Thanks a lot!

Hi, I am so sorry for the late answer, but yes, the DJI RS2 handled the setup really well but I upgraded to the RS3 Pro this year and that one handles it even easier.

yes, exactly

Thank you so much. This means a lot! ☺️

My next video is almost done. Stay tuned! ☺️

While the ibis of the S5 is great, for most of the moving shots in this video, I couldn’t have done it without one. As soon as you start walking any ibis is gonna freak out unfortunately.

@@kunterbuntfilm yes, I was wondering about the circular shots if these could be done handheld. But I guess the gimbal shines for these.

😇

Always great to hear 😇

Thank u so much 🙏🏼

Freut mich sehr, dass dir das Video so gefällt. :) Die Phantom Luts gibt es an sich nicht für Vlog, aber mit der Hilfe von Davinci Resolve kann man das Vlog Bildmaterial in Slog 3 umwandeln und unter anderem dafür gibt es die Phantom Luts: www.joelfamularo.com/colour

Thanks! :) I got so many questions about how to use the phantom luts together with VLog footage that I am planning to make a video about it because it is actually super simple. In summary the trick is to transform the VLog footage into SLog footage in Davinci Resolve first and then putting on the Phantom Luts. :)

@@kunterbuntfilm Joel has released Phantom luts for Panasonic camera's a few days ago.

@@ruff1draft oh great, so then everybody can have these awesome LUTs!

Yes indeed I intend to use them on the Sony A74 and Panasonic S5 and Nikon Z5

I didn‘t use autofocus because it is so unreliable.

@@kunterbuntfilm do you recommend the s5 or sony a7iv for gimbal and handheld work filming stationary cars?

@@ThePistonPit This is a tough question. If you have invested in any lenses for one of the systems yet, I would go for that one. Even though I switched to a Sony a7 s iii the handling and built quality on the S5 was much better. If autofocus (especially in video) and better stills matter to you the a7 iv might be the better pick. In terms of video features overall and the low light, the S5 is slightly better. To name some superior video features on the S5: true cinema 4k, anamorphic modes, shutter angle. If you are completely starting out, the a7 iv might be the more expensive camera in the first place but the lens selection and pricing for emount is generally better.

@@kunterbuntfilm thanks for your reply. I’m just worried about having it on a gimbal and shooting cars close up etc and how the auto focus would be. There’s a deal going for the s5 with the kit lens and the 50mm f1.8… Problem is i got the a7iv with the sigma 24-70mm… thats the only lens i have, but long term would the s5 be a better choice. I can sell the a7iv with the lens, buy the s5.

@@ThePistonPitI mean that is your choice but if you already have this setup I would definitely stick to that. You get a basicly identical image out of the S5 and the a7iv. The hustle of reselling isn‘t worth it in my opinion. What I forgot to mention earlier are the way better codecs of the a 7 iv which are much easier to edit. And another thing is that both cameras have quite a strong rolling shutter effect so you don’t have a difference there either. I only had the 24-70 2.8 for over two years because it is the best all arounder on the market but if you really want that 50mm with a higher aperture you have a lot of cheap but good ones for sony as well. :)

Thank you so much! Conveying emotions is my biggest goal as a film maker and I am happy to hear when you felt that way. :)

Thanks, I shot everything in VLog.

The Sigma 24-70mm F2.8 was the only lens I used for this video. Everything was graded with the Eterna Phantom Lut.

Appreciate it! :))

So happy to hear that! 😍

Hi, I only use manual focus with the S5 because the autofocus is just not reliable at all and on the gimbal I used the electronic manual focusing through the camera but I was quite disappointed how jumpy it looked. So for a focus rack without these little steps I would use the external motor! :)

@@kunterbuntfilm thanks, hope to see more of your videos.

@@duykhiemphan412 Thank you, I am trying to upload more regularly! :)

It was all internal 1080p 4:2:2 10bit recording in VLog which was just upscaled to 4k in post. :) In my experience VLog is just the best color profile because even with the standard Lut it looks so much better than HLG because of the gained dynamic range.

@@kunterbuntfilm thanks so much for your suggestions 🙂✨

Thank you very much 🙏🏼☺️

It was all shot on the Sigma 24-70mm F2.8. You can see the detail on the gear used in the making of this video in the video description. If you have any other questions just ask me! :)

Thanks a lot! :)) I loved the setup and especially the camera, but because of the wish for better codecs and framerates I went over to Sony‘s a7s iii and I have to say it produces really nice images and the autofocus is awesome BUT the camera usability in terms of buttons and menus and the build quality is worse than on the S5 at three times the price… Lowlight performance is actually also basically identical to the S5. So what I want to say is: Stick to the S5 my friend and maby wait for a mark 2 or S6… Actually this was all shot in 1080 at 60fps, no 4k at all, because back then I had to save storage but I am actually surprised how good the image quality is in general and also in terms of detail even though the footage was lowres in today’s standard but it just shows how everything else matters so much more. :)

Love this footage. I also rock the S5. Idk why but when i compare S5 footage with A7Siii footage, the S5 seems always softer and somehow the image Pops more on the Sony in terms of the feeling of depth and detail in a picture. I wonder if i can achieve that with the right settings and grading.

Hey, thanks for the kind words and your sub. I try to upload more regularly. :)) Actually yeah, this is all shot on this single Sigma Zoom Lens but I love to hear that it gave you like a vintage vibe even though it is such a modern clinical sharp lens. This is what I was going for and yes I added the halation in post. :)) I really want to finally try out real vintage glass though! I have to admit, especially when I switched to the Sony a7 s iii half a year ago, I asked myself if I should go for the 24 or the 28 to 70 from Sigma (just for emount this time) and then I went with the bigger one again. The extra 4 mm played a big role for me at the low focal length but my advise would be to rent maybe just the 28mm one because it‘s cheaper to rent and buy of course and if you are fine with it in terms of wideness you can go with that one and save a lot of money and weight which is also a big factor of course…. But don‘t forget about the 2nd version of the Tamron 28-75 2.8 which is optically almost identical to the Sigma version. I would just decide depending on the price between these two. By the way the used market is great for all three of these. Ah, one last thing to consider is the weather sealing if you are not afraid of rain and have a sealed camera body I might go for 24-70 because it is weather sealed. So yeah. Sorry for this very long message that kind of escalated but I hope it could help you. Haha

❤️

Yes, this one was only handheld because it did fit the rougher Berlin vibe more I thought. Hope you like it. Paris was almost too much gimbal for my taste seeing it afterwards but there I just tried it out :)

@@kunterbuntfilm I like how the camera movement was slightly shaky handheld... love the rougher vibe.

Haha thanks. I try. I work as a freelance cameraman a lot and do not cut the videos so that I cannot upload them unfortunately. I give my best to post more! :))

Hey, the filter doesn‘t have an impact on image quality in terms of sharpness but definitely color (green shift) and also build quality… After a couple of months the play between the two parts of the filter became too strong so that the rotation was not smooth anymore so that I returned both the 2-5 and the 6-9 variant. Since half a year I am using the Nisi True Color VND and that one is nearly perfect in terms of optical quality (color and sharpness), build quality and in that it has the highest useable range of a screw on ND of 4 stops (1-5) that I know of, without any issues such as vignetting or x-pattern. I know one Nisi True Color is basicly double the price of one Freewell and you don‘t have the high ND numbers but I just use a solid 3 stop ND under it on sunny days and it works flawlessly. I hope I could help you in making a decision. Have a nice day! :)

@@kunterbuntfilm thank you. Will do my research :)

Danke dir! 🙏🏼

Hi, nice to hear from you again haha This video was also edited in Davinci Resolve. Of course I started with some basic color correction such brightness and contrast with the underrated HDR tool and then white balance. For grading I started with the Eterna Phantom Lut as a base, added some slight general color adjustments, then I tried to make the skin look as organic and true to life as possble and apart from that I just put on some halation and grain again. No vignette this time ;)

@@kunterbuntfilm The eterna phantom lut one you have i could not find it. How did you install it for Panasonic? Thank you so much for your time. This video is fabulous 👍

@@quickstrike209 Thank you very much and no problem. I like helping you out. The following link leads you to the official website for the phantom luts: www.joelfamularo.com/colour I now have a Sony a7 s iii, so I bought the luts for Sony two months ago but the great thing is that with the cst / color space transform inside Davinci you can use them with Panasonic VLog footage as well. You just have to transform the footage from VLog into SLog 3 and Sgamut 3 cine in the first node and then you can treat the footage just as if you had shot on an actual Sony camera. :)

@@kunterbuntfilm 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏 Thank you so much!!

You are welcome!

Hi, I colorgraded the entire video with Davinci Resolve. For this video I just wanted to do a film emulation inside Davinci which this software is known to be the best in but apparently it had some issues with the S5 footage / colorspace because in the shot at 00:51 the blue display in the background clipped really extremely in the blue channel with a harsh cut and that looked awful. So to answer your question, in the end I emulated the Kodak 2383 Film completely manually for hours primarily by adjusting the hue vs hue and the hue vs lum curves. On top of that I added some grain, halation and a slight vignette. I hop this answer could help you. I am really not an experienced colorist but doing my best. :)

@@kunterbuntfilm Man that was an awesome answer I really appreciate that. Last question what lut did you use to begin with. I have the Panasonic S5 and I can't seem to get my colors to cooperate.

Thanks mate. :) I shot everything in V-Log 1080p and started with the Eterna Phantom Lut as a base for grading.

Thanks!

@@kunterbuntfilm since the S5 camera is not an option for the Phantom LUTs …which camera did you choose when you bought your LUTs? Sony?

@@CreatorMelvin Yes, I bought them for Sony and just converted the VLog footage into SLog in the first node in Davinci… Worked flawlessly. If you want to know more about my workflow, you can look for the comment of Quickstrike 209 R where I went into it more detailed. :)

@@kunterbuntfilm awesome! Ok thanks will do!

Haha danke dir 😇

Thank you <3

Thank you very much. Nice to hear that my work on this paid out. :)) I added some halation and grain in Resolve but the grain is almost completely gone because of youtube compression unfortunately bit I like to keep it subtle… nice that you noticed it :)