Ja, dit is alweer een tijdje geleden. Dat papier gemaakt van Espartogras is wel een unieke ervaring hoor. Fabriano verkoopt het ook. Esperantione heet het geloof ik. 35€ een velletje. 😁

Thanks Adriean, very welcome!

Ja het was even een test om in 4K te filmen. was een heeel groot bestand 10x groter dan ik normaal heb. Maar het beeld is wel mooi. en dat de aquarel ook nog leuk gevonden wordt is mooi meegenomen

Thank you very much!

Thanks Seija. I keep it harmonieus by using the same pigments throughout the watercolour. I look up Oland. We Watched here the Sandhamn murders. Beautiful island and houses. And Alexandra Rapaport was not bad either! ;-) I stopped watching when there was a new inspector. Jakob Cedergren was more convincing.

What brand of pigments are you using? Most ultramarine and earth pigments will granulate. But you need a bit of grain in the paper, and enough water to make the pigments float.

@@EdoHannema-Watercolour-Art I use Daniel Smith and M Graham. I will try to use more water to get more granulation effect.

With DS it should granulate. I don't know M Graham. Ultramarine and Burnt Umber or Sienna is a combi that always work.

😊 🙏 Thank you so much

I was in the mood, and it was raining the last two days, and today.

Drying depends more on the amount of water you use, and the humidity of the day. Thank you very much for the compliment 😊

Thank you very much

Nice to read, Thank you!

My pleasure, I loaded a first one up, and there were some mistakes. To load up the new one, the name must be different. so there is just this one.

@@EdoHannema-Watercolour-Art Oh I see, thank you for the clarification.

@@NorbertGrill But I don't know if you saw them all? There are a lot of landscapes on my channel.

@@EdoHannema-Watercolour-Art oh yes, I have seen them. I plan to copy them all.

@@NorbertGrill It is better for your personal growth, you only use the technique in your own work. That is my personal expierence.

Thank you very much. You can buy a Antwerp blue, that is much friendlier, but still a cool blue. Or buy study pigments. they are often less pigmented. I always preach that we all should start with study paint and cellulose paper. When you can control the watercolour with this, the pro material is a piece of cake.

Thank you Sue. It is so nice to read you like what I do. For me Maimeri was changing my watercolours. From one day to another I used the same colours. (I thought) And my wife liked my work more at once. Only because of Maimeri. I am thinking about Zoom lessons. But giving workshops is not something I would do. But you never know in the future.

I normally use a John Pike palette at home, this is my outdoor palette, so it is a bit small. But a john Pike is 2.5 times bigger, so it would take a lot of the screen size.

No, phthalo blue is just transparent. you have also Indanthrene blue, an dark blue that is transparent. But also Maimeri have a transparent cobalt blue nr 372. But it is a very light cobalt blue, almost cerulean like. The Venetian red from Maimeri is transparent, and it looks like Light red or English red. and those two last ones are opaque. But it does not matter if it is opaque or not, with enough water it will be good to make watercolours. Only when you are glazing, like several layers, it is maybe better not to glaze with pigments containing white.

Vielen Dank, guter Freund Wolfgang, Ja, ich male oft das gleiche Motiv. Oft, um zu sehen, ob ich mich verbessere, oder ob ich es auch auf anderen Papieren sehen möchte, die anders reagieren. Sehr oft mache ich auch eine Sommer- und Winterversion des gleichen Themas. Es macht mir besonders viel Spaß, es zu machen. Grüße Edo

I am fine, I do one a month. For me more than enough, but I can imagine some like more.

Thank you so much Rented.

Danke Ingo, Ja, ich hätte gerne mehr. Und ich gebe auch mein Bestes. Ich weiß auch, was es ist. Ich trete KZbin nicht bei, um mit dem, was ich verdiene, Geld zu verdienen. Und ich habe keine Ahnung, aber vielleicht werde ich weniger Werbung auf meinem Kanal haben. Für Google ist es natürlich besser, wenn ich meinen Kanal für Werbung öffne. Aber ich nicht. Grüße Edo

My pleasure, and good to read you like it a lot!

Thank you so much Kim.

Thank you so much.

I have just two. amzn.eu/d/5m9x7Ks amzn.eu/d/82FzLka

Thanks Jim!!

Thank you very much

Thank you very much.

Thank you very much

It depends on the palette I use, on one is phtalo green, the other Cobalt green, and I have palettes with Viridian. But all cool. When I mix I search for the right colour. On the Pike pallette I have a big mixing space, and flat, so I can see how the colour will be on the paper.

@@EdoHannema-Watercolour-Art Thanks Edo. Hope you have a great weekend.

Thanks

Thank you very much! RCS is my hero. I bought a video from him in 1991. And his techniques were a eyeopener.. I immediately thought, I going to use that technique in my own work. I ended up with three videos, and two books. I never copied a painting, but only used his techniques. And in fact you learn so little from copying a painting. Maybe you;re own work will be not as good as the copied one, but it is worth 4 times so much!

Dankjewel Wim. Ik weet altijd wel waar ik naar toe wil, en als het dan anders loopt dat ik het nog zo kan sturen. Ik maak natuurlijk al vanaf 1992 dit soort luchten, dat helpt wel hoor.

Thank you very much Ingo. Such a nice comment again!

I know there are a few on youtube that makes skies, whatever the outcome. But I know more or less what I want, and how I do it. Skies is always how I want it, when you look more demos from me, you notice a lot of different approaches. There is no good or wrong way, there are just a lot of ways.

Thank you so much Patricia.

Richard, Thank you!

Thank you so much JIm! Yeah the poles are a bit boring, But they make a good connection. If you can find the book from Tony van Hasselt, painting with the white from your paper. I can recommend it.

Thank you! That is a nice compliment!

It's in the description. Thank you very much

Have fun.

70% of a painting needs a dominant colour. Up to 90%. And a grey can have many nuances, especially if you mix it yourself.

I hope soo. Its just fun to paint this way.

I do this, because a lot of viewers paint along, but there are more ways to make the same watercolour. And every shape and colour, even the brushstroke I have to think about. it goes quick, when I paint on my own. But after 32 years you become to know what works. And still I see new things happening on my friends channels.

Thanks, I use in the beginning size 20, than a 12. At the end a rigger nr 1

That is so nice to read. Thanks

Thanks, its my pleasure.

Thank you very much, its my pleasure.

Thank you so much Adrian.

Thanks, I have now Sapgreen, and sometimes phtalo green on my palette. I could make sapgreen also from phtalo blue and a yellow. Because Sap green is a mix in a tube. Hookers green is also a mix from Raw Sienna and phtalo green. Viridian is a genuine green and really a pigment. Phtalo green is a synthetic Viridian. Another option is the use of Cobalt green as a cool green.

@@EdoHannema-Watercolour-Art thank you so much. Have you had Viridian in your palette at other times?

@@MelkamMengued For sure, since 1987 it is one of the pigments I have. Only it dries stone hard on my palette usually. Because Viridian is a Mineral, and together with Arabic Gum it becomes Amber. That is why they invented Phthalo Green. I bought a whole pan from that Phthalo green in 1987, and it is so heavy pigmented, it is still there. On a other palette than this one. I have a few more.

@@EdoHannema-Watercolour-Art Thanks Edo!