Smoking whilst singing. Now that is a brave touch.

Ave Miller

Meraviglioso!

Neighborhood phenomenon

Omg extraordinario ❤❤

Gracias Javo por traerme acá

VIVA LA LIBERTAD CARAJO

AVE MILLER

Ave milei

4:59 JOSÉ Mais moi, Carmen, je t'aime encore; Carmen, hélas! moi je t'adore. CARMEN A quoi bon tout cela? Que de mots superflus! JOSÉ Carmen, hélas! moi je t'adore! Eh bien, s'il le faut, pour te plaire, Je resterai bandit, tout ce que tu voudras, Tout, tu m'entends, tout, Tu m'entends ... Tout. Mais ne me quitte pas, O ma Carmen. Ah! Souviens-toi, souviens-toi du passé! Nous nous aimions naguère! Ah! Ne me quitte pas, Carmen, Ah ne me quitte pas! CARMEN Jamais Carmen ne cédera, Libre elle est née Et libre elle mourra. CHOEUR dans le cirque Viva! Viva! La course est belle. Sur le sable sanglant Le taureau, qu'on harcèle S'élance en bondissant Viva! Bravo! Victoire!

Too good

WOW! WOW!

Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Non piu avrai questi bei penacchini, Quel cappello leggiero e galante, Quella chioma, quell'aria brillante, Quel vermiglio donnesco color! Quel vermiglio donnes color! Non piu avrai quei penacchini, Quel cappello Quella chioma, quell'aria brillante Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Fra guerrieri, poffar Bacco! Gran mustacchi, stretto sacco, Schioppo in spalla, sciabla al fianco, Collo dritto, muso franco, Un gran casco, o un gran turbante, Molto onor, poco contante. Poco contante Poco contante Ed in vece del fandango Una marcia per il fango. Per montagne, per valloni, Con le nevi, e i solioni, Al concerto di tromboni, Di bombarde, di cannoni, Che le palle in tutti i tuoni, All'orecchio fan fischiar. Non piu avrai quei penacchini, Non piu avrai quel cappello Non piu avrai quella chioma Non piu avrai quell'aria brillante. Non più andrai, farfallone amoroso, Notte e giorno d'intorno girando, Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Delle belle turbando il riposo, Narcisetto, Adoncino d'amor. Cherubino, alla vittoria! Alla gloria militar! Cherubino, alla vittoria! Alla gloria militar! Alla gloria militar! Alla gloria militar!

WWOOWW 👏🏽👌🏽

0:11 ahh that smirk...lol Luciano sei e rimarrai sempre irripetibile

Was this perhaps the 1987 Met Carmen, James Levine conducting??!

Samuel Ramey....!!! The very sound of that magnificent instrument makes my knees buckle by its POWER and tears by its BEAUTY! This role and Figaro are my absolute favorite role. Incredible! Always magnificently incredible! What a very special time to listen and experience the world of opera!

She killed it. Just wish it was in tempo

I love that she sang Musetta most likely just for fun, since she is much more suited to Mimi. And she’s one of the best Mimi’s that ever was.

1:15 lol i think the power is out kzbin.info/www/bejne/oGmzqaSdoc58pNE

It took me a while to find this, I came from the video where they put a singing fish on his head singing "Don't pee on the floor, use the commodore"

La grandezza del Maestro è tutta in quest'aria da lui creata

She is fantastic beyond words.

opening my mouth/jaw took time to learn but it was so worth it ❤ love you Pavarotti RIP

El que sabe, sabe

Samuel Ramey ha dalla sua parte una voce profonda e piena e inoltre una presenza elegante e molto affascinante, come si può resistere a questo Mefistofele? 😃

BEAUTIFUL AND POWERFUL VOICE. 👍

I first heard of Samuel Ramey when i watched "Over the Garden Wall." I was so excited to see his name in this video, and hearing this performance here, I am absolutely blown away. He has the perfect voice 😍

If you want to know how to do this in your singing technique as a Tenor contact Maestro Pierinotti at Pierinotti Academy and he will be pleased to help you with this that involves much more of what Luciano says here since he is not explaining that he doesn't sing like the other singers, he is using tilt larynx technique in an agressive way and other way of supporting the voice, that is less agressive than the support used by other singers of those times, he arrived to the covered technique by Arrigo Pola, imitating him, and that technique as the singing technique is totally different of what most of the Tenors do while singing, that's why he sound so different. Maestro Pierinotti learned from Aragall, Freni, Amauri (teacher of Jose Cura) between many other important singers and teachers, through more than 30 years. And he specially went to learn from Mirella Freni one complete year to learn the technique Luciano Pavarotti uses as Freni shared with him the knowdlege and big part of the lessons and career and one year with Giacomo Aragall that shared a lot of knowdlege with Luciano as they sang together and were friends as Aragall used to tell with beautifull anecdotes of them. You can take advantage of all this knowdlege if you are Tenor, Soprano or Counter Tenor and want to approach that technique.

Le boss tout simplement

They cut the end off! That's the best bit!

He does look dashing in red.

Magnifique !!! Quelle présence sur scène, quelle voix aussi puissante que de velours. Bravo !! Magnifique !! Quelle perte .. Repose en Paix Salvatore, tu es et restera un grand ténor. On t aime.

Terfel is magnificent, and what a delightfully elfin Cherubino.

The Best

INSUPERABLE en este papel..❤❤❤❤

At last an actor-vocalist that you can believe would obsess Rodolpho! Some are unfortunately so homely that this is impossible to believe.

100% PERFECTION

Bravi

Votre toast, je peux vous le rendre, Señors, señors car avec les soldats oui, les toréros, peuvent s'entendre; Pour plaisirs, pour plaisirs, ils ont les combats! Le cirque est plein, c'est jour de fête! Le cirque est plein du haut en bas; Les spectateurs, perdant la tête, Les spectateurs s'interpellent À grand fracas! Apostrophes, cris et tapage Poussés jusques à la fureur! Car c'est la fête du courage! C'est la fête des gens de cœur! Allons! en garde! Allons! allons! Ah! (Refrain ×2) Toréador, en garde! Toréador! Toréador! Et songe bien, oui, songe en combattant Qu'un œil noir te regarde, Et que l'amour t'attend, Toréador, l'amour, l'amour t'attend! Tout d'un coup, on fait silence, On fait silence... ah! que se passe-t-il? Plus de cris, c'est l'instant! Plus de cris, c'est l'instant! Le taureau s'élance en bondissant hors du toril! Il s'élance! Il entre, il frappe!... un cheval roule, entraînant un picador, "Ah! Bravo! Toro!" hurle la foule, le taureau va... il vient... il vient et frappe encore! En secouant ses banderilles, plein de fureur, il court! Le cirque est plein de sang! On se sauve... on franchit les grilles! C'est ton tour maintenant! Allons! en garde! allons! allons! Ah! (Refrain ×2) Toréador, en garde! Toréador! Toréador! Et songe en combattant Qu'un œil noir te regarde, Et que l'amour, t'attend! Toréador, l'amour, l'amour t'attend!

S. Ramey, siempre genial.!!

Hermosa voz me relaja e hipnotiza

1:07 una indirecta momentánea

Povero Salvatore

Ah! You cut it short before the best part!!! I remember that right after Pavarotti says, "very good." He said something like, "tomorrow you are going to have no voice." Or, "tomorrow you'll be hoarse." This is also important.

Bravissima!!! One of my favourite renditions!! 💙

8:40: High B

El papá Pavarotti

Whi is the sopran?

00:19 Cosa significa la parola "Blept"?