サビだけしか歌ってないけど特徴的な声なだけあってGReeeeNのHIDEの存在感が凄いな (知らずに聞いても気付けたし)

Pretty dope

この曲、日髙さんが作ったんですよね❤

歌詞 「なんだか近頃少し」 「なにか足りないよね?」「そう」 「かわすKissの数も」 「長さもなんか減ってきたし・・・」 「最後に抱きあったのは」 「いつ頃だったかな?」 「だって、素顔ばかり見てちゃ」 「なんとなくいまさら、だよね?」 「きっと、近すぎて」 「かけがえのないこと」 「忘れてたりするのかも」 たいせつな ことはなにより いまもまだ そばにいること 情熱は 思いやりに カタチを変えるけれど その優しさを 体温(ぬくもり)を あたりまえだと 思ったら その瞬開になにもかも 見失うから 「もう一度あの日みたいに 手を繋いでいいかな?」 「いいよ」 「いまさら照るけど」 「なんとなく思い出すね」 「二度と戻れない」 「だけど、だからいまが」 「あること、胸に刻んで」 めぐり逢い ふたつの心 惹かれあい 求めあうほど その恋は 知らず知らず 愛へと生まれ変わる いまいとしさを 確かめて 過ごした日々の その意味を 感じたなら永遠も ユメじゃないから たいせつな ことはなにより いまもまだ そばにいること 情熱は 思いやりに カタチを変えるけれど 信じることも 声にして 伝えることも 出来るはずだから 与えられた 運命の 出逢いのチカラで

With that teacher I no longer hated math hahaha

GReeeeNやんな？

Shinjiro always good with trench coat

今は宇野実彩子も歌う

深キョンのドラマの歌だっけ？

鵜飼航丞の登場曲！！

学校帰り自転車乗って坂下ってるとき毎回AAAの曲爆音で頭の中に流して歌いながら帰ってるｗｗｗほほえみの咲く場所ぉぉぉぉぉぉ～～つってｗｗ そうするとまじでモチベ上がるから良いんだよねぇ～～

やっぱ小室時代のAAAは神がかってるわ

み、宮崎っっっ、、！！！！

たかうのとしんちあはいないけど、だっちゃんと秀太とリーダーで歌ってるのは好き

this is the song from the "puyo puyo chronicle" commercials, right?

もしかしたら出逢いのチカラの続きかもしれない 出逢いのチカラⅠ Ⅱ Ⅲ全部聞いた後にこれ聞くのかも…

この曲はCX-30のBOSEスピーカーで聴くとめっちゃいい！ AAAが活動休止中だけど待ってる！ EXOだと9人揃うまで待ってるから！！

サムレイルは、tAl ツアー記念の「有難う」の想いが込められた写真集からでしょうか？宇野さんは西島さんの真ん前で写っても良かったと思います。お二方の身長差からして宇野さんの真後ろだとしても西島さんのお顔は隠れる事無いと思います。

AAA 1:21から日高光啓さんのRAPが好きです😊

AAAほほえみの咲く場所日高光啓さんのRAPが好きです😊

AAA Love日高光啓さんのRAPが好きです😊

Avex, thanks for uploading the full mv on YT.

6分間も😮集める事の凄さ。これだけいつも、例えご自分達が辛くても、楽しまそうとして下さっていたんですね、有り難く笑って負けました。完敗です。

あなたはとてもクールです。 繋がって頂けたことにとても感謝しています。 あなたの心の願いを叶えてほしいと願っています。君の心に語りかけられたらいいのに

I mean this was posted three years ago but still excited I found an English AAA fanpage! I wanted to share my opinion as well I don't know Yukari well enough either so I won't comment on it... 5- Hidaka and Atae are both around the same level from my perspective. Atae has a better lower range since he has a lower voice so he is a bit better when singing lower. However you can tell he is still struggling and does not seem to have a very good breath control. He can't also really belt. He does have a unique voice and he is still stable when singing though stability doesn't always determine your singing ability. He also does not have a very good voice control. However, his husky voice is definitely charming and I can see he has been improving recently! I do think Atae is actually going for a more stylistic approach to singing though to take advantage of his tone...Hidaka actually seems more comfortable when singing but he has not really...shown his capability as well. Even in his solos when he sings its within a very limited range. But I do think they may be on par and Hisaka seems to struggle less within his comfortable range.But he does have that nasally voice and I can tell even within his comfortable range he can struggle but to be fair he is rapper and for a rapper I think he sings really well. 4-Chiaki, She showed improvement during her career for sure. However there is definitely room for improvement. She doesn't have the best voice control and she definitely struggles with belting as well. However I see a lot of potential in her lower register because she actually sounds more comfortable. (Also when it comes to singing hitting high notes does not exactly make you a good singer....So Chiaki would have been better off training her lower register) But she did not have the chance to train it as much considering she had to keep up with Uno and higher parts. She does seem to struggle less than the other two but I think Shinjiro, Hidaka and Chiaki are around the same level with Chiaki just being slightly better. 3-Misako/Shuta I also think the two are on a similar level but three years ago I'd probably put Misako as third and Shuta as forth. So first I'll talk about Misako, similar to Naoya she has a nasally voice. I think Misako has a wide range but her nasally singing is actually limiting what she can do. However she has a decent voice control and her breath control isn't bad. Her high notes are a bit pushed but I have definitely hear her belt before so at least I know she can do that. Unlike some others I don't think Misako needs to have a 'powerful' voice to become a better vocalist but it would be better if she sings more using her diaphragm. Though I do think Misako is actually doing that on purpose to some extent because her singing has a more stylistic approach and she sings a very certain way that is more unique so I think she might sing that way on purpose. she does seem to be more well trained than most of the group though. Shuta has improved so much in the past year and he keeps improving. He seems comfortable in his upper register and does not seem to struggle as much with singing higher songs. His lower register seems to be quite limited and that's probably where he struggles more. He is not very good at belting but he has really good breath control. He also sounds less throaty but its still there. Though compared to Uno his capacities are more limited especially his head voice/falsetto needs more work. But he seems like he has better breath control than Uno does. Overall they are on a similar level. 2- Naoya very good head voice and voice control. His breath control is not as good and he does strain when singing higher notes. But his head voice is actually really good and I honestly think its a better approach then pushing your voice. He also belts really well. But his nasally singing has limited his breath control and sometimes he struggles when going low or very high. This is a general problem with having a more nasally singing technique it limits your voice. He is overall better than most of AAA and his head voice is very good! He is definitely one of the main vocals for a reason.(Also he has a likable tone but that's subjective) 1-Nissy I'm sometimes scared of how good he can control his breath while singing and dancing... Best vocal technique. Rarely ever strains and does not seem to struggle much? His dance moves are very intense sometimes but he still sings so well. His lower register is also very good considering he tends to be more high pitched. He is a smart vocalist and knows how to use his voice. he also has a good head voice and his lower register is also good? He is too good at everything its kind of scary...He does occasionally strain and sometimes pushes his voice but its extremely rare- He also doesn't have a nasal tone which gives him way more flexibility. Nissy is too good. When I saw his live performance sugar I was shocked. Is he human?(Though dancing and singing does not determine your signing ability but Nissy is a very good singer so it was even more surprising.) He is overall an amazing vocalist.

Can you feel Listen to me Can you hear I'm callin' you 君に届く ルートはいくつ? 言葉と、声と、そう体温(ぬくもり) リアル、だけど距離の持つ 微妙なニュアンスに、 惑い、揺れるYou and I I'm callin' you 090 trrr...毎晩のように 受話器の向こう、その素顔にCALL 言葉でキス、また言葉でハグ 不安を消す様に言葉選ぶ ただ画面に文字を記して、 ボタン押して済ませてた それだけじゃ きっと足りないこと、 わかっていてそうしたんだ 顔が見たかった 話したいこともたくさんあった 書ききれないくらいさ けれど日々に追われて、 いいわけして･･･ 君の中にいるぼくに伝えたい 素直な気持ちはいまもここにある あなたの中の私に届けたい なによりいまはまっすぐに、 会いにいこう 信じてる、って 諸刃の呪文 使い過ぎると不安になる モラルだけじゃ判別不能な ボーダーラインで右往左往するんだ I'm callin' you "@"".""/"に"■" ラブに比例する絵文字の数 メールでキス、またメールでハグ でも言葉は迷路、不安が迫る たわいもない文字の羅列が、 ひとり歩きを始める 時に小さな誤解さえも、 こじれてしまうんだ 触れあいたがった あの日のふたりはわがままじゃない あるがままの想いを、 ぶつけあいながら、でも受け止めてた 出会いの頃のふたりが呼んでいる 両手広げた胸に飛び込みたい いとしい声とぬくもり確かめて、 見失いかけた絆を 取り戻そう 君の中にいるぼくに伝えたい 素直な気持ちはいまもここにある あなたの中の私に届けたい なによりいまはまっすぐに、 会いにいこう

Ceux qui sont là de la vidéo de JD 🤚🏻

久しぶりに聴いた... AAAは私の青春だなぁ 秀太×にっしー、真司郎×直也くん の歌声が相性良すぎて幸せな気持ちになる 活動再開時には戻ってきてくれないかな 願ってる人はたくさんいると思う

절대그이

90% ><

コードナンバー777とどうなるの急展開のところみさちあも歌ってます。

君の笑顔に 間に合うかな? 舞い落ちる雪は砂時計 2年前もこんなふうに 駅から走った すれ違ってく恋人たちが 着飾った街を照らすけれど この世界の誰よりも 僕らの方がしあわせだよ ねぇもっと 仕掛けてよ その仕草 何もかもが 君の僕への贈りもの ひとりじめ(いつだって)していたいから "遅れそうなんだ"ってトークしてみる(待ってるね) 君のメッセージにドアがあるよ その気持ち開ける鍵は 僕だけ持っていたい 冬の街にはイルミネーション(キレイだね) 今日は二人で見る約束 ため息で消えてゆくよ そして胸に君がいる ねぇもっと 仕掛けてよ その仕草 何もかもが 君の僕への贈りもの ひとりじめ(いつだって)していたい 抱きしめたら「許さない」って 「ごめんね」もまだ言い終わらないのに 無邪気な笑顔に負けてしまう だからもっと 抱きしめるから ねぇずっと そばにいるよ 心まで温めるよ ねぇもっと 夢を見せて そのすべて 叶えたいよ 僕の君への贈りもの ひとりじめ(いつだって)してほしいから ひとりじめ(いつだって)していたいから

climax JUMPは有名じゃないのか..,

夜を溶かして行く程 君が輝くから 微笑んで欲しくて yeah 僕だって当然 oh girl 君に夢中なんだって言えば 照れて、はにかむ your my love そう おどけたふり ふざけてみたり 笑いあえる もういつもの街 僕ら二人 love love love love... この胸を、溶かしてく 少し 幸せすぎるよ... そう 街中が Forever ever... 僕を妬んで baby, you are perfect こんなにもすき。 今日 この日が Forever ever 続けば良いと baby, you are lovely そう 泣けるほど。 君は僕だけの甘い朝 ah..."perfect!" Perfect... Baby, you're perfect... 柔らかくて暖かい君の体温 触れればすぐさま溶けてしまいそう どう見てもバッチリな相性 一緒にいるだけで喜びも倍増 他の何も視界に入らないくらいに近くで君を感じたい そう おどけたふり ふざけてみたり 全ての仕草独り占めしたい もう いつものノリ 朝までparty love 邪魔なんて入れやしない この胸を 溶かしてく 少し 幸せすぎるよ... そう 街中が Forever ever... 僕を妬んで baby, you are perfect こんなにもすき。 今日 この日が Forever ever 続けば良いと baby, you are lovely そう 泣けるほど。 君は僕だけの甘い朝 ah "perfect!" これ以上なんて いらない完璧だよ 欲張りな時間この魔法が解けないように そっと願うんだ そう 街中が Forever ever... 僕を妬んで baby, you are perfect こんなにもすき。 今日 この日が Forever ever 続けば良いと baby, you are lovely そう 泣けるほど。 君は僕だけの甘い朝 ah..."perfect!"

韓国を凄く見習ってる感あっていい

-大好き-

一←

このメンバーでこの歌詞でライブの時のダンスで演出でもう一回見たい(´-ω-｀)‪🫶🏻‎🤍 ̖́-全員にマッチしてるな〜〜

Thank you so much for making this! My friends and I sang it together in a Karaoke room yesterday and we had a lot of fun! We would be excited to try if you can make more of these. On little advice from our experience is that if you can make the timing more accurate between the original sound and the beat, it'd be smoother! Plus, I think the original was a bit long, which makes the game less challenging whereas the beat of some songs weren't really satisfying ^^

二人、💓♥️❤️

隆弘西島

これ、これね、これさ、泣くよう。

これわね、泣いたよう。

you started doing bars for these videos ! i challenge you to use timers next 😼 /j