That's really nice to say. Thanks and good luck with learning it!

Hey, I appreciate the feedback. Cheers!

MMF-2 more traditional shapes but sounds awesome and is stereo! MMF1s, super flexible shapes with spacing control, saturation modes and built in vca. Lurv them both! MMF6 is also great. Gnarly.

Ha! Thanks for checking in. I've been focused on a couple of other projects, but still practicing everyday. 28-30 are more or less ready to go. Yes, 28 and 29 are different beasts and I think your advice about relaxing is good. I want to play those trills cleanly and accurately; not just a trilly wash off sound. Almost there! And for 29, the interlocking passages also need to retain clarity. Easy to become a blur. Hopefully later in June I'll get them up. Then I want to re-record the whole work for audio release. I have a specific approach in mind.

thanks! monome.org

Perhaps, interpretation? You are probably right. I'm continually refining the performances. Kinda strange to lock them down in a recording. Thanks for listening.

Mountain out of Mole Hill... There's always one in every crowd. 👎🥱

A fine performance ... Lovely .❤

Thanks...it's been so long ago, I'm going to have to watch this to remember what the sam hell I did! HNY

It is a little nuts! Cheers, buddy.

Thanks! Cmi Pentatonic.

actually, I do.

@@Dudadius Any chance I can pay you for a copy? I’m looking to teach my son this track for a musical project he is a part of.

@@Heddo2200 no need for $. email me at dudadius at gmail dot com

@@Dudadiusthank you. Email sent.

@@Heddo2200 never received, btw

thanks!

effects: just having some fun. some of the videos are more natural: kzbin.info/www/bejne/oajQkpKNnrl-mJo the K195 is an astonishing instrument. balanced throughout, noble bass, capable of huge sound or delicate ppp, precise action. it makes me smile everyday.

@@Dudadius I have a Schimmel 176 from 1995, and I know what you mean

thank you.

Thank you.

Paul, it's a Macbeth Elements. Fairly traditional synth layout, but some interesting modulation and fx options...and the touch keyboard is cool.

Thank you!

Thanks much. The rhythm is primarily a pass I did on the Soma Pulsar 23. I started with the envelopes wide open and the on-board Pulsar fx feeding back, then dialed everything back to reveal the underlying rhythm...that was the idea, anyway. The Pulsar fx section is like another instrument; between the ability to play with the pitch aspects of the delay and the gnarly feedback, you can really perform it. I did another pass of the Tip Top hi-hat, using the same approach. It was going through a filter and also a Intellijel Rainmaker, the latter being another 'secret sauce' effect. Only plug-ins I used in the DAW were for mastering.

@@Dudadius Thank you! The Pulsar was on my shopping list already, gotta learn that one. What kind of effect the Rainmaker doing here? Tap delays?

@@TheHollermann Here is a detailed look at how I use the Comb delay side; altering the number combs, their feedback, etc... Used this same technique on the Tip Top 909 Hat. It's also on one of the melodic arps.

@@Dudadius great, thank you very much!

Thanks, Jeff. That was all in Final Cut. Kaleidoscope and Tile effects being automated. Silly stuff! The Instagram version is even more stylized: instagram.com/tv/Cd_lwIRO3dy/?igshid=YmMyMTA2M2Y=

@@Dudadius I've just bought a Sleepy circuits Hypno, so the video stuff is now catching my eye more than my wallet will be able to afford 😂

Yes, you can interpret 19 in many different ways. I was thinking of it in contrast to the ones around it. 20 is gymnastic in my mind. All muscle memory. 21 is one of my absolute favorites. The chromaticism is so classy.

To quote Larry David, "Pretty, pretty good!" Thanks!

thank you! good times…