I know very little about tuning drum kits, but if you can use a standard chromatic tuner to do so, this would work as well. It is a standard chromatic tuner, with a microphone or vibration sensor for tuning.

You know the tuning thing was something I noticed as well, but I think it depends on how it was strung. I noticed if I load the ball end of the string into the saddle then tighten the tuner so that the ball is firmly in place the tuning is more stable. It isn't generally that unstable for me, but I did notice a difference when not first tightening the ball end of the string into place before using the locking point past the nut. Worth a try, I figured it was just me to be honest. haha

I haven’t owned a 7 or 8 string but played the 7 and was blown away. I expected that I’d have to adjust to the fanned fret design but with the endur neck it was no issue.

This is some awesome insight! I do love both guitars, but playing the Q for a couple months now I do find myself missing the Strandberg because it just felt more premium in the hand. I definitely do miss playing more traditional styles of guitars more though. If you're in the US or Canada and list the Boden Essential on Reverb let me know. I might be interested in getting my hands on one, just haven't decided if I want to spend the money yet. Cheers!

I used the free version. it wasn’t being used a plugin but instead just being captured by OBS’s app window recording functionality. I still use Midiculous but I believe I paid for it at some point. Not for this though. If you want to set something similar up and need help feel free to reach out to me through my website contact form: www.mraustinmusic.com/contact or DM me on instagram @mraustinmusic

Sorry, KZbin limits (or at least they used to) how long a short can be.

@@MrAustinMusic i see

Sure thing! I plan on doing a video on it at some point. The device is called TriplePlay Connect by Fishman. The software is the included one for the device. The Connect has been discontinued though, but there is a wireless version. I'm not sure if that is still being made. Any other questions just let me know!

Thank you so much it’s really appreciated also great review and comparison of the 2 best headless guitars rn, keep up the good work 🎉

I figured you might want to know, but the TriplePlay Connect midi pickup I mentioned was not discontinued, instead it was rebranded as TriplePlay Express for the wired version, and TriplePlay Wireless for the wireless one.

Thanks for the reply Daniel! I was using 10-46 strings on my Strandberg, and watched all the videos. It was just that string that was an issue. Could've been an issue specifically on that one guitar, but I can't recall if I had the issue on the Standard NX or Classic I had (this is referencing the Standard I had which was before NX hardware revision). Yeah, intonation, string height, all of that wasn't difficult to setup. I'm just saying it isn't as easy as the Ibanez or another more traditional hardware on guitars. I appreciate the input! None of this was meant as a negative on Strandberg, just a comparison I think a lot of people wanted. I still loved the Strandbergs I owned and plan to eventually own another one (as stated I want to try the Essential) You can also see my video on restringing the Strandberg here: kzbin.info/www/bejne/d5jEmoqZdstjZ9E If I'm doing something wrong let me know!

@@MrAustinMusic I will have to watch your restring video. Other than the one Strandberg I have with a trem, I find them no more difficult than any other guitar. The one with the trem is kind of along the same lines as a Floyd Rose process because it is essentially the same thing (strings secured at the bridge AND the string locks at the top). You have to block the trem, but if you use the same string gauge, there should be no need to change intonation or any setup stuff.

I agree, the trem version is pretty similar to a Floyd Rose. I created a small block when I would do string changes on those. Again, I just don’t remember if the low E was a problem on those but it was on my Standard without a trem. I never had to adjust the setup, intonation or anything after setting it up the first time. Other than slightly adjusting the truss rod through the seasons of the year once everything was set they stayed put. Better than any other guitar I had. The Ibanez has been holding up just as wel!

Thank you!

@@MrAustinMusic Will wait for a review of the new Boden Essential!

I will admit the sound isn’t my favorite, but there are so many variations in switching I’ve found a sweet spot that offends my ears less. haha

Thank you for watching!

That sounds like an awesome idea! A lot of smaller speaker struggle with that low end so using a woofer, specifically designed for the low end, genius! Thank you for sharing!

Thank you for watching!

The nut was pretty much unacceptable at this price point. However I have all the tools to do setup work, so it didn’t take long to remedy. Most people don’t just have nut files laying around though. I think the guitar is worth it still, but it could’ve benefited from a setup (which imo all stores should try and do). I’ve put several hours into playing with this guitar over the past one and a half months. Holding it is slightly less comfortable while playing is slightly more. It should be worth a try!

@@MrAustinMusic I heard from multiple people with unacceptable nuts on their Q that had to be fixed by a luthier. But I imagine it should be an easy fix if you buy in a store and not online. I will definitely give the Q a try soon.

Glad I could help!

Thanks! To be honest I usually change the actual play style of most songs I cover. I don't particularly find all down-picking economic for movement. So I went with the alternate picking. I do a similar thing with Sweet Child O' Mine using hybrid picking to minimize string skipping mistakes. Good way to stray from the norm and give songs my twist.

Thank you kindly!

​@@MrAustinMusic❤

I actually tried a right angled jack (should’ve mentioned that in the video). It was actually more annoying with that cable. It either forced the cable to run in the opposite direction and loop back, or dig further into my leg. At least with a straight one I can sit the cable between my legs mostly. Glad you liked the video, if you ever do try a Strandberg let me know!

​@@MrAustinMusicfunny how for the Q line Ibanez went for a new style of body, new pickups, new headstock, bridge and tuners, yet the same stupid jack placement Does anyone know why they don't place it angled on the guitar top, Stratocaster-style?

I thought the same thing. They could have a recessed jack just how they have on the S series or the AZ series of guitars and it would've worked better. Ibanez would be the only one with that answer I'm sure.

@@em_the_bee I think no one designing those guitars has ever played Classical position lol. They've nailed everything else, but yeah, I hope they get feedback from an artist or something soon.

I’m hopeful they’ll release an updated version with either a second jack placed more effectively, and a trem. Only time will tell!

Jack is in the perfect place for a L jack. Great to balance on the right leg.

@@iursnitram I didn't mention it in the video (probably should have). I did try using a right angled cable instead of a straight. the Cable either had to run to my left which is the opposite side it plugs into the guitar (no convenient cable flow for me unfortunately), or if I ran it to the right it jabbed into my leg even more so than a straight cable. The straight cable is functional, just offsets how it sits to be slightly less ideal. If your setup allows for an angle cable running the wire to the left it is probably a better experience. p.s. I also need a right angle plug to go to my interface for cable flow, and I couldn't unfortunately find a right angle to right angle guitar lead. I tried an angle adapter (only could find one 1/4" to 1/4" angled adapter, but it unfortunately broke within a week of using it).

@@MrAustinMusic Yes, I am running right angled cable to the left. I find the jack even helps holding the guitar.

I can definitely add in Chapters, I don’t usually because I thought KZbin automatically did. Haha The device is called TriplePlay Connect. It is by Fishman, and the software is the software corresponding with the device. Mine is the wired version but they have a more expensive wireless one ($300 I believe for the wireless). The wired version was discontinued as far as I know. I can definitely do a video on it at some point in the near future though!

Chapters have been added!

Ah, good catch. Thank you for letting me know! I'll have to mix the tracks separately (something not necessary for lessons but for videos makes sense). I appreciate you!

While the build quality of each of them was great, I found playing open chords (something I do a lot of with my students) to be less than comfortable with the endure neck. If I was playing more for myself personally it would’ve been less of an issue.

I use the Kliq AirCell straps (you can find them on Amazon). They’re a bit pricey but really comfortable. I also recommend a standard strap but you can get a D’Addario strap cushion. It isn’t as comfortable, but if you have a strap you like it can save you some cash.

@@MrAustinMusic Thank for you answer, I'm asking this because I tend to have neck and back problems especially on cervical

@@kenanjouglet1424 Anytime, I switched to this strap after using the D'Addario locking straps for over a decade. I really like them, and they have helped me a bit with existing neck/shoulder pain. So I think it can be a good option for you!

@@MrAustinMusic thank you I really appreciate the advice

Some chords just are more difficult. What is difficult about it, if you can be more specific to what is challenging you I might be able to provide a solution!

I was thinking about pressing a few strings with one finger. I just can't do it right but I guess there's nothing else better than just trying again and again to finally make it

@@milenav0205 It definitely will take practice! Barring is one of the more difficult things to do. It requires a finger to be nearly straight while another playing will be curved away from the strings. An important thing to remember is the closer you are to the fret (without being on top of it) the more clearly the notes can ring! If you'd like to do a free online lesson I'd be happy to help you out if you'd like a bit more instruction. You can reach out to me privately for help on instagram @mraustinmusic or on my website www.mraustinmusic.com

@@MrAustinMusic Ok, thank you so much, I'll think about that😊

I still stand by this amp being great, but as someone who likes to experiment I’ve been trying out a Roland Blues Cube Hot recently. I definitely enjoy the bigger speaker, but the gain on the Orange was better. Not surprising considering that isn’t Roland’s target. Gotta gos with your gut, I don’t think either would be a wrong decision so long as you enjoy it!

it can be hard to explain with just words, but usually the first thing I check is neck relief. You adjust neck relief by tightening or loosening the trussrod. Ff the neck is really straight, and the frets aren’t perfectly leveled (which at a lot of prices they rarely are) having a slight dip in the neck allows the strings to pass more freely over the frets with less or no buzz. If you get buzzing when playing open strings this can be a factor too, but usually in that case it is the nut being cut too deep. This is however rare, most factories leave more material on the nut than less. If these two factors are good to go, the final thing to check in a setup specifically affecting fret buzz is action height. adjusting the saddle screws to lower or heighten the string height can help. However too tall leads to intonation and tuning issues. The lower better intonation around the neck but the more potential buzz. The higher the more probable fretted notes higher on the neck are out of tune, but the buzzing is less likely. If those don’t work, then a fret level and crowning by a trained guitar tech or luthier might be needed. At that point though it is a PRS QC issue and the dealer or PRS should take care of you if you bought it new. Another important point to note is not all fret buzz is bad. There is a level of acceptable buzz where acoustically on the instrument it might be noticeable but through an amp it may be completely or nearly unnoticeable. I hope this helps, message me again if you have any more questions!

@@MrAustinMusic Hey man thank you so much for your advice I really appreciate it! Neck relief seemed fine to me so I adjusted saddle height and the buzz is for the most part gone! Just a little small buzz which is only acousticly noticable as you mentioned, thanks a ton!

Glad I could help, enjoy the new axe!

Thank you, I appreciate the kind words!

@@MrAustinMusic ❤️‍🩹

Glad it helped, and you like the format!

I don’t recall exactly what it was set to, but using the tap feature on a metronome to measure it is about 160bpm. Hope that helps!

That was exactly why I wanted to try this Watch. I’m glad you found the information helpful!

Either guitar should offer more output because of the humbucker pickups. However I can't say anything definitive about the Harley Benton CST-24T since I've never owned one. I think it comes down to personal preference on the looks and style. If you like the feel of your fender, the bolt-on unfinished feel of the neck on the Cort will probably feel more familiar. The carved out cavity for the the floating Trem on the Cort is also something to consider. If you don't mind a lacquered set neck, or the fact that the bridge isn't fully floating on the Harley Benton, then it comes down to looks. I personally love PRS guitars which is what that model Harley Benton is going after (from what I can tell). From what I've heard, I don't think that it is a bad choice by any means. I'd definitely recommend the Cort's V2 of this guitar though. At least on personal experience. Hope that helps!

@@MrAustinMusic thanks😇

I don't currently have the guitar anymore (switched to playing lighter guitars). However I gifted it to a student of mine, and he's had it ever since. Still a good instrument, and I'd recommend it! However the V2 version has some things I thought could be upgraded. Such as a roasted maple neck, string tree (I installed one on my V1), and a graph-tech nut (also installed one on my V1). Either way you can't go wrong, but if you can find a the 2nd iteration for close to the same price (without ever trying it) on paper it looks like a great instrument within it's price point, and above.

Keep it up! This was a song I had done when I was a teenager. When I did this I just wanted to pick it up again. Good luck, and if you need help let me know!

@@MrAustinMusic I’m hitting a point where my strumming is just rigid and stiff I want to play faster and fluid and smooth but my wrist is tight as hell so any tips feel free to fire along

​@@charlespc8855 Hmm without seeing the problem it can be hard to pin point a solution. Often times when we learn something new the unfamiliar movements make us feel less than in control. We are playing more stiffly because our brain associates tension with control, when in actuality you have more control when playing relaxed. If you'd like to do a video call DM me on instagram or reach out to me via my website: www.mraustinmusic.com I'd be happy to take a little bit of time to look at how you're playing to better give you suggestions to achieve the goal you want!

@@MrAustinMusic sure if you take a look on my channel mate you can see my current covers I’ve added to my pub gig set lists! Hero of war amongst them!

@@charlespc8855 I left this on the video. "My suggestions would be hold the body of the acoustic closer to your torso. You're slightly angling it out because you're not confident in the hand movements (that's why you keep looking towards your fretting hand). It might also help if you sort of flatten your thumb on the back of the neck for those barre chord shapes. Thumb over is fine for open/cowboy chords, but the posture of it is staying the same when you do barre shapes. Those are the chords you're making mistakes on the most. As for the strumming side, you seem a little more confident, but you are strumming from the elbow. This works, but requires more energy, and is more difficult to control. I recommend strumming from the wrist. This will keep the movement tighter, and allow you to more easily adjust between chords with varying numbers of strings being used. Overall, you're doing really well! I'm not a singer, but playing and singing takes an extra level of coordination. You've got that down, so if you make playing the guitar a little easier on yourself with those tweaks you should see some improvement in other areas (such as the focus on your singing)."

I’m glad you found the video helpful, thank you for commenting!

Thank you!

Thank you for the kind words!

Thank you for the support!

Oh yeah, but in fairness that’s Orange’s “thing” lots of mids. haha

Awesome! Something you can do with shape memorization like this is just sit with the guitar on the couch watching an episode of any show. Spend that 25-45 minutes going through the shape. Trying to play it almost thoughtlessly. Memorizing shapes is much more about subconscious "programming". Hope this helps!

Thank you so much!

Thank you for letting me know! It's been a while since I did that video, now in things like this I do a top down, and I'm able to more easily monitor what is being recorded. Hopefully that'll help, but I'll think about redoing this video with my updated methods!

Thank you for the words of encouragement!

@@MrAustinMusic You got it man, just keep going. I do not know you personally, but I can and will tell you this... Just... Keep going, my friend. God bless.

They're really great, I miss owning one sometimes, but plan to get another American PRS at some point (need more students to signup for lessons first haha)

Glad you think so!

Thank you for the support!

Glad it helped!