Episode 144 of Intermezzo with Arik. There were around 480 episodes which aired from 2003 - 2019, so I guess this was around 2007
@yves710519 күн бұрын
Including going fast, improvising is excellent. what a wonderful performance definitely best
@yves7105Ай бұрын
Barenboim is the best pianist ever
@vanewfiesАй бұрын
Robert Levin true genius of fortepiano. His Mozart is stunningly beautiful!
@SwaroqueАй бұрын
Your understanding of harmony and intervals is very good. Also no mistakes. So hats off🎉🎉.
@JamalAkhzam-e3bАй бұрын
Genius piano soloist. An artist of high calibre!
@omegads38622 ай бұрын
Second movement is full of pathos, and folks have galls to call him facile.
@omegads38622 ай бұрын
I'm most curious about what Mozart does in 1:23-1:24 sounds like a break in rhythm.
@corradogiachetta2154Ай бұрын
Beatuiful.. I think it’s called hemiola
@omegads38622 ай бұрын
Mozart's prophetic lyrical style. No one developed his legacy.
@BANERJEEWB2 ай бұрын
I love Mozart. Some of his childhood works like Thamos King of egypt, piano sonata no 2 show that he already developed a mature style. The harmonies and chromaticisms in Kv 138 looks 200 years into the future. These are the teenage works. That time he just wrote what he felt.
@omegads38622 ай бұрын
Once you get Mozart's emotion aside from the sensuous intellectual edge, it becomes all the more glorious.
@jamesnickoloff66922 ай бұрын
Sorry, this is not even close to Richter's interpretation. Barenboim is missing the "big picture." In fact, I find this performance boring--really dull--partly because of the slow tempo but also the lack of sparkle.
@DanielFahimi2 ай бұрын
Then don't listen to it. lol
@jamesnickoloff66922 ай бұрын
@@DanielFahimi I'll take your advice. Once was enough.
@dukeofcurls31832 ай бұрын
neither theory is right
@michaeledwards11722 ай бұрын
I'm rather puzzled by this sonata. I haven't over the years followed Mozart's music closely, as he is not one of my very favourite composers - but this sonata seems new to me, appears to be a new addition to the canon of Mozart sonatas. When I was a boy, I had a Schirmer edition of 19 sonatas by Mozart which I naturally took to be the canon of Mozart sonatas, similar to the two volumes I had of the Beethoven 32 sonatas, and it never occurred to me that the situation with Mozart's sonatas might turn out not to be so fixed as it was with Beethoven's sonatas. For a start, I later learned that there was more than one ordering of Mozart's sonatas, and the ordering in my edition (which sonata was no. 1, which no. 2, and so on) appeared to be less standard. Next, I learned that the sonata no. 19 in my volume was not by Mozart at all, but probably by August Eberhard Müller. (I should have been suspicious of the sonata. It was the only one which had four movements, and its last movement modulates to distant keys - long enough to change key signatures a few times - in a way that Mozart seemingly never does in any of the other sonatas.) And I think another sonata disappeared from what I believed to be the canon, although I don't quite remember why - I think it was along the lines that it was discovered to have simply been cobbled together by someone from various other works Mozart had written, not for piano, and arranged into a piano sonata. Now I come upon this Sonata no. 17, and it is not familiar to me, and I am wondering where it has come from. And since the number of sonatas is still 18 (after the sonata by Müller was dropped), surely that must mean that another sonata has also been dropped from the canon. Which one? As I mentioned, it seemed when I was much younger that there were (at least) two different orderings of the sonatas. Is this still the case, or is there just one ordering of the sonatas that is accepted today? If anyone familiar with the history of Mozart's piano sonatas could please explain this to me, I would be glad. But overall, it seems to be much less clear what Mozart did and didn't write than it is for Beethoven, with whom I can think of only one or two small examples of works possibly by him, but it's not certain.
@Canufindnow2 ай бұрын
The piece was played so well by Robert Levin, why the hell does it get 400 views only?
@Canufindnow2 ай бұрын
This reminds me of some ancient Chinese literature's description of music
@DanielFahimi2 ай бұрын
@@Canufindnow Can you elaborate on the that Chinese writing?
@Canufindnow2 ай бұрын
@@DanielFahimi ancient Chinese music was kind of special, it was mostly single instrument, even single voice, you know? melodies were like a line, no parts involved. there were many literature pieces about music tho, saying the music was like “high mountain and flowing water”(Lie Zi), or “quarrel and whispering”(poem by Li Bai about pipa music). I just wanted to say the fantasia was relatively simple, yet full of changes and detail.
@hallgeirpedersen43313 ай бұрын
Sublime
@angel74373 ай бұрын
1- 00:08 2 - I - 5:37; II - 7:01 3 - 9:31
@rravvia3 ай бұрын
You're in good hands with this guy
@Sunkem1Not6Hacks4 ай бұрын
Cool.
@ThuAnh-qd2fo4 ай бұрын
Is it an error in the original recording or something that makes the 3rd movement sound like the first note is cut off a little?
@DanielFahimi4 ай бұрын
No, it's just due to my editing tools. Sometimes glitches happen.
@iamstillthinking4 ай бұрын
Genius.
@danielwaitzman21184 ай бұрын
Now THAT is genius!
@tomrose20864 ай бұрын
Possibly the worst performance I have ever heard
@DrNykterstein174 ай бұрын
9:53 loved this fughetta. I will play this!
@Sunkem1Not6Hacks4 ай бұрын
Quite interesting, I like the orchestration here.
@DanielFahimi4 ай бұрын
Yeah, I think I did a good job on that front.
@ειμαιοθανατοσ5 ай бұрын
Really well done! I thought the orchestration was super interesting and I liked how you employed each of the instruments. I though this was a very well put together work.
@DanielFahimi5 ай бұрын
Thanks dude!
@DanielFahimi5 ай бұрын
Wow! It's insane how much more views this video got than any of previous ones!
@JackWolf-m3v5 ай бұрын
Whose great painting is that, perhaps a Turner orWinslow
@DanielFahimi5 ай бұрын
I just looked up paintings of seas, and picked this one because I thought this evoke the exact feeling I was going for. So I don't know who. I have to check again.
@leonwhitesell48495 ай бұрын
Marvelous mastery! ⭐️⭐️⭐️⭐️⭐️🎹
@jisyang87816 ай бұрын
Get a proper piano. With a digital piano you will develop wrong touch by practicing this technical piece. More harm than good.
@javieramundarainvitali75257 ай бұрын
¡Muchas gracias, Maestro Barenboim!
@thomasphelmer26577 ай бұрын
Yeah, and Chopin had a broken metronome, Czerny had a broken metronome, Liszt had a broken metronome, Brahms had a broken metronome, Schumann had a broken metronome, Schubert had a broken metronome, Moscheles had a broken metronome, etc. Doesn't there come a point where waggling out the broken metronome excuse just becomes ridiculous?
@LachlanTyrrell20036 ай бұрын
Double beat advocates = retarded. The broken metronome theory isn't a point used by many people in support of single beat (it's not well supported by evidence - Beethoven's own metronome was actually shown to be accurate). Just go listen to recordings made in the early 1900s. NOBODY plays at half the tempo of today's standards - bear in mind musicians of that time had direct relations to Chopin, Brahms, Liszt etc. For example, listen to Frederic Lamond (a pupil of Liszt) playing Liszt. It is a well known phenomenon that composers often envision their pieces a lot faster than others, as there is are no limitations of the performer when it is conceived in the mind.
@ParoMoser8 ай бұрын
Wenn das Klavier nicht so unglaublich scheppern würde wäre es eine tolle Aufnahme. Schade.
@willemmusik20108 ай бұрын
Really great work!
@DanielFahimi8 ай бұрын
Thank you! :)
@DanielFahimi8 ай бұрын
Just out of curiosity, which movement did you feel was the strongest?
@willemmusik20108 ай бұрын
@@DanielFahimihmm probably the third and finale for me
@eflat7_8 ай бұрын
nice work :)
@Sunkem1Not6Hacks9 ай бұрын
Listening to this I have felt it... the touch of a great composer
@DanielFahimi9 ай бұрын
Thank you bro! :)
@Sunkem1Not6Hacks9 ай бұрын
@@DanielFahimi I mean it more than any other comment I have left on your channel. You have made something great
@Sunkem1Not6Hacks9 ай бұрын
we eatin' good tonight!
@fontema9 ай бұрын
0:00 1. Allegro 6:37 2. Andante 13:12 3. Allegro
@AlexanderOrion9 ай бұрын
I tought this is a joke, then I realised its a channel I follow, good job man!
@Sunkem1Not6Hacks9 ай бұрын
Whose interpretation of this piece do you like best?
@DanielFahimi9 ай бұрын
I haven't listened to that many, but I like Barenboim's.
@VictorRamirezMusic9 ай бұрын
W
@willemmusik20109 ай бұрын
Great job on this! Will you record the other movements?
@DanielFahimi9 ай бұрын
Yes! All three!
@eflat7_10 ай бұрын
i’m itching for another finished fahimi composition 😭
@FrostDirt10 ай бұрын
The Presto is great
@DanielFahimi10 ай бұрын
Of the piano trio, piano sonata, or the clarinet sonata?
@FrostDirt10 ай бұрын
@@DanielFahimi the Trio
@zionfortuna10 ай бұрын
1:53 wtf
@ThuAnh-qd2fo10 ай бұрын
I'm just sitting here thinking, it doesn't hurt if we wrote the 2nd and the 3rd movement for this work, beside completing the 1st movement like Prof. Levin did.
@DanielFahimi10 ай бұрын
It would hurt because we are adding movements that have nothing to do with Mozart.
@GSHAPIROY10 ай бұрын
Was this movement also on the Complete Mozart Sonatas CD (with Levin's completion)?
@DanielFahimi10 ай бұрын
I forgot he played his own completion on his album lol. This was from the Cambridge lecture, but yes, Levin did do this one too.