Samuil Yevgenyevich Feinberg (Russian: Самуи́л Евге́ньевич Фе́йнберг, also Samuel; 26 May 1890, Odessa - 22 October 1962, Moscow) was a Russian and Soviet composer and pianist.
@thomashattey80372 ай бұрын
At first I thought these were 'notey" but that is their beauty. You're drawn into the kaleidoscopic world.
If you listen to this carefully, there is so much powerful emotion throughout. Profound beauty of life, really.
@teodorb.p.composer3 ай бұрын
This is so beautifull, Feinberg must be inspired by Medtner a lot!
@calebhu63832 ай бұрын
This is much more inspired by early Scriabin.
@teodorb.p.composer2 ай бұрын
@@calebhu6383 Well there is lot of influence of Scriabin, but the theme sounds kinda medtneresque and lot of harmonic lenguage is similar to medtner. for example the pssage starting in 1:31 or 4:03 and the last fex bars are very Medtnersque, maybe there is lot of Stanchinsky's influences.... But many of passages reminds me Scriabin sonata 2 or Stanchinsky's etude in b minor.
@HerbertRetterath3 ай бұрын
Well played❤️ Bösendörfer?
@Lircking4 ай бұрын
idk it's kind of muddy and the melodies aren't really clear most of the time, you mainly hear like shimmering or fairies dancing or something
@tornquistverlag3 ай бұрын
you’ll get used to it and begin to see clearly
@Lircking3 ай бұрын
@@tornquistverlag ok
@YupiigusDK4 ай бұрын
Too short!!
@nino8054 ай бұрын
feels like bach goldberg variations meets nancarrow studies
@matthewparis19074 ай бұрын
What a great piece of Euclidian logic and emotional mastery! Hamelin really gives it a musical ride, doesn't he?
@Sideswiper1983-on6po5 ай бұрын
I’m just about to start learning this tune, wish me luck
@PeterCooperUKАй бұрын
How's it going?
@joelfenner5 ай бұрын
This is a remarkably sensitive offering from Mayerl, much of whose output was flamboyant and ostentatious. There are significant stretches reminiscent of Rachmaninov, along with hints of Chopin. Your rubato is also really on-point. A lot of interpreters miss the purpose, and play this far too misurato, missing out on the effusive character of the piece.
@tarikeld115 ай бұрын
1:53 - 2:10 reminds me of Barry Harris, the harmonies and voicings
@tarikeld115 ай бұрын
1:09 the chromaticism, ahhh...
@shirinebenomar73856 ай бұрын
❤
@a-ramenartist97346 ай бұрын
reminds me of donkey kong haha
@sudzukiivrn6 ай бұрын
i have no freaking idea how i'm gonna play it on my graduation
@piano15007 ай бұрын
Sounds kinda like Medtner.
@tfpp17 ай бұрын
Drummer is not that great. There are a couple times when he nearly threw off the entire orchestra and soloist. 🤦🏻♂️
@tfpp17 ай бұрын
I love how at 2:45 - the drummer didn't get the memo and switches to 4/4 with his f-ing dotted barlines while the rest of the orchestra is still in 3. Killer! 😂😎
@Calagat7 ай бұрын
Reminds me of a more psychotic version of the last movement of the 3rd sonata.I can clearly hear the fugal motive.
@GoldenBiba8 ай бұрын
This is fablulous
@CatkhosruShapurrjiFurabji8 ай бұрын
3:07
@teodorb.p.composer8 ай бұрын
Extremelly underrated masterpiece!
@hoek20008 ай бұрын
This is quite fascinating. Some of it almost sounds like Keith Jarrett. Feinberg was way ahead of his time.
@eddiehuss479 ай бұрын
I played these three pieces on my masters degree recital at Florida State University in Tallahassee, Florida, in 1982. I studied with Leonard Mastrogiacomo, a brillant piano performer and teacher.
@Dylonely429 ай бұрын
It won’t get old.
@Dylonely429 ай бұрын
16:48
@robertodikmann96769 ай бұрын
Morceau plus joyeux de l'istoire de la musique
@ucj542110 ай бұрын
メトネル感あるな
@f.p.20105 ай бұрын
Mettoneru
@ucj54215 ай бұрын
@@f.p.2010 😡😡
@upside_you_mop10 ай бұрын
THANKS I'M USING THIS SCORE
@piyamaslimaichay906111 ай бұрын
I have to say that feinberg is definitely growing on me
@HChungYi11 ай бұрын
this concerto was composed in 1990 not 1989
@fredfeinberg399511 ай бұрын
The Fugue is one of the most astonishing feats of Live piano-playing I've ever heard. It's taut, sculped, yet somehow ferocious without being undisciplined. Judd was a genius, but his demons got to him... just terribly sad.
@FoziCoD11 ай бұрын
5:30 - 5:40 is pure horror
@nielsberkers Жыл бұрын
WOW!. what a great recording. It is close to St. Saëns own recording of the work. Much closer than any other recording I could find online. Though it is definately not a pianist trying to copy st. Saëns. Petrov clearly has his own interpretation, which I can really appreciate. I love it. thank you for sharing
@vir-music Жыл бұрын
Is it his handwriting?
@tangorangejuiceenjoyer3 ай бұрын
Yep. His manuscripts are extremely clean.
@Hervinbalfour Жыл бұрын
This and his Prokofiev 3rd are DEFINITIVE!
@warrenabeshouse1230 Жыл бұрын
An excellent piece of music, technically brilliant and fiendishly challenging to play. This is an old recording that I bought many years ago. One of the finest passacaglias in existence.
@ciararespect4296 Жыл бұрын
Just played this beautiful piece
@ciararespect4296 Жыл бұрын
Love playing this
@aidanrossiter3295 Жыл бұрын
A fantastic piece most clearly understood by the soloist Ludmil Angelov and the whole orchestra in a magnificent live performance. The piano entries at 57 and 74 bringing in the most brilliant development of the main thematic material are so well played especially the clear G at the start of the second exposition at 74 ... excellent stuff that needs more regular performance! Thank you.