BladesOfGrass

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@slendrmusic 20 күн бұрын

Nice

@cywiringwlad 2 ай бұрын

This piece really does remind me of intrusive night thoughts! Well done. 😋

@HarmonyvsDissonance 3 ай бұрын

This opens very solemnly. It's quite beautiful :)

@RachManJohn 6 ай бұрын

I really do enjoy this a lot more than Phasma.

@theclarinetjooddsandends3753 6 ай бұрын

The second pieced surprised me. Didn't know Beat Furrer used octatonic scale harmonies!

@PaulVinonaama 7 ай бұрын

yawn

@geanieollman2320 8 ай бұрын

Thank you for this.

@ZewenShifu 8 ай бұрын

based Furrer

@peterrobinson6904 8 ай бұрын

Pure musical crap

@GeorgesGondard 8 ай бұрын

Very evocative !

@mrtchaikovsky 9 ай бұрын

I always thought Janáček's style was so individual that no one could possibly build on it, yet here we are; a splendid quartet.

@arturoguadagnini4622 10 ай бұрын

Diarrea Music

@bobschaaf2549 10 ай бұрын

Major cuts in the scherzo!

@Lequerica 10 ай бұрын

Thank you so much for uploading this masterpiece!

@arnoldwohler 10 ай бұрын

Irgendwie eine Reminiszenz an Bartok ...

@1MrZackdaddy 10 ай бұрын

Jesus aint coming!

@hernanpiro 10 ай бұрын

35:42 des pas sur la niege

@WinrichNaujoks 11 ай бұрын

Music that sounds like a bad headache. After 10 minutes we get the idea, but then it goes on for a whole more hour!

@pnocella Жыл бұрын

1st rate performance by the Pavel Haas Quartet---the difficult harmonies/double-stops all "ring" beautifully! Bravo tutti!

@lylecohen1638 Жыл бұрын

They’re truly excellent musicians. Their performance of Prokofiev’s first quartet is also first-rate.

@lucabortoluzzi8103 Жыл бұрын

Hi, thanks for sharing! I was wondering which edition of the score did you used for the video, because mine (Barenreiter 2009) shows a different pedal indication at 11:28 . Thank you! :)

@michelprezman51 Жыл бұрын

Très chiant. Esthétique d'une autre époque qu'on croyais révolue.

@palladin331 Жыл бұрын

The quartet [founded in 2002] is named after the Czech composer Pavel Haas (1899-1944), who was deported from Czechoslovakia in 1941, initially imprisoned at the work camp Terezin, and finally murdered at Auschwitz. Although aware of the significance of the circumstances of Haas's final years, the group did not intend to make a statement about The Holocaust, but rather selected the name primarily because of his importance to Czech music and in particular because of his three string quartets, all of which they have now recorded. [Veronika] Jarůšková [first violinist] has said: "We know personally the daughter of Pavel Haas. She doesn't like to speak about the time before the war. She showed us some papers and a book he wrote about her when she was born." Jarůšek added: "She also showed us the reviews. Every review of his Second Quartet was bad."[5] [Wikipedia]

@handledav Жыл бұрын

furrer

@someroyee24 Жыл бұрын

Wow! Great and unique. I was really surprised at the last movement!

@armandobayolo3270 Жыл бұрын

I did not know this piece existed! Beautiful.

@phiphi2048 Жыл бұрын

Le chat marche sur le clavier Foutage de gueule.

@MischiefManaged-c5k Жыл бұрын

Whoa! Amazing

@brendonheinst464 Жыл бұрын

Just stunning piece of music. Is there any way to see the scores? I'd love to browse through them.

@thederpyunicorn306 Жыл бұрын

What makes this piece haunting is that this piece was written two months before he died of cancer.

@epicbird08 Жыл бұрын

hi bibobs amazing score

@Qwerty-t7q Жыл бұрын

2:27

@BradamanteMitKatze Жыл бұрын

I've been in love with this piece from the moment I heard it first, about 15 years ago. The second movement is still hard to bear in its depressiveness. - Could perhaps anyone help with some basic background information? I still don't know what or where the "Monkey Mountains" are ... ?

@palladin331 Жыл бұрын

The title of the quartet is somewhat provocative: in Czech, the "Monkey Mountains" used to be the nickname of the Vysočina Region (Moravian Highlands), an area once popular with tourists. The work was premièred in Brno on 16 March 1926, by the Moravian Quartet. The first performance was not well received, however: in the last movement, Haas added a percussionist, in combination with other unusual musical elements, and this daring experiment was not appreciated by the audience. Haas subsequently removed the percussion, though several modern performances and recordings have reinstated it.[1] [Wikipedia]

@johnnyfx82 Жыл бұрын

an absolute rarity in any Feldman score is the Fermate on page ?? of 34 (approx. 01:03:13)

@johnnyfx82 Жыл бұрын

especially love the longer piano solo sections 09:41 (page 4 of 34) // (21:57) 21:58 (page 9 of 34) // 01:02:31 (page ?? of 34)

@distantworlds9104 Жыл бұрын

no looping cat gifs 0/10 (jk you did an awesome job)

@valerieheinderyckx4506 Жыл бұрын

Puissant et mystérieux...

@Whatismusic123 Жыл бұрын

God, absolute beginners, with less than a month of learning, are more competent than this, literally. Modern art is a cult. It has nothing to do with "art" it just uses the history of art as an excuse to push a religion.

@Whatismusic123 Жыл бұрын

This is not music

@bladesofgrass9333 Жыл бұрын

thank you for your observation Whatismusic123

@johnpcomposer Жыл бұрын

Fantastic. So wild and invigorating...a wild strangeness that gets your blood pumping with new desires....

@kuang-licheng402 Жыл бұрын

nice

@psijicassassin7166 Жыл бұрын

Feldman's works are sonic snake oils people can float in as fetuses.

@feinburger5404 Жыл бұрын

furry

@BalysSheetMusicVideos Жыл бұрын

0:00 I. Krajina/Landscape/Landschaft 10:08 II. Kočár, koči a kůň/Coach, Coachmen and Horse/Kutsche, Kutscher und Pferd 14:54 III. Měsíc a já/The Moon and I/Der Mond und ich 22:50 Divá noc/A Wild Night/Wilde Nacht