Rosa is the star of the video with her pink nose ❤.

I dont mean to be a complete contrarian but the media-genic portion shouldn't be so controversial. People buy books for all sorts of reasons. Fantastic video❤

Hey Ceave, I like the story telling in your videos, especially the Zelda ones, I really like those ones. The Wind Waker one is so good I might re watch it lol. They are some of the best video essays I’ve seen. But if I could give one criticism, is that sometimes the mysteries you set up to keep the viewers engaged don’t really give us any clues to the result, and I know that for a good mystery the answer should be kept from the audience until the final reveal, but I feel like there also needs to be clues, so we can come to our own conclusions before the big reveal. If that makes sense lol? What I mean is that I sometimes feel like your mysteries (whilst still intriguing) tend to just lead me on without me having a single idea of what the outcome would be so I just kind of wait there until you give the secret, this might just be a me problem, but I feel like if you put some clues and hints to how things are connected then us listening to the buildup to the reveals would be more interesting especially when they go on for a while without any answers. I hope that makes sense, in short I just think it would be more engaging if we had a bit of a clearer idea of where things where leading before you get to the reveal. But I may be wrong. Also, please consider this gospel message that I post! To anyone reading this, please repent and believe the gospel! There is a loving God who wants to save you. And because He loves us, He (Jesus) died on the cross and resurrected 3 days later so we can be forgiven of our sins and be saved. Please think about the state of your soul, don't let this chance pass you by. Believe in Jesus and follow Him so you may have salvation. Life is short, please make the right choice today before its too late. Jesus loves you. Edit: and just to say again, this might just be a me problem lol, maybe I wasn’t smart enough to pick up on hints that where there 😅

Why this is came to me just now and not 3 years ago??

I got a question, you may be busy but If I got Theme, Character arc, plot, world building, voice (Greatest to least) how would I start writing that? To get all the Theme, Arcs, etc don't I have to have dialogue and stuff, so you want me to just not put that much work into what I am bad as in which my case is Dialogue and world building? Another question, I am making each chapter 12,000 words (27,000 left to spare so I can add extra stuff for those big introspective moments) long for 19 chapters do I need to reach that threshold or even need to come close to the amount needed?

I'm a panster by heart and I have to say I've always found outlining daunting but I feel like I've finally found a process that makes sense to me! My notecards are on the ready! Thanks! PS. Found this video via Theodora Taylor. I'm subscribed and looking forward to watching your other videos!

Why is the name thing such a focus? It's so obvious. What about how the current emotions change how the character describes stuff? What about what words characters would use in general?

I write far better than Dan Brown.

I can't complain when my favorite author KZbinrs are too busy writing to film. I'll just have to spend more time writing.

Keep it real!

Oh that's good. I have to write in short bursts. Busy job, 3 year old and a newborn takes much if my time or energy. I do end up going over what I've already written and editing, rather than enjoying the thrill of writing new chapters. The scratch list is such a simple solution to that problem!

Thank you. I loved this

Quick question…Would there be any issue going from 3rd limited to sprinkling in a little omniscient commentary to add a bit of humor, then clearly go back to the actual story with 3rd Ltd? Don't want to confuse peeps, but I would like to add some humoristic takes on things that transpire. Thanks for all you do for us, Michelle!

Great video. Can you help me understand how I should pitch my book? I definitely took your fist bit of advice and wrote exactly the book I wanted to write without thinking about the market. TLDR: my book is about an aimless recent college graduate in the late 90's. With no better plan, he ends up working in a sheltered workshop for the blind. He also deals with his child of divorce issues and mistakes/regrets he's made. It's comedy-drama. And despite its disability theme, it reads much more like a confession than a sermon. I would say definitely a flawed, contradictory 3 dimensional character who isn't merely there to inspire the other characters. It's all his character arc.I'm legally blind myself and the story is semi-autobiographical so I felt assured I was the right person to tell this story. In fact I wrote it in large part because I was pretty sure if I didn't tell this story, absolutely no one else was going to--whether that's for better or worse. Should I pitch it as New Adult? (A term I only learned from Googling a week ago.) Should all my comp titles be New Adult books? Or does the fact that it's a Gen X story negate that? Thanks for any advice you can offer!

The irony of how the end of my latest chapter matches up with your ”not every scene needs to end in a car crash.” Long story short, my protagonist were in a car crash earlier on, and made it. She’s currently supporting a friend by joining his tour. They have had a fight, due to her putting herself in danger for him, and are about to leave in two different cars. Last time they split up without resolving their issue, she got in an accident. He doesn’t want them to end the conversation on a bad note, scared of history repeating itself. She’s fairly bitter at the moment, and says she won’t end up in a car crash again. I found it so hilarious that they were sort of discussing what you talked about - not every moment will be, or should be, treated as one that potentially ends in disaster 😂 For the past year, I’ve tried to rewrite chapters 39 - 45 over and over. So many times that my document surpassed 1000 word pages. The story in itself is only 280 out of those. That says something. I’ve tried so many different angles that I’m having problems deciding on what to cut and include. The most affective method recently, has been to choose bold options, throwing everything I’ve already tried out the window. It has helped a lot. I’ve gotten from chapters 39-42 now. So, I’m currently trying to work out chapter 43 and so forth. I’m trying to use the saying k*ll your darlings. But there are certain things I’m not sure I want to cut. While it might not serve a good purpose. The main thing I need is to establish something that has meaning, isn’t confusing and helps progress the story. I am working toward a major happening, but everything before that is one giant mess. But! I will say that I’m proud of myself for not giving up. I’ve tried taking countless times off from writing, so that isn’t the solution. That has helped my perspective at certain times, but in general, leaving my manuscript has been a major issue over the past year. I often struggle with not getting distracted, because I’m so so afraid of failing, that I try to look elsewhere. KZbin shorts, reactions, and everything in between has been another way for me to escape writing. I can sometimes only concentrate for three minutes while writing, until the crippling fear takes over. I’ve been a lot more consistent lately, though. I’ve seen your video many times over the past year, and it always helps me. But, I still have a way to go. I love my story and where it will eventually lead, so giving up is not an option. This is also the second book in a series, so book one is already out in the world, online. That is another thing that pushes me to work on my story, but it also stresses me out. I feel like I owe it to my readers to be quick. While, when I was writing the first book, it was just me and my story, on my own, with no time limit. The first manuscript of book one took only about two months to complete (then another year to edit.) I startet writing book two while editing book 1, while it also got posted online. When I wrote book one, even for how little time it took, it was so giving and an amazing experience. I told my self the book would get done when it was done, with no pressure at all, because I enjoyed every second of writing it. The goal was purely to write, tell the story how I wanted it to be told. With book two, all of that is still present - but I’m trying to rush it, always a step ahead of where I actually am in the book. I don’t know how to let the pressure of completing the book go. What I enjoy about writing isn’t really completing the book, it’s the writing itself. Living through each chapter as it unfolds. This was a lot … But, if anyone has experience with this, please tell me your story ☺️

Agents normally do NOT TELL authors WHY they are uninterested.

I found this video so helpful. Honestly, how simple you described and broke down each key element made my life ten if not a hundred times easier. Writing them down put me in a different world of perspective. What is more important and what isn't. What my focal point is and what is holding me back. Thanks for the help!

that's a lot of tea! I'm watching all these generic "what happens after you get an agent" videos and this video is leaps and bounds more realistic and specific!!! wow, what a wild ride.

does "more diverse" include wops like me? just wondering

I have a bit of a start. "As i drive through the moors, the hills-bruised with heather- fly by, and a cross where somebody died.

15 books, lots of fans, but no agent. Now what?

Where’d you go?

is the book at the back divergent?

This is a really brilliant way of showing each perspective! Are you a teacher, too? You got a new subscriber ❤

Thanks

Hirohiko Araki famously uses huge character sheets for all his characters, down to details such as a person's toe nail width. It only works because his Jojo's Bizarre Adventure requires all characters to have all these details jotted down because they matter to the progress of the plot. I totally agree with you, Michelle. Character sheets will ruin your writing unless you explicitly know what to use it for. If the plot is tied to a feature of your character, like the scar in Harry Potter, only then is it necessary to note it down, and most often very losely. But this will not help you define your character's journey. Sheets are for the plot, not for the story. I think that is an important distinction.

New writer 45k words, hard to sort, always editing.need starters

Foreshadowing is spelled wrong on your board!

So it's about writing computer code?

Recently discovered this channel and loving the videos. Have a 40,000 word outline for my second book in a series and got stuck on a key scene in chapter 3 - realising I am more of a panser who loves plotting than I thought - it is the character motivation clarity that got me stuck, and these videos sure help! The character Wants/Needs were there but not foremost in my mind in order to 'land the outline plane on the runway' as it were. Thanks heaps for these videos!

THIS CENSORSHIP IS 100% COLONIAL NEO-NAZI AGENDA- AND IT'S A DISASTER TO AMERICA.

You are, indeed, a great teacher, Michelle. Thank you for sharing your wisdom.

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ok, here is how i understood this woman: only blacks can write about blacks, only Jews can write about Holocaust, and white people... well, they better not write anything at all. Cultural appropriation is a crime in modern USA worse than child molestation. Great advice, thank you.

The beginning of this video has me wheezing laughing.

I'm working on a static romance series!

I have just found your channel and am so grateful I did! Your advice and your approach are very encouraging. I'm at the beginning (almost a year) of my freelance journey. It's been up and down, but from what I'm seeing, I'm actually doing better than a lot of people starting out. I'm super grateful for that! I will continue to watch and recommend your channel. 😃

Can someone please tell me what this word 'gotten' means. How about, 'earned', 'received', 'have', (I've gotten a headache vs I have a headache - OR I have developed a headache) ...

Only 20, 30 rejections?

If your story needs one, yes. I have never read a bad one because the book or story needed it.

Don't, just don't. It's jarring.

Could you have one character do a monologue in the prologue and then have the rest of the story be in the perspective of the true main character?

Michelle, we'll be forever grateful for all your contributions to helping writers understand and improve their craft. I'm grateful for your teaching style.

Love this one - Have struggled with several formats of character sheets before abandoning them - only to end with a bigger mess when I needed the info and it was stale/out of date and dangerous. If I had created the sheets AFTER the first draft - AND limited them to relevant details for each character - they would have been far more useful

I only read non fiction as fiction does nothing for me, but that said I don't care what the sex, gender or race of the author of the books I do read as long as the book in question pricks my interest.

Thank you so much for this much needed explanation Michelle, to the people entering this world of becoming a ghostwriter! The expectation management can be the tough part I was lucky to come across a Houston Based company Writers Of The West that helped me like a guiding light in this hazy world and I'm happy to be one of the oldest and experienced ghostwriters on their team!

What a wonderful teacher. Brilliant.

Proper tutorial - loved it. Thanks

Pure writerly information with absolutely no fluff. Brilliant.

I have started writing in 2020 and listened to many Query Letter Technique, and I loved listening to yours as well. So many helpful tips. I write like a page a half and will not start writing my query. However, here is a questions maybe you would be able to help me find a correct topic of a video among your super helpful videos. I am writing series about incredible protagonist who happen to be all girls from a particular region in Asia and I would like to share about their lives (two are fictional characters and the other two stories are not) through certain topics like STEM, or air pollution. How do I pitch it to the agent who may not have any context of the region? They are not rebel girls heroes. They are ordinary girls but with a story from places nobody is familiar with? Sorry, it became more of an email than a question.