Cant belive 10 years has passed and no one comented on this gift of comentary masterclass. This just goes to show that people dont care to study anymore.
@francadeluca79 ай бұрын
Un manicomio!!!!! ☺
@porince10 ай бұрын
34:52
@hefinrosser8685 Жыл бұрын
Sorry I can't!!
@hefinrosser8685 Жыл бұрын
Is dafydd Italian in this version?
@dekojohns Жыл бұрын
Sicilian I believe.
@mokshedali6120 Жыл бұрын
Me2 please sign me❤
@archie6945 Жыл бұрын
Good fortune, not large!
@lluchlorenzo7419 Жыл бұрын
No se traduce automáticamente aunque sí que aparece tal posibilidad en ajustes...Una pena Gracias
@valkyriesardo278 Жыл бұрын
Unfortunate sound recording. Hard to hear the actors. Someone with a loud laugh is too near the microphone.
@MadelineJaye-pc2ok Жыл бұрын
Christopher Lyons, when non-white actors play traditionally white roles it's making room at the table for all of the talent. Actors of color have been kept out of casting or been limited in number per production or relegated to minor characters or only certain types of characters, for hundreds of years. There are volumes of material for white actors, specifically written from the white experience POV. People of color, have had to absorb white culture in order to enjoy movies, films, television plays etc even visual art b/c for a very very long time because that was what was on TV, or the movies being produced or the stories being told on Broadway. While themes can be universal and we as humans can relate to stories about people like or unlike us, there also should be representation of all kinds of folks in our art and media and culture. Until VERY recently there was only minimal representation. Therefore, when white actors want to portray the black experience on stage, I wonder: 1). why? 2.).Wouldn't they be depriving a person of color from performing a role written 3). You'd most likely be erasing the point/poignancy of the play itself. Imagine "A Raisin in the Sun" played by a white cast? It wouldn't make sense. While it's sadly true that people all over the world hate each other for various reasons, the term Racism goes one way: from the majority culture to the non-majority culture. Even the term itself was coined by white-dominant culture to create a reason for brutal dominance. I'm with you, we need to end racist thoughts and practices but until we can actively seek to learn how we got here and actively unlearn ingrained racist behaviors we aren't going to make any meaningful progress.
@christopherlyons59002 жыл бұрын
You know, if they did a production of an August Wilson play with white actors, **** would hit the fan right quick. This doesn't bother me one bit, since the emotions (and the problems) are universal, but it's still a very specifically rural Ireland in the 30's story, and there just weren't any women of color in that milieu then. That these lovely talented actresses want to speak Friel's dialogue is only a compliment, and I'm sure he took it as such. So why is it an insult if white actors play characters who aren't white? At some point in time, the double standard has to end. For my part, I wouldn't have missed Denzel Washington's Hickey in The Iceman Cometh. Even though there's a black character in the play (played by a black actor in every production I know of) and it's hard to explain why people are racist towards him, and not Hickey. The theater can be magical like that--you suspend disbelief. Racism cuts in every possible direction. And until we recognize that fact, it's never going to die.
@KR-vu9mo Жыл бұрын
☠️☠️
@breebartkowiakova2 жыл бұрын
this did not age well. i guess most americans disagree with these experts on what a great speaker is. lol
@xaviusyata2 жыл бұрын
11:16 don’t mind me just leaving this here.
@vishsan58482 жыл бұрын
Sign me up too 👍
@keithelliott47592 жыл бұрын
Really good effort - well done all! Currently reading Brian Friel's "Dancing at Lughnasa" as part of my degree course and it's good to hear the words rather than constantly reading them. And hey, you get a mention in my dissertation bibliography 😊 from County Down, Northern Ireland
@VoxMethod2 жыл бұрын
Thanks, Keith! Good luck with your dissertation.
@sarahfoulkes22752 жыл бұрын
Sign me up!!
@thetato12732 жыл бұрын
very nice
@naturalhealer39403 жыл бұрын
♥️👈 🇱🇺
@pyrodactyl38633 жыл бұрын
1:56:00
@Nanukdewit3 жыл бұрын
Extremely helpful. Thank you so much! I’ve been training in opera for some years now but have always been focusing on the singing technique. This video and others on your channel helps me to take the next step to transmitting the essence of what i sing through my body expression. Bless you for this!!!
@p_nk72793 жыл бұрын
This is super, Mr. Bennett is a total hoot. It’s a near-nonstop comedy of Jane Austen!
@TheJayObrain3 жыл бұрын
yes has the full video been uploaded yet?
@kwek22433 жыл бұрын
The laughing was too loud to even hear or enjoy the show
@abicat61582 жыл бұрын
Yes such a shame that the man with the very load, harsh laugh can be heard over the actors. Giving up on watching as he is so irritating
@CasolVillas3 жыл бұрын
Well said!
@CasolVillas3 жыл бұрын
Great teacher!
@Cfrtyu5df3 жыл бұрын
This is the best possible way of demystifying the art of fluent speaking and singing. This works across all languages. Can't thank you enough.
@VoxMethod3 жыл бұрын
You're so welcome! I do love the idea that we can break things down that have always seemed so mysterious! Thanks for watching.
@explodingstatue4 жыл бұрын
that was great
@eliforgovernor29564 жыл бұрын
The only issue I had with this is like.. AOC is supposed to be wild and like all over the place and this was taken to a more professional side. Should've been done differently.
@VeroniquePierre4 жыл бұрын
Merci Steve! Kind of coming back to it slowly for fun, and am revisiting so many great memories through this. Love and light V
@greatmomentsofopera71704 жыл бұрын
Wonderful video once again. Brilliant analysis, so useful as a resource, and so much food for thought. I was surprised at the segment starting 8:15. It seemed to me a perfect example of everything you had been talking about in terms of what NOT to do - screwing up the face in the middle of a line, body rocking and motions that interrupt and collide with the line, late movement (checking the watch comes after the line has started) etc. And then you said it was great! Haha. It's much better after the cutaway 8:46). But the rest I agreed with totally!
@marjoryshaneblanco48154 жыл бұрын
tq for this i luvv it
@mtv857324 жыл бұрын
Thanks a lot master
@bestcollectiontipu10244 жыл бұрын
i dn u .plz rtn me bak .weldone
@OzymandiasWasRight4 жыл бұрын
...oof.
@nultyjack82194 жыл бұрын
American Polish accent rather than even normal accent Irish
@nultyjack82194 жыл бұрын
Shit without accent
@sandraallen88324 жыл бұрын
Shakespeare never sounds right in an American accent
@StrawberryNinjaNibbles4 жыл бұрын
I think I’m confused lol
@nessthine7144 жыл бұрын
Does anyone know what the acting style is and a scene that demonstrates it?
@hallieharper80504 жыл бұрын
I love watching videos like this! Thank you for taking the time to concisely describe a concept that can be so hard for young actors to grasp.
@VoxMethod3 жыл бұрын
It's our pleasure! It's so true - not easy to grasp. But what a difference it makes! Thanks for watching.
@briand30294 жыл бұрын
It is impossible for me to do the first breathing no matter how hard I try . How in the world does he do it so fast???? I can’t even do it fast or slow or even in Rhythm . Is something wrong with me!?
@marouabenkhedher11084 жыл бұрын
👏👏👏👏👏
@0fficial_delan14 жыл бұрын
Was this posted anytime close to when it was acted
@VoxMethod4 жыл бұрын
This is from 2014.
@izzaikram22805 жыл бұрын
Very illuminating. Thanks.
@ambarvalia97575 жыл бұрын
008 081127r20062004nyu e 000 0 eng 005 20140206013200.0 020 |a9780571224647 (pbk.) ; $13.00 020 |a0571224644 (pbk.) 040 |aDLC DLC DLC TAE 043 |ae-uk-en 050 |aPR6052.E5 H57 2006 082 |a822/.914 100 |aBennett, Alan, 1934- 245 |aThe history boys / Alan Bennett. 245 |cBennett, Alan, 1934- 250 |a1st American ed. 260 |aNew York, N.Y. : Faber and Faber, 2006. 260 |bFaber and Faber, 260 |c2006 300 |axxvii, 109 p. ; 21 cm. 500 |a"Originally published in 2004 by Faber and Faber Limited, Great Britain"--T.p. verso. 520 |aPublisher description: An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that the sixth form represents in an English boy's life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today. 596 |aB12 F11 I21 L13 650 |aTeacher-student relationships--Drama. 650 |aEducation--Drama. 650 |aBoarding schools--Drama. 651 |aEngland--Drama. 856 |3Contributor biographical information|uwww.loc.gov/catdir/enhancements/fy0629/2005936593-b.html 856 |3Publisher description|uwww.loc.gov/catdir/enhancements/fy0629/2005936593-d.html 926 |c822.914 B471
@SullyIsBored5 жыл бұрын
26:06 its the bitch that killed john proctor the one in yellow