Great video bro. I love the preamp on the mix buss idea...it sounds superb!

Interesting setup...I do have a plan to do this as well in the future. I'd encourage you to re-think your lights (I have that same Newer light), but for that kind of setup they're a temporary solution. Seamless booking solution though...good work.

Looking like a great space! The Rodecaster II is a great tool as well, having all the audio and video handled separately is definitely a good choice I think. My favourite thing about my first gen rodecaster when I had it was being able to load theme songs onto those pads on the right hand side. Means you can do little audio jingles in real time, rather than in post. Been loving my ATEM Mini Pro too, having the graphics slots as well is super great for logos and that kind of thing. The lighting and vibes look great guys!

Hi,that’s very helpful video and thank you!! Quick question,having a c2 straight into the gpu of a pc without any output monitoring device,could possibly save the calibration to tv or pc display profile??

Fucking shake camera !

As someone who wants to take colorist work seriously and start getting into it professionally, the nittygritty of gear requirements is quite confusing. There is no real a-z walkthrough. I am looking to get an EIZO monitor to get realtively good colors but dont get the difference between the ~2k, ~3k and ~4k buck models. They have inbuilt calibration software and you can get a 200buck probe for them. So only other thing absolutely required is the bmd card (e.g. studio 4k)? Is that correct or do I need something more as an absolute essential to get such a setup up and running? As a sidenote: Looking to upgrade from my windows laptop to a macbook pro.

Sorry, I cant find a link for downloading the IR´s? :)

Chunky AF..... knocked my dick in the dirt. 🤟

Looks like a fun week! Can't wait to see the podcast studio too!

try a sine wave sweep (then deconvolve) if you want it closer

Hey Mitta, if you had the time, it would be cool if you did a video where you demonstrate how to mix an acoustic guitar - for example, a gentle singer / songwriter type track which is solely acoustic guitar and vocals.

LOVE this video. As a hybrid mixer this is very inspiring and motivating and I couldn't agree more about it sounding better than Plugins ❤️ Cheers from Sweden! /Mike, Amaranthe

"Cameras Rolling!" /MAXIMUMINTENSITY

Thanks My Guy i just got a new monitor out of all the videos on the sub your video is the only one that makes sense once again Thank You😎

You can’t even hear the music? Considering what you guys do , I’d say that’s pretty embarrassing haha

Lovely. Btw the T on the Culture Vulture is not “tape” its Triode, as in the type of tube. P is - you guessed it, Pentode

😉👍🔥

Fuck sake This is really aggressive shit

Fuck yeh, so hyped for more of this

Popcorn Pete loves this ❤

Fucking sick 🤒

im wet

Now THIS is podracing 🔥🔥🔥

this is sick

This was really helpful and well put together, thanks. I'd love to hear an acoustic guitar comparison.

Thanks for the video, I've been searching for a calibration method for the LG C3 that doesn't require a PC. I see this is very recent. I have the exact same version of DisplayCal on MacOs 14.6.1 and it quits on launch just after the splash screen, is there a trick to this? Cheers Mate.

have you considered switching to the mac studio? my company just bought an M2 Ultra with 128 Gb ram and it's awesome

hi i really like your videos im not lying you should post more

Thank you for sharing your process, Joel! It's so helpful to see how you go about your calibration considering there are so little resources on this online. May I ask one question - is it needed to use a LUT box if the clean feed is going out to a single reference display (unlike your setup where you have two - FSI and LG C2)? What I've been doing is setting the calibration LUT I get after calibrating with DisplayCal in 'Color viewer lookup table' in the Color Management section of Project Settings to ensure this is correcting the clean feed I'm seeing. Would you say this workflow is correct? Thank you for your input in advance!

Yeeeeeah Loch Pick!

First like view and comment 🎉

Can you do a deep dive on your displaycal settings? In this video, you only show the 3D-lut page

What’s the point

sick

P3 gamma 2.4 why not 2.6

if you can do a video on how to set up your computer to the LG as a main color grading tool using what you have would be great.

Future channel managers here!! Great fun

“Babe would you still love me if I was a worm with cancer, while a extinct trex was chasing me down to the Fiji police department 😢”

Having a drumming background myself, That drumkit on the shitta is sooooo cool!…..lol😂😅

First like view and comment ❤

Hello got a few questions, so once you calibrate the LG in P3 and Rec709 color spaces, Calman will produce a LUT for the two color spaces? So you will have a P3 LUT as well as a Rec709 LUT which you then load into the Lutbox? So for example, if your color grading for Rec709, you open the Lutbox interface and load the Rec709 LUT generated by Calman? Likewise, if your project is intended for P3 - you load the P3 generated LUT in the Lutbox? And from what I read, you output an HDMI cable from the computer into the Lutbox “input”, then from the Lutbox “output” you run a HDMI cable into the “input” of something like the UltraStudio 4K Mini - which you then run a HDMI cable from UltraStudio “output” into the LG tv?

Can you explain the lut box? I have the c3 LG . do I need to purchase anything else to color correct the TV ?

Sorry to say expected an in-depth video about c2 calibration like how to prepare OLED before calibration, how you connected 2 displays using a single lut box .

Hey, Thinking of coming to Australia to pursue Filmmaking (Not studying) because I think Australia is where my art will be appreciated the most. Already wrote few films. But Your Studio is definitely a piece of art and team. I"m inspired to see you guys going all along together like a true team. Love you guys. May one day, we'll hang together and most probably work too.

You want to keep your timeline color space in whatever color space you grade in, lilkey davinci wide gamut. You do want to match your output setting to your calibration, however. The timeline is color space aware, so different tools will behave differently depending how you set the timeline colorspace, but it will not impact the color space transformations.

Nice work Joel, I use a data colour spyder to calibrate my monitors. (I wish they were Flanders) lol, it’s mainly for accurate colours when printing photographs. I do colour match exactly my photographers wedding photos with my video colours which sometimes can be a challenge, but so far, I’ve been able to do everything very accurately in Resolve. 🤘😝👍🙌

Most annoying video I’ve seen in months… fuck….waste of time.

Let us know what you’d like to see!

Tha reezin i liyk it beacos i coover up staynz on tha wall HAHAHAHAHAHAHAHAHAHA

Haha best 13 min of content I've seen all week 😂🙌🏻