Bella voce ..siciliana ne siamo fieri

Il parait que la créme de la creme, aujourd'hui, c'est ca... kzbin.info/www/bejne/mGbTqmWpo9-Mf6s

Édes ez a Juan Diego Flórez, és nagyon jól mutat a hercegi jelmezben.

@OscarLevant1 if you have such incredible credentials, why are you hiding behind such a silly pseudonym in your posts, like so many other “authorities” on KZbin??? (If your name is really Oscar Levant, I do sincerely apologize). What universities employed you?? Where was your operatic career? Do you expect to be taken seriously by saying things that infer “open” to be negative and “closed” to be positive? In singing?? Really?? Mattia Battistini just asked me to tell you, you may want to rethink this.

Amusing how he imitates Corelli’s ‘acting’.

I did Pagliacci with Tonio. Amazing voice still. Didn't get the recognition he deserved

A sembra Alvarez

6:37 that is a fabolous moment, I tend to think Pavarotti absolutely enjoyed that

Di Paolo si scrive così il cognome. Grazie

Excellent!!!!!!

Sorry her lot who loves too well, Heavy the heart that hopes but vainly, Sad are the sighs that own the spell, Uttered by eyes that speak too plainly; Sorry her lot who loves too well, Heavy the heart that hopes but vainly, Heavy the sorrow that bows the head When love is alive and hope is dead! When love is alive and hope is dead! Sad is the hour when sets the sun - Dark is the night to earth’s poor daughters, When to the ark the wearied one Flies from the empty waste of waters! Sad is the hour when sets the sun - Dark is the night to earth’s poor daughters Heavy the sorrow that bows the head When love is alive and hope is dead! When love is alive and hope is dead!

Impeccable. Tragically lost too soon. R.I.P.

Can we talk about the fact that the student was better than Pavarotti ? And the fact that his "advice" on the high note was absolutely not helping ?

Something must be wrong with me, since I hear the high notes quite clearly…

Bravo

Di Paolo canta gangoso con notas falsas y horriblemente inspirado por el sobrevalorado de krauss

Lovely voice. A singer to be reckoned with.

Amazing singing

Imagine singing Rigoletto for Pavarotti-the Duke of Mantua was one of his signature roles!

Tony di Paulo is a wonderful singer, and a lovely man. ❤️

Grande classe!!!

he kann sing als dramatic Tenor

he has grande Stimme (voice) unglaublich

Awesome

4:55 Pavarotti enseñando a utilizar el twang sin saber que está enseñando twang

He makes it sound so easy.

шикарно!

you can't gloss over the risqué business of taking off shoes and socks. it should be like "...take off our shoes..." *gasp* "and stockings..." *GASP* "and... paddle!" which is of course exactly what they were all thinking and in giddy agreement they cry "the very thing! the very thing!"

This is the best performance I have ever seen.

Lovely.

What a beautiful high c!

Beautiful singing!

❤Тонио ди Паоло,наилучший Андре Шенье наших дней .Брави́ссимо ооо.❤❤

❤Звучит прекрасное пение,голос звучит ярко,лучезарно ,блестяще .Брависсимо ооо.❤❤

Imagine being the most virtuous opera singer of all time and have not even the slightest of ego when teaching students. What a magical human he was!

In the 1990s, I heard Tonio di Paolo as Riccardo in Un ballo in maschera: he was really excellent in the role.

The SJP doesn't have the voice, but the others do! Pretty much a carbon copy of the tired old Carte business.

A really underrated Tenor RIP 🙏

Still not enough encores.

Peccato ci abbia lasciati😢😢😢

How Pavarotti got all his remarks fast and right from a first audition is beyond me

Ma perché Pavarotti pronuncia le parole italiane scimmiottando la pronuncia inglese di queste?

Bravo !!!!! 👍 👏👏👏👏👏

He has Squillo. Noone has squillo today.

What a voice - you can hear it filling the hall.

パヴァロッティの味付けで、音楽に面白味が出てきていて、面白いです。　この歌い手さん、すばらしい声。Bravissimo

In memory of Tony Azito we mìss him gone too soon so young.

Tonio di Paolo here proves to have a very beautiful pure lyrical tenor voice.

This material is gold for a singer. Pavarotti was a singer with great technique, one of my favorite tenors, from au string to light lyric tenor. But that his conception of the technique works for any type of voice

Superb rendition except for a couple of times where his pronunciation of “voi” was not precise: the Italian “i” did not ring clearly, sounding more like an Italian “e”.