Lalo Cello Concerto
26:38
3 жыл бұрын
Elgar La Capricieuse
3:58
4 жыл бұрын
Tchaikovsky Valse Sentimentale
1:50
4 жыл бұрын
Performance Anxieties
40:39
4 жыл бұрын
Q&A Sound
11:13
4 жыл бұрын
Staccato and Vibrato
43:02
4 жыл бұрын
Sound - Techniques for our language.
53:10
Q&A Memorising music
11:05
4 жыл бұрын
Memorising music
29:59
4 жыл бұрын
Q&A Practising in lockdown
14:34
4 жыл бұрын
Practising in lockdown
59:13
4 жыл бұрын
Пікірлер
@hansholgersson421
@hansholgersson421 Жыл бұрын
❤Bravo!
@jefffitz8995
@jefffitz8995 2 жыл бұрын
Cohen truly makes the Cello cry with the most sublime conversations and angelic equalities. His vibrato phrasing was just at the right temperature & color, once you've heard you can't unhear it. Wonderful Artist!!!
@Nikkocello
@Nikkocello 3 жыл бұрын
Hello, sorry for my English, I am translating with the help of a translator. Thank you very much for your work, this work and other videos on the channel help me a lot, especially with sound, you explain very accurately and clearly, I have never met or read such detailed thoughts about sound and vibrato! Do not tell me what else you can read or watch? Is it about the sound, colors, the creation of emotions? Thanks a lot!!!
@michellezhucello
@michellezhucello 3 жыл бұрын
Great teaching! Thank you!
@juanluisorozco
@juanluisorozco 3 жыл бұрын
Very special performance to me...
@maricarmenpolocabellocello
@maricarmenpolocabellocello 3 жыл бұрын
Thanks you very much!! All your videos are really interesting, useful and inspiring
@aronpetrusbolonicellist
@aronpetrusbolonicellist 3 жыл бұрын
Your playing is a beautiful poem! Thank you for your share!
@JulienGaudfroy
@JulienGaudfroy 3 жыл бұрын
Hello Robert, you graciously gave me a lesson on Elgar concerto at Roberte Mamou's apartment in Lille when I was 14. Wonderful memory, as well as all your concerts, your presence and musicality have always inspired me. Oh and I still play gut strings haha, I remember you telling me how you missed the Eudoxa rigid...
@isabvaz
@isabvaz 3 жыл бұрын
Wonderful lecture! I wish I had seen it during the first lockdown. Thank you so much :)
@jonathanhunt5618
@jonathanhunt5618 3 жыл бұрын
This is actually 'Jewish Song', no. 3 of the set From Jewish Life, not 'Prayer' (no.1)
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Thanks so much Jonathan. Much appreciated. Now corrected! All best, Robert
@isabvaz
@isabvaz 3 жыл бұрын
Beautiful beyond words
@lynnmabary4440
@lynnmabary4440 3 жыл бұрын
Alot of emotions. Beautiful
@AndrewChuDog
@AndrewChuDog 3 жыл бұрын
Amazing! Such bold and decisive technique and sound! And such a beautiful venue as well. Where can your audience find the full recording? Thank you for sharing this.
@joshgrumiaux6820
@joshgrumiaux6820 3 жыл бұрын
Very beautiful, but this is the Jewish Song, not the Prayer.
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Many thanks Josh. Now corrected. All best, Robert
@carsonmullinix7136
@carsonmullinix7136 3 жыл бұрын
Greetings Robert Cohen! I was curious as to the best way to tune the open strings on stringed instruments. I understand when practicing intonation in your repertoire, it is especially beneficial to practice in different temperaments of tuning for different music situations. However, should I tune my violin in equal temperament like the piano? Or just temperament for the double stops in fifths? Thank you for your videos, they are quiet insightful.
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Greetings Carson, I'm very happy you find the videos insightful. I suggest you always tune in fifths (open strings). Then you can adjust your intonation to the context. Note: pianos are tuned lower in the bass and increasingly higher towards the treble - one vibration added per octave - so as to reasonably accommodate fourths/fifths/octaves ('temperament'). So the piano's bass notes (or the lowest notes the piano is playing at any given time) are your reference for your intonation. Just as in string quartet playing, intonation is rooted in the cello bass notes. I hope you can understand my explanation! All best, Robert
@lucasfraga7031
@lucasfraga7031 3 жыл бұрын
Great lessons sir Cohen, thank you very much for sharing!
@renatocellobr
@renatocellobr 3 жыл бұрын
Frighteningly flawless technique.
@aristideduplessis8151
@aristideduplessis8151 3 жыл бұрын
You look 17 years old here! Beautiful playing! Bravo
@phm5340
@phm5340 3 жыл бұрын
Bravo!!! 😃
@_kim7271
@_kim7271 3 жыл бұрын
So tantalizing. Where can I watch this video in full version? (including Brhams)
@angelebarbeyto
@angelebarbeyto 3 жыл бұрын
¡Superb!
@richardandaya3932
@richardandaya3932 3 жыл бұрын
That’s incredible!
@tommasobruschi4422
@tommasobruschi4422 3 жыл бұрын
Amazing!!!
@ashencooray
@ashencooray 3 жыл бұрын
Fantastic
@graemewebster1214
@graemewebster1214 3 жыл бұрын
Excellent. Well done. I especially like the control of the upbow staccato that you used.
@fcopaja
@fcopaja 3 жыл бұрын
Nice piece didn’t know about it
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Happy you like it Felipe. I transcribed it from the original for violin and piano.
@claytontrajano8411
@claytontrajano8411 3 жыл бұрын
Loved
@ashencooray
@ashencooray 3 жыл бұрын
❤️
@yujieqi369
@yujieqi369 3 жыл бұрын
i am a beginner of learn to play cell l learn a lot from this lecture.thank you a lot!
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Very happy you find it helpful. Carry on enjoying learning!
@youtubeaccount3384
@youtubeaccount3384 3 жыл бұрын
Uhhhh, how have I been playing the cello for 25 years and never come across this gem!? Those up-bow staccatos are amazing, his shifts are equally as impressive! Double stop intonation is so good I want to smack someone! But really, amazing playing Mr. Cohen!
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Thanks so much!! It's a violin piece that I love and transcribed. All best, Robert
@benjaminscello4623
@benjaminscello4623 3 жыл бұрын
beautiful
@gabrielpssoa
@gabrielpssoa 3 жыл бұрын
Wow! Just you and Piatigorsky!
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Too kind!
@andreacavuoto
@andreacavuoto 3 жыл бұрын
Wonderful job. Flawless and so inspiring!
@enzocypriani5055
@enzocypriani5055 3 жыл бұрын
wow! loved it!
@keremtimuraykal4521
@keremtimuraykal4521 3 жыл бұрын
Emil Tabakov .What a great maestro.
@LittleHarryBrother1
@LittleHarryBrother1 3 жыл бұрын
Absolutely fabulous sound. It brings the likes of Fournier and du Pré to mind. Do you play on gut strings as well, as they did?
@RobertCohenCello
@RobertCohenCello 3 жыл бұрын
Thanks so much! No I don't play on gut strings, although I did a long time ago. I believe you make the sound that comes from within you, so strings are not a defining element. There are so many variables; cello, bow, instrument setup and adjustment, but by far the dominant element is your desire for a particular sound and different sounds. The cello is the amplifier for your emotions in sound! Thanks again for your compliments. All best, Robert
@LittleHarryBrother1
@LittleHarryBrother1 3 жыл бұрын
​@@RobertCohenCello Mostly a nerdy question, asked by a nerd, hehe. I absolutely agree with what your sentiment. I am right that Fournier and du Pré have been sources of inspiration to your sound, specifically? (If not), what other musicians them(singers, violinists, cellists, etc.) Best wishes
@jewelair
@jewelair 3 жыл бұрын
thank you Robert for this great lecture!
@marcelogeronimo6612
@marcelogeronimo6612 3 жыл бұрын
Lindo 👏👏👏👏