This is definetelly by far one of Scriabin's sonatas that he had ever written!
@edyallreadygalaxy717Ай бұрын
The finale of this sonata is similary to the finaly of the Etude Op 8 No 12. Wtf dude.
@johnphillips5993Ай бұрын
Best recording of this piece by far. There’s just so much sensitivity in Pletnev’s playing. I like that he also takes time in the piece for the sake of this sensitivity, because it’s impossible to give this music justice if you just blow through it at a strict prestissimo tempo without taking time, like Pogorelich kinda does. Oh and the way Pletnev plays the coda is nothing short of magical.
@abyssofmymindАй бұрын
I don't like the way Pogorelich plays it. Pletnev is the best ❤
@johnphillips5993Ай бұрын
@@abyssofmymind he just warhorses through the second movement, and the 1st movement is way too slow
@ArgosSogra-d1qАй бұрын
kzbin.info/www/bejne/in2nl5-encmDeck
@HikariKrome3 ай бұрын
09:32 Low G#0 (unplayable note)
@FuckFeminists3 ай бұрын
It's so telling that the pretentious twats jump on this because of the name alone. If it's Scriabin then it reminds of a rue de la grand prix de lune merci le fromage, oh the soaring Chopin-like heavenly wonderment. If it's Faure, who actually founded the whole movement, however, then it's "not bad". The pretentiousness is ridiculous. Let me guess, you think Bach, Beethoven and Mozart are the best composers ever, but Wagner and Brahms are unfashionable right now. Oh, I mean, not as good. Ridiculous. This is clearly a really, really good composition. Is it better than everything Faure, Debussy and Ravel ever did? Of course not. But its fashionable now to think so. Pathetic zombeeism.
It reminds me of sunlight really trying to break through the dark clouds by dancing and almost achieving it at times ~ Gen 🌸
@tibetatakan4 ай бұрын
i came
@yazuky5 күн бұрын
same
@BoyevoyKabanStyopa5 ай бұрын
Shocking misreading of the text in bar 19!!!
@Dasewig_Weibliche5 ай бұрын
넘넘 좋다...
@gunwookim40478 ай бұрын
5:08 wow
@luck777y9 ай бұрын
3:05
@handledav10 ай бұрын
F
@최유안학생기악과11 ай бұрын
00:00 1st 03:05 2nd
@Kmlspwodkdkss11 ай бұрын
3:04
@andreamontevecchi664911 ай бұрын
01:00 William Tell
@BenBader Жыл бұрын
Nobody _breathes_ in this piece like Pletnev. His sense of time, breath, and his sensitivity for the long lines, are exactly what this sonata needs. The poem that inspired Scriabin depicts a joyous flight to a beautiful star. So often people play the coda like a violent rocket, but Pletnev plays it as if one were soaring on a rising volcanic plume, billowing through the air. Joyful and rapturous.
@CarloGinex Жыл бұрын
It feels like a gentle caresse from the sky. I remember it vividly, I felt astonished after I listened to this, all what was bothering me faded away in the sea in front of me. The quiet calmness peaked in me during the climax, where I saw my entire life passing beneath me. It's special, vivid,curious, changing,daring....
@vincenttong17646 ай бұрын
And not to forget to add: that the star is swallowed! What an imagination by Scriabin.
@cameronspeirs15882 ай бұрын
Haven’t heard a better performance….🎹🥇🍷❤️
@stravinskyfan2 ай бұрын
@@cameronspeirs1588 1st movement might be debatable, but 2nd movement, Pogorelich is the only one who gets it right
@stravinskyfan2 ай бұрын
Pletnev's playing of the 1st movement is superb, but he lacks the spirit the 2nd movement was supposed to convey. If you read the poem you'd understand.
@shimsham9113 Жыл бұрын
scriabin is in his own tier
@coreylapinas1000 Жыл бұрын
Very Wagnerian opening
@Jiji-i1i Жыл бұрын
3:05
@andrea1741 Жыл бұрын
I love this!!!
@maloikaulua Жыл бұрын
3:06
@piano_jhl Жыл бұрын
3:06
@piano_jhl Жыл бұрын
5:32
@m-vx8mx Жыл бұрын
3:07
@musicsubicandcebu1774 Жыл бұрын
Pianos everywhere live in fear of Scriabin.
@sociocrat263 Жыл бұрын
This is the best version ever. Forever
@realityproof_08916 ай бұрын
Imfind urgorskys better
@fabrigasan2150 Жыл бұрын
Pensa a quelli belli …😳
@avvocatostyle Жыл бұрын
Che vuol dire sto commento
@АнастасияЧерепанова-б5ф10 ай бұрын
@jeannotdenimes158 Жыл бұрын
Some firstfruits of the 6th sonata
@nahidhasan2568 Жыл бұрын
Das Video hat mir sehr gut gefallen. Ich werde mir noch mehr solcher Videos ansehen. Ich liebe dein Klavierspiel
@peter5.056 Жыл бұрын
Every time I hear this piece, I imagine that if Chopin had lived another 50 or 60 years, his music would have evolved into something like this. And I mean that as the highest compliment to Scriabin:)
@Whatismusic123 Жыл бұрын
did he play G natural instead of double sharp? 3:40
@themobiusfunction Жыл бұрын
Where is the Gx
@Whatismusic1238 ай бұрын
3:40 measure 4 @@themobiusfunction
@themobiusfunction8 ай бұрын
@@Whatismusic123 wait he did
@blob1010 Жыл бұрын
weirdly, i like pogorelich's version more.
@SpaceAgeOdyssey Жыл бұрын
A glimpse of heaven from earth. Scriabin had a divine gift.
@olimpic5144 Жыл бұрын
Brilliant music performed brilliantly. Michael Pletnev is a genius.
seriously I consider this as one of the most sublime works of all music history
@kofiLjunggren Жыл бұрын
100% agree with you
@emmanuelsebaali1767 Жыл бұрын
the sad thing is that some people would call such music *banging* , not knowing how much effort and time it takes in order to be able to appreciate such music.
@karrotkake9 ай бұрын
@@emmanuelsebaali1767yeah because it takes time to get used to and understand, and many people domt have the patience to appreciate this kind of music. they just hear it once and dislike it, thinking its gonna be the same when you listen to it again
@HelloSpyMyLie5 ай бұрын
No doubt. This is rare and singular music. I have a hard time putting anything besides Bach above it
@FuckFeminists3 ай бұрын
Pretentiousness. Scriabin and Bach are totally different musically. In Scriabin's area you have Faure, Debussy and Ravel, among others.
@yeuuxn2 жыл бұрын
5:33
@예성-z6t2 жыл бұрын
0:01 03:05
@yeuuxn2 жыл бұрын
04:07
@CH3CH2OCH2CH3net2 жыл бұрын
Busoni's musical language is such that on the occasions when he uses as major triad, the major triad actually sounds very dissonant! Busoni really should get credit for the creation of linear, dissonant counterpoint (which is usually attributed to Hindemith and Stravinsky).