ATI Sundar je je dandvat pranam wala🙏🙏🙏🙏from Rasila kanani
@aditikapadia12585 күн бұрын
Anand Bhayo Anand Bhayo 🙏🙇♀️
@jaydhwanivyas7 күн бұрын
Adbhut🌸🌷
@ChandravadanMafatlal7 күн бұрын
Jay shred Krishna. Prank Vandan
@MsRadhika1210 күн бұрын
Meri sabhi avidya begi haro Ghanshyam😢🙏
@vrajlalgajera333110 күн бұрын
दंडवत प्रणाम 🌷🙏🙏🦚🦚🇮🇳✅
@selfself857712 күн бұрын
અતી સુંદર ❤
@ashas818113 күн бұрын
❤❤❤ wich Raga please
@krishnakripavlogs265814 күн бұрын
Radhe radhe ji
@Goku_sama32214 күн бұрын
This one is Pt. Jasaraj's version. Well sung🎉
@bhaktisangeet935014 күн бұрын
🙏🌷kaya harik kam na aai very nice...
@Madhav_jagad15 күн бұрын
Dandvat pranam je je shree 🙏🙏🙏
@navinbabla984316 күн бұрын
Which raag
@jjshreeenterprise740418 күн бұрын
જય હો જે જે દંડવત
@ashamapara444119 күн бұрын
Jay ho vhla dandvat prnam
@vachhanisanjay601619 күн бұрын
DANVATpranamje je shree
@ketan607321 күн бұрын
Jai hoooooooo Una thi kirtan 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
@vachhanisanjay601621 күн бұрын
DANVATpranamje je shree
@ashathakker51322 күн бұрын
Khub sunder👌👌👌👌👌👌🙏🙏🙏🙏🙏🙇♀️🙇♀️🙇♀️
@abhiyanc22 күн бұрын
👌👌👌".....Kaunteya Pratijaneehi na Mei Bhaktah pranashyati.." - The Gita. This Sanskrit Bhajan (devotional poetry) has been composed almost 800-years ago, in the beginning of Bhakti era, by Shril Lilashuka Bilva Mangal Thakur Maharaj. The literature well know as the "Krishna Karnamrita" has been hand picked by Lord Krishna Chaitanya Himself, 500 years ago. This literature is a nutshell form of Lord Krishna's infinite Pastimes within His select devotees. Indian Devotional Musicology has given this literature a very glorifying place in shashtric music domain, especially since 1950s, after the Raaga Nat-Bhairav has been rediscovered by Pt. Ravi Shankar. The listeners can feel the purport of the bhajan without knowing the sanskrit language. Pandit Jasraj has very beautifully sung selected (choicest) verses from a literature of more than 300 (3×100) sanskrit sholaks by the learned devotee of Govind. Pandit Jasraj has set a benchmark for the world of music and devotion, in this work. The legendary singing is beyond compare!!! He has blended the heroic "veer" rasa with the sweet "madhurya" in the Raaga Nat-Bhairav, revealed by Pt. Ravi Shankar. Bilva Mangal Thakur, a.k a. Madhumangalaacharya, the scholar devotee (poet) has put the taste of transcendental sweetness in the childhood pastimes of Lord Mukundam, when His Holiness has been revealing the glories and all attractiveness, of Supreme Madhava. Yes, the mangalcharan (the starting verse) Pandit ji has taken from "ashtakam", one of the eight verses by the same learned scholar of Bhakti Rasa (divine love, ecstasy) in the Sanskit. (1) करारविन्देन पदार्विन्दं, मुखार्विन्दे विनिवेश यन्तम्। वटस्य पत्रस्य पुटे शयानं, बालं मुकुन्दं मनसा स्मरामि॥ Kararavinden padaravindam Mukharavinde viniveshayantam Vatasya patrasya pute shayanam Balam Mukundam manasa smarami I remember the infant Mukunda, Who sleeps in the Banyan leaf basket and Who by His lotus-hands, is putting His lotus-feet in His lotus-mouth. (2) श्री कृष्ण गोविन्द हरे मुरारे, हे नाथ नारायण वासुदेव। जिव्हे पिबस्वा अमृतं एतद एव, गोविन्द दामोदर माधवेति॥ Shri Krishna govinda hare murare hey natha narayana vasudeva jihve pibasvamritam etad eva govinda damodara madhaveti. Shri Krishna! Govinda! Hari! Murari! O Lord, Narayana, Vasudeva! O tongue, please drink only this nectar-”Govinda, Damodara, Madhava!” (3) विक्रेतु कामा किल् गोपकन्या, मुरारि पादार्पित चित्त वृतिः। दधि आदिकं मोह वशाद् अवोचद्, गोविन्द दामोदर माधवेति॥ vikretukama kil (akhil) gop-kanya murari-padarpit-citt-vrittih dadhyadikam mohavashad avochad govind damodar madhaveti Though desiring (supposedly) to sell milk, dahi, butter, etc., the mind of the young gopis was so absorbed unto the lotus feet of Krishna that instead of calling out “Milk etc. for sale,” they bewilderedly said, “Govinda!”, Damodara!”, and “Madhava!” (4) गृहे-गृहे गोपवधू कदम्बा:, सर्वे मिलित्वा समवाप्य योगम्। पुण्यानि नामानि पठन्ति नित्यं, गोविन्द दामोदर माधवेति॥ grihe grihe gopa-vadhu-kadambah sarve militva samavaya-yoge punyani namani pathanti nityam govinda damodara madhaveti In house after house, groups of cowherd ladies gather on various occasions, and together they always chant the transcendental names of Krishna-”Govinda, Damodara, and Madhava.” (5) सुखं शयाना निलये निजेऽपि, नामानि विष्णोः प्रवदन्ति मर्त्याः। ते निश्चितं तन्मयतमां व्रजन्ति, गोविन्द दामोदर माधवेति॥ sukham shayana nilaye nije ‘pi namani vishnoh pravadanti martyah te nishcitam tanmayatam vrajanti govinda damodara madhaveti Even the ordinary mortals comfortably restingbat home who chant the names of Vishnu, “Govinda, Damodara,” and “Madhava,” certainly attain (not the apex domain, i.e. Golokam, but at least they get higher celestial position in Vaikunthas) the liberation of having a form of domain similar to that of the Lord. (6) जिह्वे सदैवं भज सुन्दराणि, नामानि कृष्णस्य मनोहराणि। समस्त भक्ताःअति विनाशनानि, गोविन्द दामोदर माधवेति॥ jihve sadaivam bhaja sundarani namani krishnasya manoharani samasta-bhaktarti-vinashanani govinda damodara madhaveti O my tongue, just always worship these beautiful, enchanting names of Krishna, “Govinda, Damodara,” and “Madhava,” which destroy all the obstacles of the devotees. (7) सुख अवसाने इदमेव सारं, दुःखावसाने इदमेव ज्ञेयम्। देह अवसाने इदमेव जाप्यं, गोविन्द दामोदर माधवेति॥ sukhavasane tu idam eva saram duhkhavasane tu idam eva geyam dehavasane tu idam eva japyam govinda damodara madhaveti This indeed is the essence (found) upon ceasing the affairs of mundane happiness. And this too is to be sung after the cessation of all sufferings. This alone is to be chanted at the time of death of one’s material body-”Govinda, Damodara, Madhava!” (8) श्री कृष्ण राधावर गोकुलेश, गोपाल गोवर्धन नाथ विष्णो। जिह्वे पिबस्वा अमृतं एतद एव, गोविन्द दामोदर माधवेति॥ shri krishna radhavar gokulesh gopal govardhan-nath vishnoh jihve pibasva amritam etad eva govinda damodara madhaveti O tongue, drink only this nectar (of the names), “Shri Krishna, dearmost of Shrimati Radharani, Lord of Gokula, Gopala, Lord of Govardhana, Vishnu, Govinda, Damodara,” and “Madhava.” (9) त्वामेव याचे मम् देहि जिह्वे, समागते दण्डधरे कृतान्ते। वक्तव्यमं एवं मधुरम सुभक्तया, गोविन्द दामोदर माधवेति॥ tvam eva yace mama dehi jihve samagate danda-dhare kritante vaktavyam evam madhuram su-bhaktya govinda damodara mAdhaveti O my tongue, I ask only this of you, that at my meeting the bearer of the sceptre of chastisement (Yamaraja), you will utter this sweet phrase with great devotion: “Govinda, Damodara, Madhava!” (10) जिह्वे रसज्ञे मधुरप्रिया त्वं, सत्यं हितं त्वां परमं वदामि। आवर्ण एतदाः (एथाः) मधुराक्षराणि, गोविन्द दामोदर माधवेति॥ jihve rasgyne madhura priya tvam satyam hitam tvaam paramam vadaami aavarna yetha (etad+etaah) madhuraxaranni govinda damodara madhaveti O my childlike tongue, I know that you like the sweet taste very much, nevertheless, I am telling you that your true benefit is in encapsulating yourself within the veil of transcendentally sweet holy names of govind damodar madhav *Addendum (परिशिष्टम्): [श्रीनाथ विश्वेश्वर विश्व मुर्ते श्री देवकीनन्दन दैत्य शत्रु । जिव्हे पिबस्वा अमृतम् एतद् एव, गोविन्द दामोदर माधवेति॥ वक्तुम् समर्थोपि न वक्तिम् कश्चिद अहो जनानाम् व्यसनम् अभिमुख्यम् । जिव्हे पिबस्वा अमृतम् एतद् एव, गोविन्द दामोदर माधवेति॥ आलोक्य मातुः मुखम् अदेण स्तन्यम् पिबंतम् सरसी: रूहाक्षम् । सच्चिन्मयम् देवम् अनन्तरूपम् बालम् मुकुन्दम् मनसा(/मनोभिः) स्मरामि(/स्मरामः)॥] The bhajan has been best sung in the Raaga = Nat-Bhairav; Thaat (music notes scale type); Taal = Kaharva (Bhajani Theka); Time : Morning (6am-9am); Season : all seasons. N.B. Nat Bhairav is basically a morning raaga. NAT-BHAIRAV is one of the few raagas which could be sung in all the seasons. The raaga reflects the mood of slight pathos with heroic exuberance in devotional love. The Raag Nat-Bhairav has been revealed by Pt. Ravi Shankar (the great Indian Sitarist), in his earlier manifestation of Indian music from the vedic scriptures.
@kirankatira193923 күн бұрын
Ati shundar 🙏🙏
@jrajdev125123 күн бұрын
Jayshri panchang pranam
@jrajdev125123 күн бұрын
Tilkbava matdhurastkam
@rupareliyaharesh578523 күн бұрын
Nachyo bahot prbhu ab sharan me lelo prabhu
@ashathakker51324 күн бұрын
🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️🙇♀️
@ashathakker51324 күн бұрын
👌👌👌👌👌🙏🙏🙏🙏🙏🙏🙏
@pritirastogi698024 күн бұрын
Dandvat pranam ji ji
@kantilalvadoliya570724 күн бұрын
।। जे जे कृपानाथ आपना श्रीचरणोंमां साष्टांग दंडवत प्रणाम ।।
@sonalvegad282526 күн бұрын
Adbhoot gaayan hi
@chirantanbhatt833027 күн бұрын
Jai Ho
@Thevedicsongs0128 күн бұрын
Vo wla pad gao "baah chooda ke jaat ho nibal samjh ke mohe"surdas ji ka pad
@StutiJaiswal-v2s28 күн бұрын
Jai ho hori ke Rasiya ki🙏🤍
@kkpatalia513328 күн бұрын
Khub saras swar panchang pranam j j
@bhumimodi648229 күн бұрын
Jay Hoo prabhu khub sunder swar che badhaj kirtan sabhli khubaj anand ave che
@nandkumarpurohit842029 күн бұрын
danvat pranam prabhu..
@parulpatel7154Ай бұрын
Shanthba and parivar na dandvart pranam dear jeje. Beautiful. Ja Ho Shri Vallabha🌹❤️🙏😊🙇🏼♀️🙇🏼♀️🙇🏼♀️🙇🏼♀️
@minaxisonigra7529Ай бұрын
Je je dadavat pranam ati sundar all badhai kiratan ❤
@rajubhaifichadiya901Ай бұрын
આપશ્રી નાં ચરણોમાં સાષ્ટાંગ દંડવત્ પ્રણામ ❤❤ ગુંસાઈજી પરમ દયાલ કી જય હો......ઉત્સવ ની બધાઈ ❤❤❤ આપશ્રી નાં સ્વરમાં જે પદગાન સાંભળીએ😂 આનંદ આનંદ મન રોમાંચીત થઈ જાય છે...આપશ્રી કી જય હો.....રાજકોટ થી રાજેન્દ્ર ફિચડીયા ❤❤ દંડવત્ પ્રણામ 🙏🙏🙏
@bharatraiyani8457Ай бұрын
Dandvat pranam je je 👏
@Gurukripa-f4qАй бұрын
जय हो प्रभु 🙏🌹🙏🌹
@Madhav_jagadАй бұрын
Dandvat parnam je je shree 🙏🙏🙏
@Gurukripa-f4qАй бұрын
जय हो प्रभु 🙏🌹🙏🌹
@nikunjrakhasiya9906Ай бұрын
મંગલ વધાઈ કૃપાનિધિ
@nikunjrakhasiya9906Ай бұрын
આપ શ્રી ના ચરણ કમળમાં મુજ દાસા નું દાસ ના કોટિ કોટિ દંડવત પ્રણામ જે જે શ્રી