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@yin8079
@yin8079 5 ай бұрын
damn i know this was 11 years ago but that sweater is nice as hell fits perfectly
@kevingermain
@kevingermain 8 ай бұрын
magnificent!
@Balzebur
@Balzebur Жыл бұрын
can someone please edit a good cd with just these toned pieces of guitar and flute compostions
@sarahzwang4200
@sarahzwang4200 Жыл бұрын
beautiful playing Aaron!
@Haasaaroni
@Haasaaroni Жыл бұрын
Thanks Sarah! Bach is my forever girl 🥰
@sarahzwang4200
@sarahzwang4200 Жыл бұрын
@@Haasaaroni hahaha 🤣 didn’t know Bach changed his gender
@wagnerpolveiro6952
@wagnerpolveiro6952 2 жыл бұрын
My dear Aaron, it's always a great pleasure to see you and listen to your music, you are fantastic. Thanks for sharing 💖
@JakeBickerton
@JakeBickerton 3 жыл бұрын
Brilliant performance - loads of passion and energy. Thanks for sharing.
@lucynagawlikguitar8128
@lucynagawlikguitar8128 3 жыл бұрын
Great incredible 🎸💯👏👍Great music by J.S.Bach my favorites composer. Excellent played great guitar sound thanks for sharing All the best
@christifor5277
@christifor5277 4 жыл бұрын
I 0:00 II 1:49 III 3:03 IV 5:00 v 6:19
@maryrusso392
@maryrusso392 4 жыл бұрын
Very musical performance! Gorgeous tone, wonderful phrasing. Really enjoy listening. Keep up good work!
@Pumpkin-Friend
@Pumpkin-Friend 4 жыл бұрын
According to the Wiki entry on Sor, "Op. 7 was a large and strange piece, notated in three clefs, and no guitarist at the time could play it." Aside from the use of three clefs, is there anything else particularly strange or difficult about this piece--it sounds pretty unstrange to my ears. Please elucidate if I'm missing something.
@Haasaaroni
@Haasaaroni 4 жыл бұрын
Funny you should bring that up! I actually wrote that wikipedia page about 10 years ago for a college project. That exercpt was from the biography by Brian Jeffery (Fernando Sor: Guitarist and Composer), and I'm as stumped as you; the piece does not seem strange to my ears. Perhaps it was just the way it was notated, or possibly it was uncommon for guitar pieces of the time. A lengthy introduction, theme and variations, and finale might have been common for other instruments, but guitar writing has always been about 50 years behind the rest of the musical world. It is, however, very difficult to play. Something you will really only know when you are working on it.
@Pumpkin-Friend
@Pumpkin-Friend 4 жыл бұрын
Ha! So funny that I happened to watch your performance (it was the only one that seemed long enough to be complete) and that you wrote the Wiki entry. Thanks for the insight!
@Haasaaroni
@Haasaaroni 4 жыл бұрын
@@Pumpkin-Friend Lol too funny! You got it
@tuomasi1
@tuomasi1 4 жыл бұрын
Theon Greyjoy.
@ElTipMusical
@ElTipMusical 4 жыл бұрын
Sublime
@dmakareev_music
@dmakareev_music 5 жыл бұрын
Very interesting piece! Can you share notes of this composition?
@rjlchristie
@rjlchristie 5 жыл бұрын
Well done. I played this at my University final year performance recital as well, about 26 years ago (Centenary year of of A Segovia's birth).. It remains amongst my favourite works.
@michaeltroke7239
@michaeltroke7239 5 жыл бұрын
Many thanks, Aaron, for having posted this. It's an excellent and enjoyable piece of music, but, I think, rarely played and recorded. And bravo to you "d'avoir pu faire face" to a full string quartet, playing to the full. Was Castelnuovo-Tedesco inspired by the example of Boccherini?
@Haasaaroni
@Haasaaroni 5 жыл бұрын
I'm glad you enjoyed it Michael! This string quartet is absolutely incredible too. Castelnuovo-Tedesco was indeed inspired by Boccherini's example, though it was originally suggested to him by Andrés Segovia on an earlier occasion, who encouraged him to write an homage in the form of his Sonata Op. 77, "Omaggio a Boccherini." The quintet, instead, seems to be more a reflection of his film music, instead than an homage to Boccherini's "fandango" quintet. He certainly knew about its existence though! I imagine he liked the fact that Boccherini took inspiration from Spanish music, which Tedesco, whose family came from Spain, often included his music. The second movement of the quintet is full of those moments. Cheers!
@halilakaydin8471
@halilakaydin8471 5 жыл бұрын
I love this music
@niki.42
@niki.42 6 жыл бұрын
5:00 Impromptus No. 4
@willeek3760
@willeek3760 6 жыл бұрын
cool !
@pubmgr
@pubmgr 6 жыл бұрын
Very nicely done! Two strong players!! Bravo.
@wilfreddamon1971
@wilfreddamon1971 6 жыл бұрын
Thank You! I am very appreciative of the fact that I could listen to ALL of it, with very necessary repeats which not only added to my listening enjoyment, but honoured Sor's intention, which I relish for its enigmatic power in itself. A magical piece very well rendered.
@karolinapek4461
@karolinapek4461 6 жыл бұрын
Beautiful!
@RaleyBeggs
@RaleyBeggs 7 жыл бұрын
Beautiful!! Thank you Aaron
@Haasaaroni
@Haasaaroni 6 жыл бұрын
Thank you Raley! I would play this piece about a million more times if I could.
@glennhenshaw6561
@glennhenshaw6561 7 жыл бұрын
I think this was Sor's best work. Good playing as well.
@guitaropro
@guitaropro 7 жыл бұрын
Very appropriate tempi!
@julikagrimaldi3463
@julikagrimaldi3463 7 жыл бұрын
<3
@lucynagawlikguitar8128
@lucynagawlikguitar8128 7 жыл бұрын
Very good!
@Yoonjiha61
@Yoonjiha61 7 жыл бұрын
와우, 대단합니다! wow, Great!
@lucynagawlikguitar8128
@lucynagawlikguitar8128 7 жыл бұрын
Doskonale!!!
@wagnerdfguitar
@wagnerdfguitar 7 жыл бұрын
Excelente apresentação da obra desse grande compositor. Parabéns!
@Boldstrummer
@Boldstrummer 8 жыл бұрын
Are you related to the great jazz pianist Don Haas? Good job on the piece. Who did you study with?
@Haasaaroni
@Haasaaroni 8 жыл бұрын
Boldstrummer thanks! Unfortunately no, we are not related. I study with William Kanengiser.
@jameswestby9919
@jameswestby9919 8 жыл бұрын
Bravo!
@jameswestby9919
@jameswestby9919 8 жыл бұрын
Bravo!
@jameswestby9919
@jameswestby9919 8 жыл бұрын
Bravo!
@jameswestby9919
@jameswestby9919 8 жыл бұрын
Bravo! Sorry, I wasn't there for the event. Congratulations!
@Haasaaroni
@Haasaaroni 8 жыл бұрын
Thank you!! I'm sorry you missed it. I'll let you know if I ever do something like this again!
@robertbaksa3356
@robertbaksa3356 8 жыл бұрын
Aaron, You might find this music of interest: Robert Baksa: Sonata for Flute and Guitar Heim Duo (excerpt on you tube)
@Philippepencet
@Philippepencet 8 жыл бұрын
Gratulation for the guitarist who are playing without partition!
@tehbossasian
@tehbossasian 9 жыл бұрын
I'm a student of Brett Grigsby and Joel Brown at skidmore and they speak highly of you! Sounds really good!
@Haasaaroni
@Haasaaroni 9 жыл бұрын
+Mischa Jalick Thanks man! Those two are quite the teaching duo, I hope you benefit from them as much as I did!
@hvudoyra
@hvudoyra 9 жыл бұрын
felicidades,saludos desde Puebla México.
@DavidMartinez-nu9yx
@DavidMartinez-nu9yx 10 жыл бұрын
Congratulations !! Partition please...
@segovianity
@segovianity 10 жыл бұрын
Thanks for a marvellous performance (Lowell Liebermann should be well pleased)- hope your duo will prosper.
@Haasaaroni
@Haasaaroni 10 жыл бұрын
Wow what a compliment! Thank you very much, and we were well pleased to play Liebermann's music!
@MultiGiacob
@MultiGiacob 10 жыл бұрын
well played
@guidojuve
@guidojuve 11 жыл бұрын
Very nice man!
@Haasaaroni
@Haasaaroni 11 жыл бұрын
Wow, thank you! I hadn't thought of the B flat that way, but you're totally right. Greatly appreciated!
@agmc111
@agmc111 11 жыл бұрын
Fantastic performance. Lovely sound, I really enjoyed the attention to detail. Only one criticism is the B natural at the end of the elegiac which should be a B flat reflecting the initial idea from bar 4. Hope to hear more
@Haasaaroni
@Haasaaroni 11 жыл бұрын
Thanks for the comment! You're right, there's always more to learn, and I enjoyed myself, too :)
@soullessSiIence
@soullessSiIence 11 жыл бұрын
Nice to finally see a flawed interpretation technically, but still very enjoyable. Analizing mistakes and overcoming them makes us better musicians every day.
@Gspp68
@Gspp68 12 жыл бұрын
beautifull!! giuseppe