V3 seems to have the most sustain, V2 sounds fuller a smoother than all the others. V1 not as low end heavy as V2 and V3. V3 seems to be more aggressive than V2.

I just bought one of these... it's huge. need to work out how I'm going to connect it up. I probably will have it off the pedal board...

This is the most beautiful thing I’ve ever heard.

Not sure what all the hype is about they literally sound IDENTICAL!! I have two CBEs and they especially nail that special thing most vintage analog delays do which is the sort of inconsistent punch of the delay. Love that!

In fact I built them for Moreschi !!!

Great, thanks for sharing! I have one unit, very distinctive!!!

Dangggg boa!!! It's thicckkk boa

thx for recording

thx for recording

So, what is the difference between the two?

4 minute mark, Nirvana

Wow, this is the definition of 'Thick'

Sweet

I got the same, for Fuzztones covers it’s oh so great! Thanks mate🎉

much more musical than i expected.

I believe the Ibanez one sounds more vocal and the Maxon sounds more normal and watery. Could just be how the trimpots were set on them.

From the first minute - CE-2. When you started playing nothing else metters - CE-2 100% hands down. Small clone sounds too much out of tune.

I LOVE mine..... and I love my Union Jack...Killer pedal if one know show to get it!! Hhr the ol Muffer Diver Final'e with a boost of choice and wow O wow!!🎸🎸🎸

Ive had them all, including all of the Neo Vent versions and it really depends on a couple factors...... A) are you the type of person that is very particular and its the last 5 or 10% that makes the difference, and B) when was the last time (if ever) you played a guitar thru a real Leslie? ......... For me the H&K wins hands down against all of them. There's something organic to it that the others miss, and a real spinning leslie is nothing if not organic sounding. Some mentioned it sounds more "chorus like" than rotary speaker to their ears..... Well if you've ever played thru a big leslie cab like a 147 or 122 set up with a guitar pre-amp, you will understand you DO get a strong chorusing effect with the speed changes between rotors. Its part of what makes them so magical and again organic. I've never heard a better analog or digital recreation than my Mki rotosphere. I think maybe thats why it IS the best, because it's analog vs all the others i can think of recently are digital recreations. Its the 10% that does it for me. Somebody less picky will certainly be perfectly happy with a Neo ventilator or Lex, the Leslie digital, etc etc .....

The Rotosphere is by far the best rotary pedal if you use it in your FX loop. Its not even close. Sounds realistic in every scenario. Ive owned literally all of them. I WISH someone would make a smaller one that sounds as good but no one has come close yet.

We’re can I get one

Really rich creamy EJ tones. Just ordered one.

Loving the content despite you not posting for awhile. I hope you are well

hughes & kettner tube rotosphere

Hi, what current supply are you using with the Arion, 9v or 12v?. Thanks

Do you still own your Ultra Vibe?

Great sounding pedal and even better playing!

I'm curious when the unit is turned off does the delay sound trail off or does the delay cut off immediately? I;m talking about after you have repeats of the delay sound happening and you hit the footswtich off. like a trails mode works on current pedals.

Damn, I wish I still had that!

I love the Echorec! I have two & love em. I just discovered this incredible Binson Echorec EM6 mixer tho and WOW what an incredibly rare gem kzbin.info/www/bejne/d3_HgYJpjqieqJI

I love the Echorec! I have two & love em. I just discovered this incredible Binson Echorec EM6 mixer tho and WOW what an incredibly rare gem kzbin.info/www/bejne/d3_HgYJpjqieqJI

☆H&K☆

HI, great video man. I made a similar one today! Check it out. Binson vs pedal vs plugin!! kzbin.info/www/bejne/iHexkmmZpt1optU

Killer! Played throug clean amp?

@vintagestompboxes Can you make another video to show us the sound over time? I hear a lot of mod in this one. BTW Ive been watching this vid for years LOL

What type of pickups and amp are you using? A friend of mine had one of these years ago

Nothing about this noisemaker is even remotely compelling. It sounds like crap and is super annoying. Stick with an Axe FX and a theramin (can purchase both for less money than this abortion). At least there will be a chance to sound musical. Or you could just mic strangling a cat.

Spettacolare. Ne avevo due e li avevo montati tutti e due sulle mie chitarre. Secondo me il miglior distorsore di tutti i tempi

Ema, scopro solo oggi il tuo video, che flash. Anche io voglio un FL-305! Tu ce l'hai ancora?😅

my dad has an old binson echorech BS1 at home and i've wondered what it sounds like, now i know! not sure dad's works still or not, it's not been plugged in for absolute years prob. it sounds so cool and beautiful!

That wah sounds great, I'm going to attempt to built it today. Hopefully it sounds like yours...

I have one of these, my dad got it back in the 80's. To me the sweet spot for my setup is "66 fuzz", or 6 on drive and 6 on volume. That's with a Fender Strat through a clean Orange Micro Terror, or my 1964 Silvertone 1484. Just depends on how loud I need to be.

At least in my area back in the 70's, we either called them Fuzz's and or at best Boost pedals. There is a whole thread going on at any different time on The Gear Page, as to what was the 1st OVERDRIVE pedal. So I would think it would have to have at least Overdrive or OD in it's name. So if the one labeled OverDriver, was out in the mid/late 70's I would call it 1st. Now techniquely the EHX/electro harmonix had the LPB-1 out in at least 1970, and it was marketed as a Boost. But that was not an actual Pedal, it was not on the floor with a footswitch, it usually got put in the input going right into the amp. I never tried using another cable back then and putting it on the Floor, maybe with your Foot you could have pushed the slide switch to on/off. What a juggling act that would have been. The only other one that I know of out in the mid 70's was the Maxon OD 808 which later became the ibanez tubescreamer the famous 808 circuit, with OD in its name and given what the Tubescreamer actually does it would be considered a Boost/Overdrive. So I could vote for the Colorsound as number 1. But opinions Vary, yours may be different. Oh, just thought of my Vox Super Beatle amp, late 60's. It had MRB footswitchable which stood for Mid Range Boost and that was what it did, the unfortunate part was there was a Distortion seperate switch for D which was Distortion, and it was a good usable one, but to use it was in the Brilliant channel only. I never thought back then to do the Marshall thing, run a short cable between the 2 channels to try that. That was labeled and was a Solid State Amp, no Tubes, but gosh it was sure Darn Close. What killed them was supposedly realiablilty issues, they were not Durable road amps. I had mine from 78 til 1982, but it hardly left the House, and worked fine when I sold it. That was not a PEDAL, so just information only.

it's a echorec with a hammerite effect? I have been looking for an echorec with the hammerite effect for a long time, would you be interested in selling it to me? I can make you a good offer and pay more for it than it is worth new.

it's a echorec with a hammerite effect? I have been looking for an echorec with the hammerite effect for a long time, would you be interested in selling it to me? I can make you a good offer and pay more for it than it is worth new.

The Diamond Sea by Sonic Youth brought me here ✨

Oh dear! Joy!!

I've read that this is the echo that Terry Kath (moment of silence) used. Thanks for the demo.

808 sounds darker and rounder. Boss has a little more crunch/bite. Apples and oranges. Both are sweet!

Is there significant tonal differences between 5te, 7te, baby Echorec? Or just a different features, delay times? Thanks, beautiful