Super excited on a follow up video of this horn really intrigued by the history behind it !

Feels a lot like lofi

Amazing! You are the best!

🎉

Thanks for the info about the Buescher horns, it makes me appreciate my 1949 Big B tenor a lot more!

i have a Leblanc harmon mute and it feels great!

Interesting video! The venting issues and setting proper key heights must be tough for a repairman. Cool possibility’s though.

which sounds better? Buescher 400 or a CONN 10M? and what about Play comfort between this two?

Buescher is my favorite vintage brand across all the voices. I have a true tone, alto, soprano and bass sax, a big b bari thay was a school horn that I found in a dumpster and with tlc still plays and plan on getting a tenor soon.

I have a gorgeous 1933 Conn transitional 6m. My search for my alto sax soulmate (which included Yamaha purple logo, Yanagisawa 9933, Martin Committee III and Selmer Mk VI) is over. To paraphrase Lester Young; "This bitch is for me".

you look a lot alike Sal Nistico lol

Sounds great

Add Marshal Royal from Count Basie's Band as a lifelong 6m player. I've also seen photos of Lou Donaldson playing a 6m.

Is this the "naked Lady" model? My friend has a 10M alto saxophone with a 3-digit serial number, but it's not the "naked Lady" model. He wants to trade it for my Buffet 18-20 tenor saxophone.

Does it olay???? 5:15 5:15

Love your videos and….. your tone! 😂 beautiful sound man!

this is really nice thank you... i

AWESOME BRO! WHAT MP are you on?

You get a nice sound on that 5 star link. I'm on a 8 link which is too troublesom to play

Very cool!

Mpc brilhart ebolin?

Insane that you got one in such mint condition! The Big B is my first professional horn too and I love it!

So sick!! Keep saxing it up buddy. Can’t wait t hear you play it :)

Interested in seeing some high-resolution photos taken for posterity!

It is too bad that that you dont show much of the instrument despite moving it about in your hands.

Thank you for this very interesting article! I'm excited to see what will follow.

Absolutely incredible that this still exists.

I think the forked e flat was designed for playing in keys that you won't play often if your native key is E flat or B flat, I find it more useful on my C Melody sax

A wonderful demonstration of a classic old instrument! Love your sound and inflections. I have a Buescher 400 Bari.

SAX TENOR CONN 10M É MÁQUINA !!!!! PÔR ISTO QUE A SELMER PÁRIS COMPROU A CONN USA . PARA EVITAR A CONCORRÊNCIA !!!!!

is that a Master Link?

you sound great and you make the instrument sound great! i play C melodies and C sopranos exclusively, and i totally agree with what you said about the 'non-existent weight' of tradition with this instrument. thanks!

Hello is this sax for sale?

I own a busher alto and so impressed with how warm the tone is despite how light the sax is. But I also own a Martin alto that would love to get some work on anyone u can suggest. ?

Hey 1st time listening your channel and I promise it won't be my last. Do u out a sax shop that make repairs?? Where u located?? Thank once again

Love it. Do the other brands make a C-Melody Saxophone?

The tone is beautiful, but I suspect it's 90% player and 10% horn.....

I just bought its sibling, number 334,234! I can't wait for it to arrive!

wonderful 🤩 where did you get the tshrit from?

a few other 6M players at various times were Johnny Hodges, Art Pepper, Boots Mussulli, Charles McPherson, Marshal Royal, Willie Smith, Tab (no relation) Smith...

Please,What mouthpiece did you use on this video?

Great informative video! It would be nice to have a wider shot next time so that we can see both hands on the sax. That way, we can see how and when you are using the alternate G#. Also, we would be able to see how to play the same phrase with and without the alternate G#. As it stands, you did a good job explaining the functionality.

Your voicing really brings the machine to life. Just picked up a C Melody and overhauling it for my son's collection. Good job.

A qualification about Snap-In pads...Yes, they were proof of concept for resonators in saxophones. And they greatly simplify a single-pad repair in the field. But you DO have to seat and probably also shim that pad! Doing a whole horn this way guarantees frustration. I tried it. $150 and a lot of time and stick shellac later, my tech had it singing.

H.N. White (dba King) doesn't seem to have made a lot of stencil horns beside their own Cleveland brand. They used shallow conical, clarinet style keycups, which might have betrayed the horns' origins too easily. OTOH Martin used beveled toneholes on their stencil saxes, just as on the brand name. But they're harder to spot at a glance.

It's tempting to call Bueschers a "classical" horn. It's part of the reason jazz players steer clear of them. Another reason is lack of name cachet - Buescher shared directors with Conn for years, and Conn got almost all the endorsement deals until Selmer started taking over the pro market. But there really wasn't a classical saxophone teaching/recital tradition in the US till it originated around Cecil Leeson in the 30s. (He played Martins, btw.) We got Sigurd Rascher as an emigré during WW2, and Larry Teal began teaching on Selmers after the war. However, there was a _pre_-classical precedent. Gus Buescher modeled his 1888 Conn on an Adolphe Sax alto whose timbre he liked. And he kept that horn, and modeled his saxes on it when he began his own company. He felt strongly enough about it to appear with it in a short film in 1924. It was a 1928 True-Tone that Rascher chose back in Germany, learning somewhere along the way that the horn and mouthpiece were inspired by Sax. In 1933 he replaced it with a New Aristocrat, which he played till retirement. This is the one sax _least_ associated with jazz (a shame - they're incredible instruments).

I've been told - mostly by old New York players - that you can't really get around on a 10M. I think they meant with scales, arpeggios, and a metronome, rather than just blowin'.

Great tone. Joel

Lovely tone..both 'Sax-sound' & 'C Melody 'Sound....What year is this sax?

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