Check the shy toggle. If that doesn't help, check the original download to make sure layers didn't accidentally get deleted in your project.

@@MaxonRedgiant will try, thanks!

It's an ad for how useful the new AE feature is! We're showing it in the context of our tools, but it's so great to use in so many ways!

If you look closely in the final render it actually does change

@@btraynes Not in a physically accurate way. But maybe that's what he's going for.

@@avideomakr When moving something reflective up and down in small amounts, if it's reflecting the horizon, there's only going to be a small change in the reflection. This technique gives you an easier way to control things to get the look you're going for.

@@MaxonRedgiant I've been around and filmed plenty of muscle cars with chrome emblems to know their environmental reflections do not lock onto the chrome object when they're moving through their environment, unless you're simulating a environment as vast as space itself.

Actually, this is just the lite version of Knoll Light Factory - it's been in Universe for a while. The full version that was in VFX Suite has been replaced by the (much more realistic) Real Lens Flares. Knoll Light Factory EZ is in Universe for folks who need flares in places other than After Effects or for folks who just need a fast, stylized flare and don't need the realism of Real Lens Flares.

The Adobe After Effects team have been doing a lot of workflow things like this recently and we're glad to see it.

Our suggestion would be just reverse the whole scene! You can copy and paste reverse keyframes for your camera and play your footage in reverse as well.

You are so welcome!

Glad it was helpful! Stay tuned to our social media - Michael has more Optical Glow tips planned!

Looks now responds much better to the host app color space and footage color interpretation in After Effects and Premiere Pro - does that help your situation?

@MaxonRedgiant No. Just add N-Log...

Thank you for your feedback. We'll pass the request on to the team.

The sprite controls have been simplified. Just choose a sprite and the sprite controls category will appear for you to do all your customizing.

There are options in Primatte to say "key this" and "don't key this". Watch this video for help: kzbin.info/www/bejne/sIqkg6SfjLl0qLc

We'd love to see YOU do it with this! Give it a try and share it.

@MaxonRedgiant Challenge accepted

That's unusual. Do you have any lights in your scene?

@@MaxonRedgiant Thanx for the Quick reply, an Update solve it.

We asked Michael. He said, "It's like the free add-on called FX Console, but with more features - for example, it can launch extensions like Flow and execute menu commands (among other things)."

@ Very helpful, Thanks

@@MajidAlabri you're very welcome!

Indeed. He said he had bright lights in his eyes and his monitor was too far away. (He has since adjusted his streaming setup so he can see.)

Good call!

Good question! Harry is alt-clicking on a preset which adds it to the existing setup instead of replacing it. And this specific preset has the emitter set to emit from a parent system.

@MaxonRedgiant thanks for the clarification!

Glad you think so!

We're glad you liked the tutorial! To export in 4K (or any other resolution), you will have to resize all the comps (and solids) and, probably need to tweak particle sizes or amounts if you're using the Form version.

@@MaxonRedgiant Thanks for the feedaback! I figured it out too!

Glad you're excited! Please make sure you tag us on social media when you share stuff you made with these tools, so our team can see it.

We'll mention it to the team. Hashi and Seth have fallen in love with Cinema 4D since they first tried it out on the show not too long ago, so it may be hard to tear them away!

Are you asking about how to move the camera around in the Designer? This page in the User Guide talks about navigation in the Designer: help.maxon.net/rg/en-us/#html/trapcode-particular/preview-pane.html?TocPath=Trapcode%257CTrapcode%2520Particular%257CThe%2520Designer%257C_____7

Glad to hear it!

oblivious ur alive!!!!!!!!!!!!

There are two options in the same AE project - an all in AE one and a Trapcode Enabled one. You can use the AE_Only Comp just by itself.

@@MaxonRedgiant thank you so much!

Considering Maxon is a German company, you'd think the crew would know better!

It's possible to combine many things together in After Effects. That was its primary purpose when it was built 30 years ago! So, it really depends on how you want to combine things. We can't think of any way to translate the ice technique Hashi is making here into Element 3D, if that's what you're asking. But you could certainly integrate ice things into scenes where you're using Element 3D using AE's lights and cameras together.

We're glad it's still making an impact!

Sorry for the trouble. Please check the pinned comment for working with DaVinci Resolve.

They should be working now. Please let us know if not.

Thank you for your interest. We do have the ability to subscribe for a single month at a time. Unfortunately, it does have to be for the whole collection and not just Particular. That said, for the month, you might as well make use of the beauty of Magic Bullet Looks, the ease of Universe, and the power of VFX Suite while you have them!

We agree!

We're glad you're loving it! We think it makes complex VFX in After Effects so much easier!

Trapcode does not come included with Adobe Creative Cloud. It is a plugin collection that we make! You can subscribe to our tools for a month at a time or for a whole year (at a discount). We also have student pricing available if you're enrolled in high school or university.

We're working on getting you more value for your money! We added a bunch of tools to our collection just last year! Pricing-wise, our tools are significantly less expensive now with subscriptions than they were with the old perpetual licenses. We're much more hobby-ist friendly. It used to be $1,000 USD for JUST Magic Bullet! Now, you can get Magic Bullet PLUS Trapcode, VFX Suite, and Universe for way less than that. (And, you no longer have to agonize over which tools you need - you just get them all!) We think $3,214 USD of software for $639 is a pretty good deal. (Or, if you just need it for a month, $85.)

@@MaxonRedgiantis there a way to buy looks without buying the rest of the things it comes with? Because I really want looks but I dont need the rest.