3 ай бұрын
7 ай бұрын
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@Sergey_lion Күн бұрын
Guitar factory under 200eur. Can be?
@maderaguitarras 5 сағат бұрын
Probably you can find it. But in Madera we have no idea about factory guitars
@JoseOchoa-dw9vk 5 күн бұрын
👏🏻👏🏻👏🏻❤️❤️❤️🙏🏻🙏🏻🙏🏻
@MarcusToscanoguitar 5 күн бұрын
🎉
@joseph8947 5 күн бұрын
Beautiful. God Bless You.
@maderaguitarras 5 күн бұрын
Thanks Joseph! 🤙
@MrArtrock 11 күн бұрын
Superwell explained thank you, how do you set up the height of the nut from the anvil for correct working depth to the tape? Greetings from Sweden***
@maderaguitarras 9 күн бұрын
Thanks!. Sorry, I don't understand your question.
@hampshirepiano6383 13 күн бұрын
Wouldn't the test need the bridge glued to it??
@mcone108 13 күн бұрын
If it were a test of the completed guitar, yes. However in this video example I was simply showing that individual modes can be adjusted independent of each other, which works whether the bridge is glued on or not.
@mcone108 14 күн бұрын
What I am demonstrating in this video are the underlying principles that we are now integrating into a bespoke machine, a 3-axis CNC machine that will automatically scan a soundboard or a completed guitar, and from that scan produce a 3D modal map which gives visual nodal information as well as specific information regarding modes, phase, velocity, and effective mass. This information is accurate and can reliably be used to make adjustments to the soundboard/guitar to improve quality and build more consistent instruments. It can also be used to acoustically scan any number of things, bridges, saddles, necks, etc.
@mikeoravec6785 17 күн бұрын
What you are doing by adding the Pink noise is very simular to the way Radio stations work (any analog broadcasting). The station broadcasts a "carrier wave" (which defines the coverage area) upon which modulation is induced (the information or content which we hear). A broadcasting carrier wave frequency is well above human hearing so it's not heard, just the modulation (content). This is is called heterodyning or sometimes Super heterodyning. Comparing the pink noise spectrum to the induced spectrum creates information for analysis. Besides, I love the sound of pink noise!!!.
@normbarrows2 18 күн бұрын
Can this machine revolutionize guitar making? Acoustics - maybe. Electrics - doubtful. Even if it's used to determine a superior top design, you still have to be able to reliably replicate that top. I don't exactly see CNC milling 2-3mm thick spruce tops to NASA tolerances. Hell, NASA couldn't even make the Hubble mirror to NASA tolerances!
@maderaguitarras 18 күн бұрын
Yes, you're right. This channel is just related to classical guitars.
@gimbo00069 18 күн бұрын
thank you so much, amazing videos
@maderaguitarras 18 күн бұрын
You're welcome. Very glad you like them.
@bradleybunk6463 19 күн бұрын
When a KZbin video asks a yes or no question, bet on the answer being no. Nevertheless, analysis would be great to understand how instrument design relates to sonics.
@maderaguitarras 19 күн бұрын
I know in KZbin there are many " titles" created for clicking purposes. But that question is very honest and real one. I very much wonder if this machine or some similar one will be in most of guitar workshops in the future. Cause I see so many possibilities and very useful data coming from it.
@bradleybunk6463 18 күн бұрын
@ thanks for the video. It is interesting and valuable!
@maderaguitarras 18 күн бұрын
You're welcome!
@hampshirepiano6383 19 күн бұрын
Hmm. Could we see the test on a guitar strung up to pitch. Then when it is un-strung . Also use a fiddle bow to energize the strings instead of the present popular method. It would be more revealing. The top plate undulates much differently when stressed with string tension. Also electromagnetic excitation is only good for certain results.
@maderaguitarras 18 күн бұрын
Interesting comment. Thanks.
@mcone108 14 күн бұрын
The video of adding a 2g weight to a precise spot on the soundboard to see the immediate effect on the wolf note was done on a guitar strung up to pitch. What is even more revealing is to then plot a 3D map showing modes, phase, effective mass, and velocity using calibrated excitation over a grid of the entire soundboard. A fiddle bow is not going to help with that.
@hampshirepiano6383 13 күн бұрын
Excuse me,,,,It might! --- did you try it? A fiddle bow energizes the string in a "naturel" way without electronic enhancement. I would be interested to see the results of such a test with your equipment. Wondering how the SB responds with,,, and then without 150lbs stress. Maybe you did that and I missed it.?? I have a particular interest in this subject so I may be asking questions. We use a fiddle bow to locate the feet of our footed bridge on our piano top guitars. On the anti-nodes, or the two loudest spots. These lateral nodal spots change with the width of the SB we've discovered. Longitudinal modal behavior another interesting subject.
@mcone108 13 күн бұрын
@@hampshirepiano6383 Yes, I'm familiar with using a bow to excite a string but I'm not interested in vibrating a string playing only one note, I'm interested in vibrating the entire soundboard (or guitar) over the entire spectrum at once in situ. This is why using a violin bow will not work for my purposes, although it may work for yours. It's a perfectly valid way, but it cannot be mechanized and it's only useful for what it will do. I use a calibrated "tap", precise, always the same, easy to mechanize. Luthiers have been tapping wood for centuries, I'm simply accurately measuring it, plotting into a 3D graph, and extracting as much information as possible.
@hampshirepiano6383 13 күн бұрын
@@mcone108 Thanks-------thinking about this. Aren't tap tests done before gluing the SB to the box?
@SL-1009 19 күн бұрын
Fabulous! Love the approach! Is there a way visualize multiple dimensions measured, like frequency, strength and decay time in a single 3D waterfall plot? Lots of computing needed for that I would guess.
@maderaguitarras 19 күн бұрын
Starting from it the ahead development of analysing data pre- and post- construction who knows where it will go...
@mcone108 14 күн бұрын
The short answer is YES! And that is what we are working on, the ability to visualize the 3D modal structure of the soundboard at whatever frequency we choose, including phase, effective mass, and velocity, using calibrated excitation (repeatable) over a user chosen grid of the soundboard or completed guitar. Since we develop the software as well as the hardware we can do whatever we like. We're interested in suggestions as well as feedback, and fortunately we have come to a point in technology that computing resources are now fast enough to accomplish the task affordably.
@SL-1009 14 күн бұрын
@@mcone108 That is great. Looking forward to seeing the plots! I would expect both myth-busting and support of acoustic guitar materials folklore. Might be interesting to apply this to saddles, bridges and nut materials too. But no doubt you have thought of that.
@mcone108 14 күн бұрын
@@SL-1009 We're building a very sophisticated tool that could be used in a number of ways, only determined by the imagination. It's going to take a minute though...
@vincent1951fly 20 күн бұрын
+++++
@michaelelwell7476 20 күн бұрын
Wow!
@Hawkeyes11 20 күн бұрын
Are you recording the guitar flat?
@maderaguitarras 18 күн бұрын
No EQ. And for reverb, I add a little.
@AV-flamenco Ай бұрын
Se habla mucho de teoría pero no hay ninguna demostración de sus guitarras... ¿qué sentido tiene? Mostrar las guitarras y algo de sonido. Somos guitarristas, no constructores.
@kokeskokeskokes Ай бұрын
I learned on a 13 mm and I live with it. It came handy when I picked up a double bass. I only leaned a soft touch on violin where you don't have to, and shouldn't, most of the time, press all the way to the fingerboard. Now I am designing my own guitar and I am still undecided on what action to choose. I guess I will go with heavy gauge steel strings, slightly longer scale length and low action to make the strings tight, as I play alternate picking tremolos with single finger flesh, and the nylons are jumping too much when I play loud, while the steel strings return themselves in time for the next stroke. I guess 2.4 and 1.6 mm could be good, plus the old guitar for playing violently.
@tritone3284 Ай бұрын
❤❤❤❤😂
@LemonField Ай бұрын
Tengo el honor de poseer una guitarra clásica construida por el Sr. Jesus Bellido. Es muy ligera con un sonido magnífico y muy cómoda para tocar.
@ahmadmansour9877 Ай бұрын
No tiene ni puñetera idea de lo que está diciendo. Explicar no es lo tuyo desde luego.
@lawrencetendler7747 Ай бұрын
Nice guitar design, the head and the rosette ,well done Ahmad .
@Joe-qw6il Ай бұрын
Mas o menos que seria el precio de una guitarra como esa--en España, gracias
@pedropicapiedra109 Ай бұрын
Lo primero es que nueva del taller no la vas a conseguir. Segundo date con un canto en los dientes si consigues una seminueva en alguna tienda de guitarras de luthier. Un saludo
@lawrencetendler7747 Ай бұрын
24:40 Spanish guitar maker Casimiro Lozano makes Double Top guitars .
@00vTv00 Ай бұрын
Wow, great interview with a fine maker, really enjoyed his insights and in depth explanations, lots to think about here, thank you!
@nozari28 Ай бұрын
Grazie mille!
@eloyhbermudez Ай бұрын
32:30 debe ser por eso que la mayoria de las guitarras de fabrica tienen una pesima afinacion ... me pregunto a quien se referira al final del video , alguien por ahi destruyo una leona "corrigiendo" las medidas ? 39:40 no me digas que le hicieron eso a una original torres ?? :o
@gergthims Ай бұрын
Great maker. What is the disadvantage of a zero fret? Lowest possible action, straightforward fitting and far less time-consuming. Sorry, ggeorge already said this.
@gergthims Ай бұрын
Great maker. What is the disadvantage of a zero fret? Lowest possible action, straightforward fitting and far less time-consuming.
@eloyhbermudez Ай бұрын
cuando dice triple a que se refiere ??
@maderaguitarras Ай бұрын
A la primera, segunda y tercera cuerdas.
@eloyhbermudez Ай бұрын
@@maderaguitarras Gracias !! este es el mejor canal de guitarra clasica en YT , exelente trabajo , la informacion que aparece aqui es invaluable
@maderaguitarras Ай бұрын
Muchas gracias Eloy!
@malone1560 Ай бұрын
Que hermosa guitarra...
@maderaguitarras Ай бұрын
Así es. Gracias Malone.
@gerardorosiles8918 Ай бұрын
This is the best video I have seen on this subject with a level of detail that does not leave doubts in your mind. At a higher level I can see many of the ideas can be generalized to acoustic and electric guitars
@maderaguitarras Ай бұрын
Glad you find it interesting. Thank you very much.
@celedoniomonje6693 Ай бұрын
Muchas gracias.
@maderaguitarras Ай бұрын
Gracias a ti
@ThiagoCP Ай бұрын
3:15 Joséf Pages 1825 (Cadiz) 9:21 Benito Campo 1840 (Madrid) 27:27 José Pernas 1846 16:35 Francisco Ortega 1872 (Granada) 22:55 José Ortega 1892 (Granada) 32:00 Antonio de Lorca
@joepworther2284 Ай бұрын
Great instrument...
@maderaguitarras Ай бұрын
Yes I agree, outstanding quality.
@Hawkeyes11 Ай бұрын
Do the guitars you’re testing all have the same make of strings?……..if they do which string s are they…thanks
@maderaguitarras Ай бұрын
Yes. Savarez Cantiga Nylon. Always Nylon. I very much don't like Carbon.
@Hawkeyes11 Ай бұрын
@@maderaguitarras thanks,never tried carbon might try it at least once to check out what all the fuss is about.
@JoseOchoa-dw9vk Ай бұрын
A great master is leaving a great legacy.
@vincent1951fly Ай бұрын
outstanding!
@maderaguitarras Ай бұрын
The guitar, my playing or both?... haha... I am joking... Thanks Vincent!
@lucamarty Ай бұрын
fantastic !!!
@KachipiO Ай бұрын
mi guitarra clasica la configure de la siguiente forma. uso cuerdas tension normal, cambie cejuela y selleta por unas de hueso real ya que da mas sustain y mejora bastante el sonido a la guitarra. altura en cejuela, (E .50mm) (A .45mm) (D .40mm) (G .50mm) (B .45mm) (E .40mm) y en selleta 2.75mm y no tiene zumbidos. para mi es la configuracion ideal, claro esta que cada quien tiene gustos diferentes, tambien depende la tecnica y forma de ataque con los dedos etc... creo que los zumbidos son mas propensos cuando bajas demasiado la cejuela ya que es mas delicado el ajuste. pero igual si no te quitas el miedo hacerle mantenimiento y ajustar tu instrumento entonces jamas podras tener un instrumento comodo a tus gustos y necesidades (solamente que pagues a alguien claro esta) realmente es algo sencillo solo hacer las medidas con precaucion y listo. ademas si estropeas la cejuela o la selleta todo tiene solucion. es facil de conseguir y cuesta 50 pesos mx. o 3 usd.
@qweasd60 2 ай бұрын
Sehr gutes Interview - Ich habe eine Andres Marvi Ceder Gitarre von 2004 (Nr.159) - ein phantastisches Instrument: voluminöser, warmer aber glasklarer Klang wie aus einer Glocke und einem Cello zusammen, ausgeglichen in allen Lagen und auf allen Saiten. Nach direktem Vergleich mit einer Ignatio Fleta (die auch Spitze ist) würde ich nicht tauschen. Weiterhin alles Gute Andres - Paul Hutter
@franciscoluque5950 2 ай бұрын
Gracias Javi por tu trabajo. Paco de Granada
@javilive8724 Ай бұрын
Gracias a ti, Paco🙏. Saludos
@javilive8724 Ай бұрын
Gracias a ti, Paco🙏. Saludos
@artvandelay1555 2 ай бұрын
Very well explained. Yes, there are so many factors involved that it is better to go in person and play a few different guitars because you will know it when you feel it, you do not need to bring your ruler to the shop even. The scale also will have some impact, 640mm will be more comfortable than 660 mm. i prefer 2.5mm on the first string if possible. Thanks!
@urielmatajuarez1183 2 ай бұрын
Hola Sergio!… muchas gracias por tu legado. Soy aficionado a la guitarra, y quiero agregar la construcción de guitarras a mis hobbies, y sueño hacer mi propia guitarra. Quiero preguntarte si tienes algún curso por internet, y si tu libro lo puedo conseguir en algún lado… o si me lo pudieras enviar a Mexico como PDF. Felicidades por tus logros, y que Dios siga bendiciendo tu trabajo!… quedo atento a tu respuesta… gracias!
@piceaabies8405 2 ай бұрын
La mision del tornavoz, es Ademas de modificar los bajos . Es proteger el interior , de la caja de la humedad del smbiente.
@amezcuaist 2 ай бұрын
At 18.5 he says "wolf notes here or there"---Well if you stick a tape label under the string and write what those notes are you will find they are all the same note . I had one with 5 dead notes --all on Bb--. Use some bluetack stuck on the bridge to make those notes resonate . .One guitar only needed 10.5 grams of weight to clear those notes . Substitute the bluetack with Stainless steel rod 1/4 inch thick and glue to the bridge under the strings with Evostik . Each dead note "cured" also improves the notes above and below.So you get three note improvements each time . This was on a Roca guitar with a nice tone .
@ggeorge4144 3 ай бұрын
The best sound comes from adding another fret where the nut goes. I have done this with my guitars. Then there are no adjustment slots to be concerned about, the tone is the same on open notes as fretted notes, and it plays exactly the same on all frets.
@amezcuaist 29 күн бұрын
Reading this again I find the idea of Adding a new fret very interesting .Thanks for the post . Bronze wire is a good material for that .
@MrArtrock 11 күн бұрын
Isn't it very crucial w placement + knowledge of zero fret to not mess it up? I have an excellent Swedish Lugnås with noll-band it plays marvellously***
@Hawkeyes11 3 ай бұрын
Sin dudas unas de las mejores entrevistas que has hecho,humildad y sabiduría ….pero que bonito poder terminar con el sonido de una de sus guitarras……. The cherry on the cake!
@maderaguitarras 3 ай бұрын
Gracias Richard!! Buena idea. Intentaremos para la próxima hacer algo así. Aunque se necesitaría equipo de sonido más acorde con esa situación. Pero lo vemos a ver si es posible. Gracias por la sugerencia!
@GinoBella-iq5cs 3 ай бұрын
Very nice playing 🎉
@maderaguitarras 3 ай бұрын
Gracias!
@GinoBella-iq5cs 3 ай бұрын
Bravo 🎉
@GinoBella-iq5cs 3 ай бұрын
Bravo 🎉
@GinoBella-iq5cs 3 ай бұрын
Real masterclass Marcus! 🙏🙏