My Man! Just found your channel, this is how i love to breakdown tracks when im trying to figure out what the big guys are doing!

Great deep dive into maximizing kicks for big impact. Thanks!

holy shit, so much value in under 5 mins! Amazing

Nice detailed video. How did you learn all of these different techniques inside of Ableton? I’ve been doing this for a little over a year and know only a little bit. Did you go to school for this?

Thanks for doing this super dope

This is really good… I’m new to making music, I would love a break down, it sounds great….Walker and Royce got me into this whole scene. I wouldn’t even know where to start 😂

good job bro

thats deep house not tech house

Awesome, thanks dude!

Niceee

when you're analysing those other songs and where their kick sits on the spectrum though, those are mastered versions so how can you tell where they parked it before their master limiters/maximisers etc? also you are one of the best proddy tut channels in the game if not the best, big ups!

This one is really a game changer man ! 🤯🤯 thank you so much !

More like this please - great video. What a great artist as well with Darius - he makes great house music.

AWESOME VID!

10:26 that's what she said

mad tip. great one :)

sick man, thank you!

thnx Zermelo

thanks bro. lotta sauce in here - glad the algo recommended your vid!

Brilliant !!

He's back! And with 5 hours of pure joy! Thanks Zermelo

Pack to track is a great idea as this is how I usually like to start. More please.

Boss Mike

nice track 🔥

Damn 5 Hours of Zermelo ? Thank You Boss <3

Bro, can I pay you to listen to my tracks and give me some pointers. We can do different prices for different levels of Instruction. You could listen to the track and determine what levels you would offer and give me a list of options. From like total track breakdown to just a couple pointers... I could package my abelton files and share them. This maybe a great option for bringing in some extra cheese.

Sick song! Im excited to learn along as a new producer. Thank you! 🙏

He is definitely cooking and now I want this track on spoti

How have I only just found this ?! 😢

I can’t seem to get the rack into ableton could you help?

The fundamental is the loudest part of the kick though isn't it?

Amazing and hilarious 😂😂😂

Which sample pack loops are from ?

This was awesome

Cool. 🥺 #whatuthinkofmynewtrack

Play your track first, not talking. Then show us how you did it. Taking advice from someone new who might make crappy sounds is a waste of time.

Extremely well explained- exceptional 👏 👏👏

Bro I’ve never listened to an hour long music tutorial but there was just too much value bro thank you 🔥🔥

Hey just curious about the 2 wooden panels behind the white panels? You didn’t mention them. Are they serving a purpose as well? Thanks

Wooooahhhh this is clean 🧼

Awesome video, well articulated!

great video learned so much

It did have a pitch lol everything has a pitch.

absolutly great tips and absolutly underrated channel. you have deserve much more subscribers bro

you’re a great teacher man keep it up!

The last tip is fire! It's other perspective about distortion. Thanks bro!

It works differently for different genres. For jazz, the kick and a lot of the percussion do not happen quite as regularly as they do in this particular genre. So I don't really want a regular 'bounce'. Instead of a bounce, my goal is to get every sound in the mix to be perceived more distinctly, and sidechaining can help do that. But I do get some bounce simply by using a multiband compressor on the full mix, which also raises the aggregate level and sustain of the softer sounds between the louder sounds, yet not during those louder sounds, so they do not compete as much with them. And of course, that bounce is different in four different frequency bands, so it's not as noticeable. I sidechain compress the bass only with the kick. When the kick and the bass happen at the same time, there is a possibility of destructive interference, or 'mud'. If you duck the bass ~5 dB during the kick hits, those become more distinct, and while it does pump the bass a little bit, you can't hear that because the kick masks that. Center-panned instruments, such as bass, snare, lead instrument, or vocal, and secondary solo instruments, I leave unaffected. Everything else, including the reverb sends, goes through a single bus which I sidechain keyed from the lead instruments. That way they cut through the mix a little better without having to turn them up. And again, this does pump things a little bit, but again, you can't hear that because the lead instrument masks that. On that same bus, I have a mid EQ dipped 3 dB from 600 to 2K, followed by a side EQ boosted at 3 dB at the same frequencies. This does not change the frequency response at all, but it pushes those frequencies and harmonics in that band a little further left and right (not really affecting the pan position), so they don't compete as much with the lead instrument, meaning the listener can echolocate the lead instrument a little more distinctly. It also makes the stereo image a little bit wider without having to use some sort of plug-in that does this by creating phase issues.

TYTYTYTY

Thank you we want more videos like this they are very interesting

Thank you very much! 🔥🔥🔥