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@CharlesWright-b6m 16 күн бұрын

Jimmy had full team talent max stacks jha jha n drop the ball

@DoNotReanimate 23 күн бұрын

Deutsches Kulturgut. Dieser Song muss konserviert werden. Auf dem Freundeskreiskanal ist er nicht mehr zu finden

@DoNotReanimate 23 күн бұрын

Ich will die Lyrics!!! 😂

@Max-Musik2 Ай бұрын

Erinnerung kommen wieder Hoch...FK10 Bruder HipHopFan Ever..Peace Suse

@leesage2876 Ай бұрын

😎

@fickdich8903 Ай бұрын

Der Track ist auf Spotify nicht abspielbar. 100% wegen dem Text. Sehr geil - Linker Sound gecancelt durch linke Idiologie

@G-Riv 2 ай бұрын

8-off Agallah on the beat 🔥🔥🔥

@johndutchman 2 ай бұрын

soooo good . Many Thanks

@adamkhan3563 2 ай бұрын

❤

@cleopatrawockyprincess333 2 ай бұрын

Here listening to this November 2024 this was my love song ❤

@nickvanamburg 2 ай бұрын

I think I finally figured out what this tune is. It's the love theme from "Scheherezade" (Rimsky-Korsakov). This version is reharmonized, and even the melody differs slightly, but there's no doubt it's based on that. Must have just been a mix-up of the titles.

@nickvanamburg 2 ай бұрын

How I found out: My KZbin homepage recommended a video of Dudley Moore's trio playing something called "Scheherezade." Clicked it on a whim and quickly realized it's this mysterious tune that I've been wondering about for years. I think Yamamoto's version was inspired by Moore's (or both have a common ancestor) since the reharmonization and melody edits are similar. Interestingly, Blues to East was recorded in July 1977, and Moore's live performance was in April 1978. Perhaps it was a somewhat popular tune for jazz musicians around that time.

@uwuoowo 3 ай бұрын

En conclusión mierdaaa pura

@MauriceMyers-e4k 3 ай бұрын

Love this song

@広川克司 3 ай бұрын

やっと見つけました。テープ持ってたけど借りパクされて、聴けてませんでした。ありがとうございました！

@VerenaFinke-Jalloh 4 ай бұрын

Geil

@NLPCoachingInstitut 4 ай бұрын

Awesome

@adrianlois6284 4 ай бұрын

Me encanta 🎶🎶

@adrianlois6284 5 ай бұрын

No lo habia escuchado nunca, que Swing 🎶

@giuseppecandiano5528 6 ай бұрын

Tsuyoshi Yamamoto, a name synonymous with elegance, precision, and emotional depth in the realm of jazz piano, has captivated audiences worldwide with his artistry. Whether performing solo or leading his trio, Yamamoto's music exudes a unique blend of technical brilliance and soulful expression that sets him apart as one of the finest pianists of his generation. Solo Performances: As a solo artist, Tsuyoshi Yamamoto demonstrates an extraordinary command of the piano, weaving intricate melodies with a touch of grace and sensitivity that is truly remarkable. His solo recordings, such as those found on "Autumn in Seattle," highlight his ability to convey deep emotion through his playing. The album is a masterful collection of standards and original compositions, each piece rendered with a touch that is both delicate and powerful. Tracks like "Misty" and "The Way We Were" showcase his nuanced approach to phrasing, dynamics, and harmonic exploration, revealing a profound understanding of the piano's expressive capabilities. Yamamoto's solo performances are characterized by a clarity and precision that allow each note to resonate with purpose. His technical proficiency is evident in his fluid runs and intricate voicings, but it is his ability to convey emotion that truly sets him apart. Whether interpreting a ballad or an up-tempo number, Yamamoto's playing is imbued with a sense of storytelling, drawing listeners into the narrative of the music. The Tsuyoshi Yamamoto Trio: While Yamamoto's solo work is impressive, it is within the trio format that his genius truly shines. The Tsuyoshi Yamamoto Trio, often featuring bassist Isoo Fukui and drummer Tetsujiro Obara, has produced some of the most compelling jazz recordings of the past few decades. The synergy between the trio members is palpable, creating a musical dialogue that is both intricate and intuitive. One of the trio's most celebrated albums is "Midnight Sugar," a recording that has become a benchmark for audiophiles and jazz enthusiasts alike. From the opening notes of the title track, Yamamoto's piano sparkles with clarity and energy. The interplay between piano, bass, and drums is seamless, each musician responding to the others with a sense of spontaneity and cohesion that is the hallmark of great jazz. The trio's rendition of "I'm a Fool to Want You" is particularly noteworthy, with Yamamoto's lyrical improvisations painting a vivid emotional landscape. Another standout album is "Misty," which features the trio's impeccable interpretations of jazz standards. The title track, a staple of Yamamoto's repertoire, is rendered with a sensitivity and warmth that is simply captivating. Throughout the album, the trio's dynamic range and subtle interplay are on full display, highlighting their ability to move effortlessly between delicate ballads and more robust, swinging numbers. Artistic Genius: What makes Tsuyoshi Yamamoto a true genius in the world of jazz piano is his ability to blend technical mastery with heartfelt emotion. His touch on the piano is both precise and expressive, allowing him to convey a wide range of emotions through his music. His interpretations of jazz standards are both respectful of tradition and infused with his own unique voice, making each performance a fresh and engaging experience. Yamamoto's compositions further illustrate his artistic vision. Pieces like "Blues" and "Autumn Leaves" reveal his deep understanding of jazz harmony and form, while also showcasing his ability to infuse his music with a sense of lyricism and narrative depth. His music is accessible yet profound, appealing to both seasoned jazz aficionados and casual listeners. Tsuyoshi Yamamoto stands as a towering figure in the world of jazz piano. His solo performances are a testament to his technical prowess and emotional depth, while his work with the Tsuyoshi Yamamoto Trio showcases his ability to create compelling and cohesive musical conversations. Whether interpreting standards or performing original compositions, Yamamoto's music resonates with a rare combination of clarity, sensitivity, and soul. For anyone seeking to experience the beauty and complexity of jazz piano, exploring Tsuyoshi Yamamoto's extensive body of work is an absolute must. His recordings are not just performances; they are profound musical journeys that leave a lasting impact on all who listen. www.candiano.com/

@bucker-vl9sn 6 ай бұрын

Love bless

@ВасилийГудков-е6ч 6 ай бұрын

Хорошо. Но название не соответствует музыкальному треку

@たろすもも-c9z 7 ай бұрын

オリジナル版も好きですが、こちらの前奏がたまりません😌

@bevnae 7 ай бұрын

Over a decade passes and I still bang this regular. Ahead of that curve.

@milkoura7085 9 ай бұрын

a q hora empieza lo chido

@VloeiBaar 9 ай бұрын

Still here! F outta here

@Enitityfrmdabush 9 ай бұрын

Classic🔥

@workoutswithsheca8629 10 ай бұрын

Beautiful song 1st time hearing it tonight❤

@れれれろんろん 10 ай бұрын

ＭＵＲＯ最高❤

@hehj8227 10 ай бұрын

I wanted to know can I find the none piano solo version of this ?

@ImpressionsRblx 11 ай бұрын

this piece is stupidly good. wonder why Puke as the title? the ending does give a sense of someone pouring out their feelings after bottling them up for some time.. a bit cliche and idealistic though

@EddieBrock757 11 ай бұрын

What sample is this?

@danieldenis9586 11 ай бұрын

Classic 🔥🔥🔥

@volkerhauff6565 Жыл бұрын

This vinyl is my most precious, i fully recommend it even though it's hard to get, or pricy as mastercut version

@artcritic7458 Жыл бұрын

Fukui only get the chords changes, the Am7 to Gm7, for normal listeners like us that song maybe get no sense, it is free improv, but put it 2x faster and you will see how Fukui understand it.

@TheEdu519 5 ай бұрын

Thank you very much for that comment

@aranassparkofom6841 Жыл бұрын

Unglaublich ich kann das Lied nicht auf Facebook posten wegen "Hassrede" das ist doch der pure HOHN.

@kolboy757 Жыл бұрын

NOE is like we got Jay-Z at home

@whatistimejb Жыл бұрын

I knew jay z love dip set....this shit fire.

@BladimirButin 2 ай бұрын

NOE ain’t jay z 😂😂😂😂

@01seb83 Жыл бұрын

He must have been inspired by these tunes when making his own tunes... Kingstown and 9 Samurai would sound perfect in this mix

@frassyute82 Жыл бұрын

Classic

@danielvas5850 Жыл бұрын

this is the melancholic sibling of the original

@samaraijake4444 Жыл бұрын

you shot the videos at majors studio I remember that place the vomit production in the background is a memory major taught me alot from 15 years old I would never have got into music like a did without his influence he also taught me about primary and secondary evidence a skill I use still now as a hebrew israelite I appreciate his efforts