I’m glad it was @just what the doctor ordered”. Let me know if you have other questions.

You can send a mix out the local XLR outs and then you can make completely different, separate routing in the USER Out to send to your stage across AES50. Not to make it too confusing, but let’s say MixBUS 5 is set to Out 5, then you can send that (by default) out XLR 5, but then change its orientation in the USER Out section and send it to the stage box on any available output so maybe it goes to Output 7 on the stage box. It’s still the same mix just being routed to different locations.

+ since our band has 8+ members in it, I was wondering how can we have each musician to have their own in-ear mixes while using the behringer X32 console

You can build mixes in the console using MixBUSes and then route them out in various different ways. If you have a small platform console (only 8 XLR outs) you will usually reserve 2 for Main LR output and then have 6 remaining outs for IEMs. In addition to that you have 6 AUX outs (1/4”) that you can use to send mixes out of the console which can also send signals to IEMs

@@AllamHouse so in total there would be possibly 14 connections for our IEMs? And there would still be enough XLRs for our speakers? (We only have 3-4 speakers that are pointed to the audience)

The small platform mixers have 14 physical outputs and usually 2 are designated for your main mix (L and R). If you have multiple speakers for your house sound you will most likely just connect them together in a mono or stereo setup which will not require more outputs.

I’m glad you found the video helpful.

If the goal is to send your broadcast mix (built on a stereo MixBUS pair) out the console across USB and into a streaming device then you can use the User OUTS section to build a custom setup which takes your broadcast mix out User OUT 1/2 and then go to Routing > Card and select "User OUT 1-8" to be matched with Card Outputs 1-8. This will take away any need of setting the mix into the Routing > Outs area that it sounds like are all taken up.

Find the contact card in my website and we can start a conversation outside of KZbin. sound.AllamHouse.com

I'm not sure exactly what you are asking with this statement, but the RCA connections on the back of the console are linked with both the AUX In 5/6 or the AUX Out 5/6. If you want to use the RCA outputs you just send your desired mix to AUX Out 5/6 and you are all setup. If this isn't the question you were asking, feel free to rephrase it and I can give it another go.

I'm glad you found the video helpful. Let me know if you have other questions.

The XR18 is a similar concept for the setup, but obviously a different interface. You will need to send your broadcast mix out USB 1/2 and then you can send the rest of your inputs out to your DAW. This video discusses the fact that you will have two less inputs that you can record into your DAW (across USB) since the broadcast mix is taking up the first two slots. Hopefully this gets you moving in the right direction, but if not I can see about adding a specific video into my list to be made.

@@AllamHouse Please consider doing a video. Thank you so much for the reply.

If you are running a matrix you have less control of the specific inputs (pastor in this case) , but some people do have a single Bus dedicated to just altering what is going into their Matrix from the mains and using teh Bus to augment (turn up) certain elements. In the end you have to use an additional Bus to do this and at that point I just recommend using a Bus for your broadcast anyway.

I'm assuming you are working on a broadcast mix and there are multiple ways to build your mix. Each style has its' pros and cons and in general those options are: MixBUS, Matrix, DAW. A MixBUS gives you the ability to have an independent mix (pre-fader) managed by a second sound tech or a relative mix from your house based on settings in a post-fader MixBUS (my preferred method) which is best if you only have one sound tech. A Matrix allows you to start with predetermined MixBUS mixes (many people group vocals, band and drums into different buses) and mix those according to the desired output. You can also start with your house mix since that is officially considered a MixBUS. A DAW takes your inputs out the card, into a computer and allows someone to manage the sounds in a computer to build a refined mix. It all comes down to what is best for your group, how many sound techs you have at your events and what gear you have available. If you were running a Matrix and are switching to a MixBUS setup then your Matrix will not be used as it was previously, but (in theory) you will have more control over your mix using a MixBUS.

Thanks for the encouragement. Let Me now if you have other questions.

I’m actually going out the local XLR outputs 11/12 and into the ATEM Mic1. This video shows the standard ways to get audio out and if you are going into a computer directly you might just stick with the USB routing option. Also below is a link to the cable we use if you want to go into the ATEM. Video: kzbin.info/www/bejne/rnjXYq1rfpyVorMsi=CLPxwRqLqiHXf3lx Cable: Disino Dual Female XLR to 3.5mm Y-Splitter Cable, Unbalanced XLR Female to 1/8 Inch Mini Jack TRS Stereo Aux Interconnect Audio Mic Breakout Patch Cord - 10 Feet/3 Meters

Thanks man.

Head over to my website and look at the contact card to start a conversation outside of KZbin. sound.AllamHouse.com.

I'm glad the video was helpful. Let me know if you have other questions.

I have plenty of videos based around broadcast mixes for live stream and the necessary routing. If you provide more context I can point you in the right direction. Here is the most popular way to setup your broadcast mix based on having only one sound tech at any event. kzbin.info/www/bejne/pn7RkpyreJpoiLs

That's encouraging that I'm not alone.

I would check the following items… 1) X32 sample rate. Make sure it is set to 48.0k in the settings tab 2) Put headphones in the X32 and solo your broadcast mix. Confirm there is no clicking happening at the console. 3) Connect your X32 to the Mic2 input and see if it clears up the issue. Sometimes the Mic inputs can go bad. 4) Try different cables and make sure they aren’t running next to electrical cables potentially picking up noise. I use a Y cable that is 2 XLRs into 1 3.5mm jack providing balanced cables leaving the console and going directly into the ATEM.

@@AllamHouse Thanks for the suggestions. i've used different cables, but what isolated the ATEM as the issue is connecting an output from my laptop directly to the ATEM Mic1 input -- i got the same clicking there. That also eliminated the possibility of a ground loop issue, as the laptop was running on battery. I'll try the Mic2 input, as well.

That is good information. Thanks for sharing with the community.

That is very interesting. Since the recording a few weeks ago I have reviewed our stream volume and was able to push 4dB more on the ATEM without clipping. Many people just toss the cables in and run with the stock settings and that is when you get clipping.

That’s great. Let me know if you have other questions.

Assuming you are talking about the small red lights near the XLR inputs, those indicate when phantom power is turned on for that specific channel. You only need this for certain types of mics that require phantom power (48v) and some DI boxes that also require this to be functional. Typically, you don’t want to have it on unless needed.

Not a coincidence. The ATEM is a tool that can combine video signals and audio signals, provide layers and other features while encoding your broadcast and even sending it to the internet. There are a number of versions of this device and they work really well when setup properly.

There are a few different ways to handle this setup and two that I prefer over your proposed setup. The reason I might pick one over the other is due to cable length or other location factors that could sway me one way or the other. 1) Send the audio from the console into the ATEM as explained in this video. I personally use a dual XLR cable to 3.5mm headphone jack so the cables plug into my local outputs on the console and travel on balanced cables into the ATEM. This allows the ATEM to handle the combination of the audio and video and any adjustments can be made in that device. Both audio and video are then sourced inside OBS and off your signal goes. Keep in mind, if you have the ATEM Mini Pro, it can stream directly to the internet for you and you don’t need OBS. 2) Sending audio across USB into OBS keeps the signal in the digital realm and has less conversions and gain settings needed. You can use the card on the back of the console and route your broadcast mix out the card to the OBS machine. This video walks through the three options to get audio out of the console and the necessary settings to make them work. kzbin.info/www/bejne/rnjXYq1rfpyVorMsi=vxuwBUKi-If3T2I9

This is a video I put out a while ago that talks about my favorite reverb on the X32. kzbin.info/www/bejne/e2awaWhvfLqio9U

Look up videos by Drew Brashler. Only one I know who covers them all. But, learn on your own with virtual sound check. Record some tracks and experiment with all the effects. Try stuff out. Don’t wait for someone to tell you.

I don’t have a scene file I share since every setup is different for every group in every venue. This 45 second video explains more. kzbin.infolMfubHnpOcY?si=z1dyP-ZvLK0OVrR5

Thanks for putting this in the comment section. I'm adding this to my list of videos to make as it will be easier (and more helpful) than trying to type it out.

@@AllamHouse i would really appreciate that. thank you so much in advance God bless you more on what you do!

This video is next in line to be recorded.

This video just went public and hopefully it helps you out further. kzbin.info/www/bejne/ZovLhoKArapkgpI

I’m glad it was helpful.

Make sure that the BUS is not being sent to the Main LR mix. If you are on the console, go to the BUS and select it. Then, go to the left of the screen and make sure the Stereo LR Bus button is not orange.

I'm reading your answer to this question below with Zoom from a few years ago. Is this still your recommended option?

I still use Zoom to remotely control peoples consoles, but keep in mind this is only for setup type situations. I would never try to mix remotely as there is too much latency for the actual audio.

@@AllamHouse OK thank you.

It is certainly not my first (or second, or third) choice.

Time to jump back to the basics and set proper gain structure. This video covers the basics kzbin.info/www/bejne/Y4PNgWZ_gKuZp68si=o0jpqZ_1NZvy_1KE

Yes, if you are running a MixBUS into a headphone amp (or wireless IEM unit) then each MixBUs will be its own separate mix.

That is good to know. I assume the Zildjan or others have something else to offer, but I also know that many groups are looking for more budget friendly options so I wanted to share my experience. Thanks for sharing with the community and hopefully someone will take this into account and make proper choices.

@@AllamHouse when I play my bobo Amazon practice cymbals my Apple Watch still gives me alerts about loud volume. I’d love to know the dB ratings of the Zildjian and others.

This short 1 min video shows you the cable you need. Most people cal it an old printer cable. kzbin.infoEwWBYPgSXwE?si=nOPSmtJPBd41VR75

I’m glad you found it helpful. Let me know if you have other questions.

I’m not really sure I understand this comment. In the years since building this space, the wall foam has changed to better wall treatments.

Glad you found it helpful. Let me know if you have other questions.

Assuming you are talking about connecting to a digital stage box, Just make sure to use a proper shielded Cat5 cable and connect to either AES50a or AES50b. You would need to adjust your input and output settings according to what you have connected. In terms of the network connection on the back, that is designed for connecting to a standard network usually providing remote access to the console from the sound tech with a tablet or the band on stage with phones to mix their monitors.

Keep in mind there are both physical outputs and virtual (UsB) outputs as well as AUX outs so you have a lot of variety to find a routing configuration to meet your needs.Assuming you are sending your broadcast mix to a streaming device that only recognizes USB 1/2 (like Facebook, OBS or VMix) you might need to use the USER OUTS section to build some custom routing and then send that out the Routing > Card section. This video might provide more insight on the Routing screen. kzbin.info/www/bejne/hqHIooWrhaycaLssi=ejIjrMQlO-72qsuk

You will have to utilize a Matrix to get the second plugin inserted. Here is a video that talks about how I do this on a weekly basis in my broadcast scene. kzbin.info/www/bejne/b5LFg2utq5mUb8U

I'm glad the video was helpful and you got the job completed.

I'm glad that was helpful. Take it up a notch now and refine your broadcast audio. Check this video out for a walkthrough of my process. kzbin.info/www/bejne/pn7RkpyreJpoiLs

MD mic needs to be removed from the LR mix so select the MD. Channel, and then push the Main LR Bus button that is just to the left of the screen. You want the button to NOT be orange.