@@anthonygreco1130 thanks so much! Glad you loved it.

@@PeacefulMoments1844 a bit, I don’t remember the exact amount off the top of my head. On the highest quality least compression was like 90mins or so, but if you go like to one of the higher compression rate and “less” quality you gain a ton of record time. I only use the highest quality because I have enough card space for most things. That said, if you can get 1 or 2 1tb cards you’ll have enough space for most recording sessions.

Appreciate you watching it! You have either of these cameras?

Thanks! Appreciate you watching it. I need to do an updated one at some point.

For real I totally understand. The stuff I've been leaning into recently is storytelling and story boarding. The thing that makes or breaks my videos recently is, is it compelling (in regards to story) and does it appear to be planned out. When I filmed this it was really yo test how close you could get it with a simple workflow. I think with today's tech you could film on anything and get great results if you lean into the other things that make a video great, I.e. Story. 🤘🏻

For sure! Glad you light it. If you expose the images right it’s super easy to match. Good luck!

Thanks, appreciate that! We worked hard on it.

We used the BaseCamp system from Polar Pro. We had their basic ND filter in there when needed and then there 1/4 Mist that goes in that system. www.polarpro.com/products/mist-filter-basecamp Its a awesome system if you are needing anything crazy, and I think the mist that Polar Pro puts out is basic enough to not be too much.

Thanks! Appreciate it 🤘🏻

Did you buy them new? One a rider and one for show?

John is still kicking I am truly lucky to work for him!

You should! This was a super fun project and I’m glad I got to be apart of telling the story! Glad you liked it.

Thanks man! We are super happy, and the response form the both the bike world and camera world has been amazing!

@@codywisenbaker you deserve every single positive comment!!! Thumbs up

Thank you very much! Appreciate it.

Of course! That was one of the reasons Dan wanted to make this. He wanted to let young guys know about one of the brands many people may not know, but should know.

Thanks man! That was the goal, so I’m glad you think so!

Honda employee here. But that's a cool bike that I would happy to own!

That means a ton! Thanks man.

I know! The response to this has been amazing. May need to start the next one sooner than later haha!

I totally understand. I actually bought a c70 just for quick content. The fx3 in this video was one a sold but had back on loan - only after did I realize I needed a second “less quality” but “more versatile” camera for stuff like this.

For sure! The more I use the Komodo I love the raw. But I do miss how easy it is to make the sony look good right out of the box.

Thanks so much!

For sure! The more I use the red the more I miss the color that just comes out of the Sony. That said, 6k with a bunch of room to stretch the image is awesome if you’re willing to fight the image long enough haha Thanks for your thought!

I get that. Was more filmed for the lighting concepts. That’s a good idea though - may do a video on that so I appreciate the idea. When shooting for a client set design, wardrobe, and colors always play a major role in setting your image apart.

For sure. I have shot RAW with the ninja in the past and it is great. The only downside I ran into is that the Sony internal noise reduction does not happen on the HDMI port. Not a huge deal if you are filming that same way you would with the red and shooting at a low ISO but when I did it the first time I filmed Sony ProRes RAW at iso 1,200 and the image was very noisy - first time shooting error but once you know its an easy work around.

I’ll make it next! I have a few more in depth lighting videos in mind. Probably a little more involved coming soon!

Hey, thanks! So it’s going to be a bit of a long answer but hope this makes sense. I do all of this in davinci for reference. So on the color page I start with a color space transform node and go to davinci wide gamma and then end the tree with a color transform to rec709 gamma 2.4. Then I actually graded both at the same time, I was afraid if I pushed the red too hard I wouldn’t be able to get the Sony to match. The second node I did a basic rec 709 conversion on both cameras, third node was the “grade” and the forth to the end was the power windows and such to get the pieces I couldn’t make match in the base grade. Hope that helps. Something I played with that worked pretty well but didn’t do for this video that is totally like “incorrect” was using a color, space transform node on the red, converting it from red log10 to Sony S log3. When I did that I was able to stick the same Sony LUT on both the Sony and the red and it got pretty close. It wasn’t perfect but if you don’t mind grading after the LUT you could get it to match. Again it’s incorrect but in a bind it works pretty well.

@@codywisenbaker Thanks man! Appreciate this, i'll give this a try!

For sure, thats exactly how I feel. I wanted to do more narrative stuff so I swapped for the Komodo to get into the RAW workflow but I think as far as great cameras go they are both awesome just depends on what you need. Will hopefully own another FX3 sometime soon.

I have the fx6, and it’s amazing. With its frustrations and strengths. And I’m considering adding a red.

I would say go for it! A reason that I don't own the fx6 is just the supply issues Sony was having. I am sure I can get one now, but a reason for moving to Red sooner rather than later was just that I couldn't get my hands on an fx6. They seem to really thrive where the other camera lacks. I think having both really could sure up any potential issues you may have with the other (RAW vs Autofucs, internal ND vs Not). @@Fortytwoflat

Absolutely. I’m thinking the same. The Komodo x looks really fun and clean, and inspiring. And also. The v raptor, is literally one of the best cameras ever created. I literally spent the whole day trying to justify the v raptor.

I know. I did as well; the reason for the Komodo first was because I know one day I will have the Vraptor and figured it would be easier to start getting used to the red workflow now. Get great results from the e Komodo, and the Vraptor will just be icing on the cake regarding quality.@@Fortytwoflat

That is my wife Gabrielle.

That’s awesome! Yeah, I bought the Komodo right before the X was kind of rumored. Don’t regret it but I would love to get an X soon. That said, I totally agree. I think you can push the red harder. I think if you pushed both to their limits in their strengths you would see that all things being equal you can probably get more out of the red. But, the Sony is a lowlight beast. That’s the only piece of these two cameras that make it interesting to me. I wouldn’t be brave enough to attempt a wedding on the Komodo not knowing what light might be coming my way. That said, I agree and for that same reason I made the switch to red. Thanks Mike🤘🏻

Gracias, hice algunas coincidencias de color básicas en todo el video. También hice ediciones básicas donde mi exposición no fue perfecta. Espero que esto tenga sentido. Tuve que usar el traductor de Google.