It's the perfect transcription I've ever seen! Can you transcript "pangya-zero fill love" too? Please when you have enough time.🎉 And Merry Christmas!!

How many times have I listened to this? 😅

Pangyq frog & spring sir ❤

My next transcript request may be challenging, it's the other Blue Moon song called "Southern Cross".

Can you transcript more pls

Now that you are accepting requests (joking) can you try the blue lagoon song (kzbin.info/www/bejne/oaqTgmmlo79_otU&ab_channel=Karudio) this song is very cool. I dont think it will be a hard one (compared to a shiny day). anyway i love your work, thank you

i love the bass from the other desert map song. thank you very much for transcribing those songs

Oh my god you are my angel

Yo! That's awesome! This is my favorite out of any of the songs

Very nice! May I offer another pangya song request? I don't need to if you don't want me to

this is just bud powell if he was slightly less mentally ill

Wait, do you think you possibly do more pangya music? One of my favorites is Fade into while, and I do want to learn how to play it

👏

You're a saint for keeping Pangya music alive. I loved this rendition so much, way to arrange! Would it be possible to get the Musescore file or MIDI? I'd love to transpose it for guitar.

👍

slight oversights: m. 17, B note in melody should be up an octave m. 56 & m. 92, melody does a variation: B-A-D changes to A-B-D (on repeat only)

hey this is really cool!!!! glad i could serve as inspiration 🙏

this sounds so beautiful please keep making more

Need a Spotify Playlist for these fr

Nice!

this is actually an amazing piano solo

“Tossed Salad, and Scrambled Eggs”

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this is cool and all, but I hate it when people cant decide on how do notate swing… either do just two eight notes, a dotted eight note and a sixteenth note or use triplets. It’s so annoying when all of the methods are used!

definitely Chris Brown at his peak compositional maturity. His other work like "Yeah 3x" or "Run it!" definitely felt a bit regressive in the way he approached harmony.

its so swung most notes feel a sixteenth off but the down beats on new phrases and measures are right on. its so fucky lmao

this isnt bebop lol

As a jazz fan, seeing The Sims 2 move away from jazz was a little sad, but understandable, since the franchise was able to develop a personality of its own (don't tell me that 10-note theme doesn't go hard). The series of bebop tunes that came with the University pack was like a farewell to the genre.

aahaha. great stuff

Sounds a bit like Lennie Tristano

After an accident, I ended up in Intensive Care Unit, all tied up with tubes everywhere for 10 days. Nurses were kind enough to put a speaker next to me so we could listen to some music trough my phone, which was especially useful when doing unpleasant work. One day we were listening to some Ryo Fukui I think, and one of the girls said to the other "you now what that makes me think of ? When I was playing the Sims back to school"

nice transcription! never heard this song before, but it's tippin & a nice break from the other way overplayed rhythm changes heads lol there are some things that should be noted about the transcription however: 1. the first 4 bars of each A have wrong chords. The G- chords should be G7, & the 2nd Bb chord should be a D- 2. the melody in the 4th bar & all other repetitions of the line should have a B natural. 3. the sixteenth note thing in the same bar should also be just triplets, with the first Bb cut out. 4. in the last measure of the second A (bar 17), the F7 shape in the RH should be Eb, Gb, A, D, ascending (A F13b9 chord). Not the F13add11 chord that you had written. 5. in the same measure, the Bb chord should be D, F, Bb, ascending, not the Bb5 chord that you had written 6. there are some wrong/missing notes in the LH during the bridge of the head, most of the time it's that you missed notes that were there, but trascribing those kind of things takes lots of practice & playing so it's totally understandable 7. lots of sixteenth notes in the solo should really be eighth note triplets 8. in the last measure of the piano solo, that Eb in the F7alt voicing should be an octave higher 9. don't use 2 eighth notes, triplets, & dotted eighth w/ sixteenth all in the same transcription. The easiest to read is by far the 2 eighth note notations, so I'd suggest sticking with that. Even though some parts are noticabley more laid-back than others, it's not worth causing confusion between the 3, & the feel of the music should be left to the discretion of whoever is playing it anyway. 10. if you're not going to transcribe the left hand comping on the piano, it's nice to just remove the staff completely, & keep it all in one. If you were to print this out, it would save paper, & it is also a lot easier to read. 11. if there is a pick up measure, don't leave it in the measure count, it's confusing. In your transription, bar 2 should be bar 1, bar 17 should be bar 16, etc. lots of rambling, but what you did here is super cool & i can't wait to see the other songs you transcribe! also your All the Things You Are video was sick, I've no clue how you did it lmao

This sounds like a Bud Powell tune

Reminds me of some Charlie Parker piano arrangements I had.

Nice transcription! Looking forward to your future ones. Btw would you mind putting the transcription in the title? It may make it easier for those looking for it, instead of meme title silliness.

The original is posted on Chris Brown's youtube channel... I didn't know he swung like that

I wonder who’s playing

May I ask what the point of using triplets (measure 1 beat 4) and dotted 8ths (measure 2 beat 3) is when writing/transcribing in a style where 8th notes are swung? I know it's used sometimes but I've never understood the point. What extra information does it provide? How is the last beat of measure 1 rhythmically different from beat 3 of measure 2 or beat 1 of measure 3? To me they all sound basically the same, yet they are notated completely differently. Is the point to indicate either a harder swing / emphasis on the upbeat (dotted 8th) or a strict adherence to a triplet grid (triplet)? If that is the case, then I don't really see the point, cause that's more of a performance/interpretation thing. I mean, the pianist here is playing so far behind the beat that the g on beat 1 of measure 3 is not actually played anywhere near beat 1, yet you've notated it on beat 1 for clarity and to avoid over-transcribing. Shouldn't this same reasoning, then, also mean that you should avoid using dotted 8ths and triplets where two simple 8th notes would suffice?

The pianist is so far laid back its messing with my mind

Beat 2 of mm. 4 & 12 is a triplet descending from C diatonically to G on beat 3. You may have assumed sixteenth notes because of how behind the beat they're playing.

Wow, that music is really bad compared to the original Sims music

"sorry bass solo..."

Some intense flirting with the lick going on

Wow, pretty cool rhythym changes head! Pianist has a really laid back feel

thought I was getting recommended this just cuz, glad it was recommended though very beautifuaulfa

100/10 would cry again

Yes

Correction: m. 35, piano A7 arpeggio should be A-E-C#-E (the same as m. 43)