Always love hearing about your stories from years past, Charlie. Bring on Part III.

Love hearing your stories 😊👩🏻‍🎨

I used Williams art to guide me in understanding the handling of watercolors. I have his book and it’s well used. Thank you William🥂

Late to the party today (7 months late) and watching from Saskatoon, Saskatchewan. Any fan of Garnet and Stan is a friend of mine. Should you ever feel compelled to return, consider this an invite to do some plein air from my sailboat on the flooded South Saskatchewan River, a reservoir called Lake Diefenbaker. From the vantage at water level or on the hillsides, one easily forgets the vastness and flatness of the prairies just beyond the rim of the river valley. It is easy to sense the history of the prairies, long before there were any grain elevators to interrupt the view.

Gas stations!!! Barns... "she is going to be of no help whatsoever..." Looking forward to future Part II and Part III. Proud to have paintings by both Charlie and Kathie gracing my home!

Fascinating! I enjoyed this so much. Sounds like you were free to pursue what you wanted Charlie. Can’t ask for more than that! Love the part about your learning to read by gas station signs. BTW; I can fully identify with the low grades in math. Thank you Buddy and Charlie!

Catching up on past podcasts. Experimentation is an investment in self. Just because you are good at something doesn’t mean you couldn’t be better at something else if you give yourself the chance. If an artist has a successful ‘commercial’ look, that is not to say that you ignore the need to eat. But for private work you should always allow yourself to fail. If you find something new you want to share with an audience of consumers you just need to choose the right audience. Not all that dissimilar to Texas plein aire collectors vs New England nostalgia collectors - there will be some crossovers but the markets are not the same.

Such fun..Looking forward to the next chapter.

Luv luv Charlie and Budman (& Kathie)‼️Excellent, entertaining and educational interview. Well done 🤩🤩. Mil gracias.

I loved it. Thank you, Buddy and Charlie. It was so much fun to learn about Charlie's history from a great storyteller. I'm looking forward to learning more about the art and how his style was developed.

I never get tired of listening to Charlie. Already waiting for the next one....and the next...

Yes please - do another one! Enjoyed it.

You guys are fun to watch!

This is an absolutely fascinating interview. Buddy Odum actually listened to the stories of Charlie Hunter, making him an astute and sensitive interviewer.

Wonderful interview! Please do a follow up.

Love Buddy and his lovely wife.

Another great episode. Thanks

I am so sorry that i can not receive the book, over the big water, in Europe , i really appreciate you and your body of work, you are , for me, the best emotional artist of your generation.

I would love to look at Richard Schmid’s book!! I love your Reasonably Fine Art Talks!

One of my very favourite cartoonists. Top 20 at least. Very sad he stopped updating his old blogs! Happy Comics is insanely amazing. I don't use social media or any of that, so sadly don't see his newer updates.

Love Jeff’s work!!!

I would love to look at Richards book. Vicki page

Love the It's a New Day, It's a New Dawn. So quiet & luminous at the same time.

My goodness these photos are stunning! 🤩

Thanks Charlie and john. So how do you price that one out of 50 painting? I find that tricky.

Love your Talks and my heart always jumps a bit when the Plein Air Texas artists are your guests. Thanks

Love ,love ,love your work . The Boots wow .Thank you for sharing . Your textures are amazing. X

Tad and Zac Retz - yesssssssssss.

Excellent video! Loved all the historical info. I use Cobra and love them. Started with Artisan and regret I bought 8 tubes. Slowly replacing them with Cobra. Their consistency is great, nicely pigmented, easy to thin with water and they don't gum up.

Great show, TY. Love the way David manipulates the oil paint consistency.

Your work is extraordinary! I love it!

What a wonderful interview- inspiring and entertaining. Beautiful work by an amazing artist

The vibe was magical today! Two genius “tricksters”! So much insight. Sandy Like the Beach.

Love your art talks and your art!

I'm not watching live, but here I am now. I also think you are a marvelous artist! I'd prefer if you'd save the thanks for the end, but you be you. For what it's worth, I'm from Middle Tennessee. Also, I am a big fan of Betty Soo, along with McMurtry and Co. Lastly, good luck in Santa Fe. I did my first plein air event (a local three-day affair) and was exhausted by the end.

Thank you for such a fun and informative interview.

You should visit Vaughn NM, interesting old buildings and big former RR town

I missed the live video but i enjoy every piece of video that you are on, maestro, lovely to see the place where beauty is born on dayle basis. Sorry for my poor english.

Just found this page, Charlie and I love it. Your work has been a favorite of mine for some time. I found this KZbin channel as I am obsessed with Dean Mitchell and found your interview with him. The discussion was incredible and your interaction with him was amazing...so much depth...so many great discussions of how he looks at art, explores work and reveres the process. I loved it.

Hi from Brights Grove Ontario on the shores of Lake Ontario. Best of health To ya!

Just amazing . . You have to be one of my favourites in Landscape . Beautiful colour palette . Less is more . I always find it difficult knowing when to put the brush down . Thank you so much for this tutorial .

Thank you. Hope you're feeling better.

I'm watching on KZbin.

42:19 When I sometimes get the "So painterly!" comment on my work I have to bite my sarcastic toungue - as the thought comes "Yes, paint tends to have that effect." Still its far better than the comment, "It looks just like a photo.", that just makes me cry inside. 😭Love Jim's work!

17:17 Ha ha ha! I’ve been there-experiencing that same frustration: “This is not what I wanted! Why isn’t this painting working?” In a moment of anger, I grabbed my palette knife and scraped it off. Once I calmed down, I noticed how intriguing the marks were and how evocative the ghostly image had become. It possessed a quality I couldn’t have achieved through meticulous brush control or rendering. And the rest, as they say, is history!

The scale translation problem is an intriguing topic.

Great interview Charlie. You are so generous talking to other artists! Thank you Charlie.

Thank you, excellent lesson, Im happy that Im on the right track, youve put together a lot of loose ends for me.

👏👏👏👏👏thanks , Safe Travels

I missed this one, but so glad I’ve picked it up! So useful! Thank you! 😊