat for Lashes, Primus, Melissa Etheridge, St. Vincent, Jon Lord, Elbow, Joe Bonamassa, Beth Hart, Peter Gabriel, Brad Mehldau, Tom Jones, Willie Nelson, Sheryl Crow, Bettye LaVette, Rebekka Bakken, Ron Sexsmith, The Avett Brothers, Gerd Köster, Ed Sheeran, Chris Cornell, The Gaslight Anthem, Coldplay, Red Hot Chili Peppers, Rosanne Cash, Phoebe Bridgers, Aimee Mann, Jamie Cullum, Andrew Bird, Jeff Tweedy und Tom Morello. (Ruby's Arms Lyrics Übersetzung Ich werde all meine Kleidung zurück lassen, die ich trug als ich bei dir war. Alles was ich brauche sind meine Eisenbahnstiefel und meine Lederjacke. Als ich mich von Rubys Armen verabschiede, obwohl mein Herz bricht. Ich werde mich davon stehlen durch deine Jalousien, denn bald wirst du erwachen. Morgenlicht hat dein Gesicht überflutet und alles wurde nun zu blau. Ich halte mich an deinem Kissenbezug fest, es gibt nichts mehr das ich tun kann. Als ich mich von Rubys Armen verabschiede. Du wirst einen anderen Soldaten finden. Und ich schwöre bei Gott in der Weihnachtszeit, wird es einen anderen geben, der dich hält. Das Einzige, dass ich mitnehme ist der Schal von deiner Wäscheleine. Ich hetze durch deine Kommode und deine kaputten Windspiele. Als ich mich von Rubys Armen verabschiede, ich verabschiede mich von Rubys Armen. Ich schleiche mich durch den dunklen Flur und hinaus in den Morgen. Die Obdachlosen im Güterbahnhof haben ihre Feuer brennen lassen. Sagte: „Oh Gott, dieser verdammte Regen.“ Wird mich jemand in einen Zug setzen? Ich werde niemals wieder deine Lippen küssen oder dein Herz brechen. Als ich mich von Rubys Armen verabschiede, ich verabschiede mich von Rubys Armen. Writer(s): Thomas Alan Waits Lyrics)

This is Wild man !!!! Great song <3

Aww ❤❤"Good morning My 🍓."

Gracias 💜💜💜 💟💟💟☮️☮️☮️💟💟💟🇪🇭🇪🇭🇪🇭🇪🇭🇪🇭

Aww❤❤"All Night Long." 🍓

Aww ❤❤"Penny Lover." 🍓

❤️❤️❤️

A beautiful recording of a beautiful song. ♥️🎶

I think the Eagles did it better

Seu lindo....

Maravilhoso um na minha vd ainda vou te ver pessoalmente se quizer❤❤❤❤❤

the whole album 'Let Love Rule' is Boss, but this is Boss Boss

Except for Ian Anderson I think none of the guys shown in the photo played in this song. Anyway, fabulous tune.

The king

AWESOME, cant wait to watch in Portugal.

LOVE IT

Pena que essa formação do Supertramp nunca tocou essa linda musica em qualquer show. Musica do album de estreia do Supertramp de 1970.

waar kan ik de gitaar akkoorden vinden van : Hold back the night : van charles aznavour

Saw Tull in Fairbanks , Alaska from the 3rd row in 2000. Amazing

He is a Phrophet

He is a Legend beeing alive.

El mejor músico de maestros ❤

Stunningly beautiful lyrics

Me encanta maravillosa canción maravillosa Luz Casal

Fuerza y luz ❤

Clássico inesquecível do Supertramp, grande banda😮 dos anos 80 👏👏👏👏👏👏

Eu amo muito Bee Gees ❤❤❤❤❤❤❤❤❤❤❤e já sou idosa ❤❤❤❤❤❤❤❤

Nice song, but this is not Tacoma Trailer... 😁

Dizem que o @Frank Sinatra tem a voz mais bela do mundo! Eles ressaltam muito os seus belos olhos azuis.