Ничего не понятно

Александр Дмитриевич иситину глаголет....

Super! ❤ kzbin.info/www/bejne/oZ2kZZKMg8aBY6c

Excelente trabajo 👏 👍 💪!!!

❤

Awesome hope to see more from him.. Really inspiring...what is the name of the song track they are practicing on...please...❤

Суперские объяснения! И показ отличный! ❤

Спасибо, очень интересно

every step are same feet and same hands

Тайм-коды нужны - это же более часа! Описание к таймкодам тоже - какие элементы, где сам танец итд

Круто! Спасибо огромное.

20:00 Foxtrot reverse turn with more left side fwd to stop the lady from falling or continuing to turn on her 3rd step.

Спасибо Вам огромнейшее . Всё очень доступно и прекрасно и главное грамотно обьяснили

ИНТЕРЕСНО ОЧЕНЬ ! ! ! 👏👏👏👏👏

Спасибо за ваш труд!

9щ99

Спасибо

大神級別的人物，太棒了🥰。感謝分享👍👍👍👍👍

Благодарю!

Пожалуйста нужно видео по венскому и танго)

🙏❤️❤️❤️

38:00, Natural turn, CBM on the upper body. Reverse turn, CBM on the lower body. No upper body turn in the reverse turn.

33:00, The wind up to L maximum is -3. Windup to R maximum is 5. Natural Turn, windup -3, 0 on 1, 0 on 2, -3 on 3 Reverse Turn, windup +3, +1 on 1, +1 on 2, +3 on 3; same for the backward partner.

Оля и Дима, спасибо и подписка! Почерпнул кучу информации из этого видео, знаю, что и в других Ваших видео узнАю много ценного!

They are both very beautiful

😁👍👏👏👏

Какие же, вы, классные. Благодарим.. from California

Извините, а есть какое-нибудь пособие, чтобы схема танца была?

41:00 It’s all turned on the “hip, upper thigh, lower back” areas, the center.

Thanks for sharing this great video 👍👍👍👍👍🙏🙏🙏🙏🙏

49:00 Change between Natural and reverse for every 8 bars for musicality.

48:00, Reverse turn, swing forward without sway, but in the corner the sway is needed with the backward partner use more right shoulder pressure for more sharper turn for the continuity in the lower part and correct body connection.

44:00 Change step, change to the correct track(inner track for reverse turn, outer track for natural turn) as well.

42:00 Natural turn, more movement, going faster on the outer track. Reverse turn, less movement, going inner track for the courtesy and keeping the look, the illusion of same movement (speed)

38:00 Natural Turn CBM on the upper body, Reverse Turn, CBM on to the lower body(the knees). Don’t turn your body in the reverse turn.

30:00 Reverse Turn, forward 1/8, 1/4, 1/8; Backward 1/4, 1/4. Viennese Cross for better closing of the R hip instead of being square between partners.

24:00 The backward partner rises later than the partner going forward. Same principle in other dances as well. If rise at the same time, it’s difficult to swap position and keep good alignment.

23:00, Different rise and fall for not hindering the forward swing Swing forward, rise. Backward partner stay low to prepare the following drive, for two people to pass each other.

21:00, Body stay longer on LF for the partner to swing thru when going backward.

18:00 2 foot push then pull alternately, dynamically.

16:45 Backward closing feet with flat foot, for avoiding jumping, and readily prepared for the following forward drive. Clever technique created in the 1940s.

11:30 The partner going forward try to have more Progression(1/8), the backward partner turned more (1/4)to give the way for the partner to swing thru. 12:30 a little transit PP was created in the Natural forward swing.

10:00 Stability of the dance is also coming from the correct foot alignment.

3:40 Only 1/8, 1/4 of turn are used in VW turning.

Благодарю за классный урок! 🤓👍

Очень нравится ваше занятия. Да и Вы очень нравитесь ! Можно микрофоны развесить по залу ..иногда очень плохо слышно.

Все отлично, но со звуком беда, нужна камера с выносным направленным микрофоном или гарнитура

Watching from Nebraska ..i love watching Sharif...amazing work

Superp, Mathew Bourne!