Yes you can use apsc lenses on full frame in crop mode. Quality is very similar but the difference is resolution. Apsc camera like a6xxx have 24mp. A7iii has 24mp in full frame but only 10mp in crop mode.

@@AndrewBoonVisuals what about video quality? Is A7iii sharper and better in low light with APSC lenses? 🙆🙂 Then i have all answers... 🙂

Slog is for when you need to squeeze every bit of dynamic range out of the footage and have time to grade it. Both have there place depending on the type of work you do.

@@AndrewBoonVisualsunderstood. but if your comparison was almost exact, then doesnt the benefits of s cinetone out weigh the cons when compared to alot more time being invested in post with s log 3? If cinetone can be edited alot quicker and almost produce the same outcome, then is slog 3 worth it?

@@umiumi2638 it would be situation dependent. Yes, you can minimally grade cinetone to match slog. This works best if you have proper exposure or control of lighting. Since the contrast is baked into cinetone, if your exposure is off, say highlights or shadows clipped, it may not be possible to bring them back to look like slog. Since slog is flatter to begin with, you have a little more room for those highlights and shadows to be off if that makes sense. Both are great with slightly different workflows. I mostly use cinetone for my KZbin stuff and slog for client work.

@@AndrewBoonVisuals thanks, that makes alot of sense

Sure was lol

Good question. When a full frame camera goes into crop mode, it uses an apsc size of the sensor to punch in. Since an apsc cam is already apsc sensor size, it can't crop in more for crip mode. Hope that helps

@@AndrewBoonVisuals I know that. But there is plenty of apsc cameras that crops in to shoot for example 4k or 4k in higher fps. I found this feature very useful and wish that everyone includes it in all kind of cameras. Since there isn't really reason to not to.

@@adokapo oh man I agree. Some of the Sony apsc cams have clear image zoom but the option to digitally crop is so handy

Thank you!

You definitely got it now 👍🏼

Thank you! Unfortunately no. Haven't been able to travel that much but I am working on a Hawaii video that I'll post in a few weeks

Anytime! Glad you found it helpful.

Couldn't agree more!

There's no automatic split screen that I know of. I use the crop effect and made presets for different number splits/orientations.

@@AndrewBoonVisuals thanks.

Thanks for watching! Yep I recommend the pro 100 percent now after the update.

@@AndrewBoonVisuals thanks man 😊

Thanks! Scinetine will clean up again at iso 2000 and I wouldnt take it past 8000 iso. I just expose normally and in certain situations underexpose by half a stop. I like zebras at 95 👍🏼

@@AndrewBoonVisuals thank u!you mean that above 100 iso in daylight and 2000-8000 iso in low light conditions, I see noise?

Same! It's just overall smoother

Thanks for checking it out! It's a great profile.

It will definitely be stable enough for most uses. I will never replace a gimbal but for normal handheld and tripod/monopod stuff it should be fine with the IS on the lens.

Thanks man! I appreciate you

It's a custom built PC. Pretty powerful but honestly the 6K raw plays back smoother than my Sony h.264 footage. It's a nice raw codec.

@@AndrewBoonVisuals What components do you use?

@@procamara359 check out this video. This is where I got the build specs from. Almost all the same parts give or take a few that were out of stock. kzbin.info/www/bejne/q3nLo616n7atoqs

LMAO

u wish

Yes, only if you shoot raw.

Thank you brother!

Those are two very different price points lol

True dat.

Thanks for watching! In most situations, I'd go with the pocket 6k for price and ease of workflow. If form factor and absolute best image quality is a must then Komodo hands down.

Thanks for watching! Yeah I just got my a7siii in and plan to do lots of tests as well lol

@@AndrewBoonVisuals Maybe I'll just wait for you haha. I have about 100 other videos to make on my to-do list already, LOL.