你确定吗，能说个1、2、3？

Không bán, không có giá

Tôi có con voi như vây muốn bán mà kh biết giá

@@trantrung5625 Không có mức giá chuẩn cho đồ cổ. Bạn đặt giá cho bộ sưu tập của mình.

感謝指教

@@guoxiongli2233 感謝您的回覆.

以莲花或莲瓣作为器物之纹饰及造型，随佛教之传入而盛行，尔后更取其出泥不染之习性，寓意廉洁，广为各类器所采用。该器状似未盛开莲花，线条温柔婉约，高雅清丽。原器应与一执壶配套，为一温酒用器，晚唐至宋所常见。莲花碗呈十瓣莲花形，似宋代常见的注碗形制，宋代南北方瓷窑均有烧造，为宋代常见器型，此莲花碗造型比例适度，器身随花口亦呈十瓣，形似一朵盛开的花朵，凸凹与莲口相衔接，显得格外协调自然，美观大方。充分表现出莲花开放之势，器物青釉温润且有油腻质感，润泽如稣，有如网状大小开片纹。在圈足跟内壁和外壁的地方，有许多明显的缩釉点，缩釉点多为口小内大，露出铁黑色胎，为老器物的特征。此器采用垫饼垫烧，胎体较厚，釉面垂流形成紫口铁足，颇具艺术风韵，集观赏与实用为一体。 哥窑瓷器釉面一般都开有不规则的，大小不一的片纹，而且大小片纹的颜色也不同，小片纹一般是土黄色，俗称金丝，大片纹一般是灰黑色，俗称铁线，这两者结合起来就叫金丝铁线。开片大小相似的称“百圾碎”，弧形的称“蟹爪纹”。马未都说审美有四个境界，从下往上分别是艳俗、含蓄、矫情、病态。哥窑的审美是介于含蓄和矫情之间，是一种缺陷。比起完美的漂亮，哥窑天生的缺陷美才是一种难得的天赋。哥窑是宋五大窑系中的真正神话，无确切窑址，无公认器物，虽为世所向往，却只能于诗文中设想其芳姿一二。哥窑现在也成了五大名窑中疑问最多的一个，许多谜团都还等待我们去破解。 鉴赏要点：1、哥窑瓷器釉面开有不规则大小不一的片纹称为金丝铁线。2、哥窑瓷器裹足支烧的较多，也有垫烧的，比较少。3、哥窑瓷器有明显的缩釉点，缩釉点多为口小内大，露出铁黑色胎，为老器物的特征。 The use of lotus flowers or lotus petals as the decoration and shape of utensils became popular with the introduction of Buddhism. Later, its habit of emerging from mud and being unstained symbolized integrity, and was widely used in various types of utensils. The vessel looks like a lotus flower before it is in full bloom. Its lines are gentle and graceful, elegant and beautiful. The original vessel should be matched with a jug, a vessel for warming wine, which was common from the late Tang Dynasty to the Song Dynasty. The lotus bowl is in the shape of a ten-petal lotus, which is similar to the common pouring bowl shape in the Song Dynasty. It was fired in porcelain kilns in the north and south of the Song Dynasty. It is a common vessel shape in the Song Dynasty. The shape of this lotus bowl is moderately proportioned. The body of the lotus bowl also has ten petals along with the flower mouth, resembling a The blooming flowers, with their concave and convex shapes connected to the lotus mouth, look particularly coordinated, natural and beautiful. Fully showing the lotus flower blooming, the celadon glaze of the vessel is warm and has a greasy texture, as moist as a jellyfish, and has a mesh-like pattern of large and small openings. On the inner and outer walls of the heel, there are many obvious glaze shrinkage points. Most of the glaze shrinkage points are small in the mouth and large in the inside, exposing the iron-black body, which is a characteristic of old utensils. This vessel is fired on a cake mat, with a thick carcass, and the glaze flows vertically to form a purple mouth and iron feet. It is quite artistic and combines appreciation and practicality. The glaze of Ge Kiln porcelain generally has irregular flake patterns of different sizes, and the colors of the large and small flake patterns are also different. The small flake patterns are usually earthy yellow, commonly known as gold wire, and the large flake patterns are generally gray-black, commonly known as iron wire. , the combination of the two is called golden wire. Those with similar sizes are called "hundred garbage pieces", and the curved ones are called "crab claw pattern". Ma Weidu said that there are four realms of aesthetics, from bottom to top they are gaudy, subtle, pretentious and morbid. Geyao's aesthetics are somewhere between reserved and pretentious, which is a flaw. Compared with perfect beauty, Ge Yao's natural imperfect beauty is a rare talent. Ge Kiln is a true myth among the five major kiln systems of the Song Dynasty. There is no exact kiln site and no recognized artifacts. Although it is coveted by the world, its beauty can only be imagined in poems. Ge Kiln has now become the one with the most questions among the five famous kilns, and many mysteries are still waiting for us to solve. Appreciation points: 1. The glaze of Ge Kiln porcelain has irregular patterns of different sizes called gold wires. 2. The Ge kiln porcelain is mostly fired with feet wrapped around it, but there are also some that are fired on a cushion, which is relatively rare. 3. Ge Kiln porcelain has obvious glaze shrinkage points. Most of the glaze shrinkage points are small in the mouth and large in the inside, exposing the iron-black body, which is a characteristic of old wares.

Отлично, можешь прислать мне несколько фотографий?

@@guoxiongli2233 как? Я плохо понимаю , друг сказал нужен Имел куда отправить ?

@@guoxiongli2233 электронный адрес или Вацап, как отправить фото?

@@guoxiongli2233 попрошу знакомую девушку, она пришлет фото. Я не очень понимаю как . Она объясняла как , я не понимаю

Potters decorated each of the eight sides with three impressed, lobed, panels with the design standing out in relief. The panels around the centre were painted with a wax or grease resist before glazing, to ensure they fired in the biscuit, creating a contrasting colour. These biscuit panels depict two of the Eight Immortals surrounded by clouds. They are repeated twice and alternate with flower panels. The Eight Immortals are a combination of male and female historical and legendary figures, each identified by different costume and attributes. For example Zhong Liquan 鐘離權 is recognised by his top knots and fan, and Li Tieguai 李鐵拐 has a ‘grotesque’ face, walks with a crutch and carries a gourd.

Cảm ơn

농담하는 거야? 나는 당신에게 그것을 판매합니다.😀

感謝您的留言和賜教，我們很是讚同您的看法

Thank you for your support, I will try my best to make more and better videos

Sorry, there are a lot of Chinese professional terms here, I don't know how to translate them

我認爲畫法習慣符合不符合元代才是判別的重要依據。自然於否因人而異

好的，尽力弄吧，弄不直请多包含，让您耳朵受苦了

感謝您的留言、髮表您的看法，我們尊重和重視每個人的意見，我們會努力學習，鬼不鬼扯隻有鬼才知了。

成化瓷落款都是用青料书写楷书“大明成化年制”六字双行款围以青花双圈或双方框，也有极个别无边栏的。目前我不曾看见过有成化元年这样的落款，康熙仿有成化年制四字款。

如果瓷器有裂纹就是残器，有人定为“犹珍”，从艺术角度来看有些精品是可以把玩的，不过价格比完整器低，我的看法

感谢您的品评！

谢谢您的意见

我们的看法是这些类似的棒槌瓶是当时的出口瓷，在国外存量不少

您认为是晚清仿？

感谢您能留言，不要说对不起，您的品评对我们很重要，我们尊重每个人的任何观点，真诚地。

🤝

Thank you for your message. Some people are always self-righteous and pathetic.

坎 ơn

分不清就好好學習吧

本藏品是吉州窯，日本博物館藏的是建盞

坎 ơn

Welcome

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