I have something different for you. Would you do movie reaction of Unbearable Lightness of Being. I love you guys. I love your sweet and honest reaction. But I think this might be a challenge to you and I would to see how you’d react. ❤❤
@kareemdr636Ай бұрын
Best film ever
@shangoshi6 ай бұрын
They had six!
@kanoldugomlek10 ай бұрын
en sevdigim
@kanoldugomlek9 ай бұрын
mi amor
@Pansybinoche11 ай бұрын
💙💙💙💙💙💙
@Mirror1973 Жыл бұрын
One of my favorite novels by Milan Kundera ❤ the book is amazing
@TheSeventhArtMemory Жыл бұрын
All of his books are amazing.
@astorytellerrabbit6 ай бұрын
I haven't read the book yet, what do u think about the movie? Is it a good adaptation?
@shubhamR016 ай бұрын
@@TheSeventhArtMemory I am currently reading the novel, I started it yesterday. Already completed 2 parts 🙌 I guess I will watch the movie after completing it.
@ReplicanteVII Жыл бұрын
That’s a masterpiece, bro.
@user-sd8rf6oz6c Жыл бұрын
一番好きな映画の一番好きな場面です
@rubenroman5663 Жыл бұрын
11 July 2023, RIP Mr Kundera! 😢
@TheSeventhArtMemory Жыл бұрын
May he rest in peace.
@imbertinamo2708 Жыл бұрын
quel film c’est?
@TheSeventhArtMemory Жыл бұрын
The Unbearable lightness of being 1988.
@notshetocastarz Жыл бұрын
Che belli che sono!! Daniel sempre indimenticabile!!❤
@aubreykathleen8880 Жыл бұрын
So I was super curious what song this was and so I scrolled through the comments to hopefully find an answer, which led me to go searching for Janáčeck's "deux guitars". What I got was similar, but still didn't sound quite right. So I did some more digging and turns out the song we're all looking for IS called "deux guitars" BUT I found better results when searching for it in English (two guitars). Turns out it's a semi-popular Russian/Ukrainian folk song. There are lots of different versions on apple music, and maybe Spotify as well, and plenty of covers on the internet. Anyways, to anyone still curious I hope this helps! Cheers!
@nehuen260 Жыл бұрын
thank u so much ❤️🩹❤️🩹
@MarianaCarvalho-qb7nn9 ай бұрын
Thank you so much! Still could you find this version or probably doesn’t exist?
@anelamilutinovic99148 ай бұрын
Paul Mauriat 😁 Les deux guitares
@shadye.tammam80734 ай бұрын
dude , its Johannes Brahms -- Hungarian Dance No.5
@aubreykathleen88804 ай бұрын
@@shadye.tammam8073 You're right! they sound quite similar, however, I don't think the tune is exactly the same, but the rhythm and overall flow is very close.
@arjenposthumus Жыл бұрын
de mooiste film ooit gemaakt
@elziocanssi7156 Жыл бұрын
Concordo
@virginiwoolf Жыл бұрын
Beautiful beautiful Juliette Binoche... Reading now this book . Kundera ♥️
@equinoxetm4132 Жыл бұрын
love
@notshetocastarz Жыл бұрын
Che meraviglia!!
@palomagarcia-caro Жыл бұрын
Sensualidad pura
@atmahari-marianne-life-coa8536 Жыл бұрын
UNBEARABLE LIGHTNESS OF BEING This book was on my compulsory list at university in world literature. It was a great sensation that we, rebelling and revolutionary Hungarian young adults, could now read the work of a dissident Czech writer. His work was on the cultural blacklist and had just been unbanned when we were allowed to read it. I still remember vividly the first time I read the novel, not so long after its publishing. The novel was on the "optional reading list" at university, but we all devoured the book, because Hungarian communist censorship has just lifted the banned status on it. Kundera is a dissident writer, and we were not allowed to read any of his work before 1987. As young adults with our budding revelation of the power of sexual energy, we all adored SABINA and cheered the portrayal of events in Prague, 1968. We missed on most of the metaphysical and philosophical core content of the book. My re-reading experience, 30 years later, is a radically different perception. The book is based on Nietzsche's ETERNAL RETURN concept, which states that there are not many things in life we experience repeatedly, but those repetitive events do bestow a "heaviness" of existence on us due to redundancy. On the other hand, new experiences will fill us with a purpose of life and are considered as "lightness". The main plot revolves around 2 women and a man, torn apart by the "heaviness" of his doormat type of wife, TEREZA, and the "lightness" of his most faithful and free-spirited lover, SABINA. Tomas, the womanizer husband, cannot resolve his internal pain until the end of the book, but he keeps returning to his faithful, but rather boring wife, Tereza (reference to Mother Teresa?). Gravity seems to win, but without the full acceptance of heaviness. Personally, I do not believe in the Eternal Return concept as Nietzsche interpreted it. It is a universal law that we return to the same events, thoughts and people, yet, to me it is not a circle. I view life as a SPIRAL, rather than a circle. Each experience teaches us something new about ourselves so that we can take baby steps towards a fulfilled and joyous self that embraces the heaviness, darkness and drama that our everyday life presents us with. The characters are a bit schematic, lacking the richness and completeness of the human psyche. Kundera created the 3 main characters to prove Nietzsche right. In fact, in any human being there is a blend of lightness and heaviness, light and dark, good and evil. The lack of this wholeness experience keeps Tomas captive in his own pain of donjuanism, a frequently observed behaviour in modern Western man. Teresa, masterfully acted by Juliette Binoche in the film version, has a lot of potential to overcome her inner demons, lack of spiritual stamina and heaviness and journey towards the light. Her grabbing Sabina's bowler hat is a subtle symbol of that in the film. The final conclusion Tomas or Kundera makes about love is that "LOVE IS THE LONGING FOR THE HALF OF OURSELVES WE HAVE LOST" is a set up for disaster, or at least codependency. I, myself, learnt that in a hard way and with the growing life experience I have now, I can say that love is a soulful reunion of people who made peace with the half that was suppressed or projected on others, or at least are on a road to make this inner work in each other's presence. Presence, more than anything else, provides us with the tool of embracing All That Is. It is a hard work to realize love in societies that totally separated sex and love, mostly due to the toxic and unhealthy influence of the Judeo-Christian and Islamic philosophy, but I am not getting into that here. The book is strictly about Nietzsche and his theory. BACK TO THE BOOK. After the first riveting review a really valid question emerged: POST MODERN MASTERPIECE OR PATRIARCHAL PORTRAYAL OF WOMEN? Both. There is an apparent misogynic portrayal of women in the book. Kundera is not the only writer who glorifies the mistress and draws a rather boring, submissive and weakling character by talking about the wife. Think of Doctor Zhivago. Tonya is so insignificant in the novel that most of us cannot remember her. Lara overshadows the scenes. Tomas indulges in several verbal and emotional abuse with Tereza that Kundera, as the narrator, does not condemn. Sabina's overpowering influence on him is apparent and the electric friendship that develops in the threesome is somewhat not realistically depicted. I know I was overtaken by Sabina's life philosophy and butterfly nature. She was someone I could not be, but I wanted to be in my mid-twenties. Regardless of this really unfavourable treatment of the Divine Feminine and the Goddess, the novel is still a postmodern masterpiece. Kundera excels at postmodern pastiche, intertextuality, metafiction and temporal distortion, all difficult techniques that make me so devoted to reading post-modern works. MUSIC plays a vital role both in the novel and in the film. Kundera was an excellent pianist and masterfully applied his knowledge of musicology on the work. Beethoven's "Es muss sein" is a leitmotif and symbol of fate and heaviness. The piece got famous after the box office hit of the movie. In closing, I would recommend this book to all intellectual types of readers who like to muse about the great questions of the meaning of life. I would certainly not advice the reading for those who are character readers or avid feminists. It is not an easy book and has many layers to it we might miss if we read at the watercooler in the office. I hope I helped. --------------------------------------------------------------------------------------------
@TheSeventhArtMemory Жыл бұрын
Thanx for this review, sure you did helped.
@atmahari-marianne-life-coa8536 Жыл бұрын
@@TheSeventhArtMemory Great. I wrote film reviews on the Ingmar Bergman movies you posted on KZbin. I will post them in the comment section. He is my favourite film director. Him and Tarkovsky.
@monicaferreira17122 жыл бұрын
Mucho hermoso hombre encantador y un gran actor Daniel Day Lewis 🥰🥰🥰
@thisisfofy84982 жыл бұрын
what's the name of the music piece ?
@Omarbass2 жыл бұрын
تحفه رائعه من انغمار
@ocaiopascoal2 жыл бұрын
What is the name of the music?
@TheSeventhArtMemory2 жыл бұрын
I'm sorry, I don't know its exact name, because its not in the published album of the movie, but you can search in KZbin for The Unbearable Lightness of Being Soundtrack. You'll find some of the movie's music collection. In google on the Amazon Site you will find the album, This piece is very close to it: Leoš Janáček String Quartet No. 1 'Kreutzer Sonata' (1923). My greetings.
@user-yh7fg2ui6q2 жыл бұрын
Deux Guitares (Two Guitars)
@anelamilutinovic99148 ай бұрын
Paul Mauriat les deux guitares😊
@laurelwalthall84942 жыл бұрын
Splendid😍! Do not miss out - P r o m o s m!!!
@user-fl7ig6si9h2 жыл бұрын
ليش ماكو احزنني باليوتيوب
@user-fl7ig6si9h2 жыл бұрын
I love the music here
@TheSeventhArtMemory2 жыл бұрын
كل شيء متناغم، هنا كأن الوجود شعر وموسيقى.
@akrman68712 жыл бұрын
وداعاً ياثيو سأغادر نحو الربيع
@GinaSigillito2 жыл бұрын
This will always be my favorite film of all time. Glorious.