Thank you :)

+bet dip Drums were just samples sequenced in Logic. DE was recorded in single audio track and gets some delay and reverb. That's mixed with video's audio.

+Benedict Johnson Thanks! :) but you should check rpocc's Sweet leads. That's pretty dope!

House Music Glad you liked! I just wrote the notes down to the sequencer as I listened the original track. Arpeggio is within the melody so I didn't use the synth's own arpeggiator. I think I found some promising factory preset and used that as a starting point, as usual. This is not exactly the Antiloop-sound but it played so well with their melody that I made this video. Osc slop has to be 5 so that oscillators don't phase too much. Then I have mildly different fine tuning between oscillator 1 and 2 for each voice. The essence in this sound is made by unison (detune 3) and the VCA stereo spread and the effects of course. Then you just have to add most appealing envelope curves for the melody. These gate-like envelopes here does the noisy snaps in the beginning but it doesn't matter when the filter is open. Did I answer to your questions? ... And how the heck your username was still free? :D

raresore I think it depends how the pedal is made. This is my only one. In very basics, distortion itself is amplifying but so that the signal clips. I wonder if your input level to the pedal is lower than standard line level so that distortion gain has to catch up the level where it starts to really clip? If you try to drive the synth full on to the pedal first. I remember the second pot in this pedal in single muff mode acts as volume control on purpose. Sharp edges in the signal, i.e. harmonic frequencies in the sound, tend to eat up the dynamic range and the loudness from sound. Funnily adding more "power" makes it sound less powerful. That's the reason I used heavily modulated filter with strong resonance peak in this video to make it sound good.